Even in Florida (Florida. Winter 2005.)

 

Even in Florida

it gets cold enough

this time of year

that the leaves are pulled away

from their trees

with the acorns and pinecones

to explore the world alone.

The trees are left

with Spanish moss

as their only garments.

elderly left naked,

except for the gray in their hair.

The wandering leaves

make a cushion for my barefeet

as the lake fills my thoughts.

The water comes lower than ever now

and the lake looks still, tired.

Fall(ing) Breeze (Colorado. Fall 2002.)

 

 

I

 

This autumn wind is gold tinted

from the dust, remains

of a dry summer floating

in the air, pulled

into my nostrils, and settling

(for) on windows that have not been

opened in months.

 

Or maybe the wind is

doing his own interpretation

of the yellow wilting leaves

of trees happily surrendering

to sleep, well-earned, long awaited;

for these aspens have not slept in months.

 

But it cannot be –

the wind does not sleep and

he does not happily surrender.

 

II

 

The leaves are tossed

in a migrating gust

letting go to dance in a breeze

that could take them anywhere.

Let go, for even the ground is better

than someone else’s limbs.

 

How can these fair-haired leaves

dance freely if someone else

is spinning them?

Say goodbye to your tree.

The restless wind is calling you.

 

 

 

Creative Commons love to http://www.flickr.com/photos/vbenedetti/ on flickr for the photo! Grazie!

Resurrection Ferns (Florida. Summer 2005.)

It never did rain.

The ferns waited,

their spines hooked

over themselves as they knelt,

trembling and praying

that the sky

would not be afraid

to open up

to them and weep.

They lined themselves in rows,

a whole parrish

clinging to an oak

which could not resist

the pull

of a soft bed.

The resurrection ferns

held their spored breaths,

waiting for the day when

the oak would itself rise.

They repeated their visions

amongst themselves:

the oak will ascend and lead and guide,

pull himself free

of the nails of gravity

and escape death

for he is more than a man.

Yet all kings fall

and the ferns may wander,

seek out their own

source of water.

Or they may be still

kneeling, praying, waiting

for a rain that doesn’t fall.

Creative Commons love to http://www.flickr.com/photos/deanaia/ for the beautiful photo!

Moon on a Lamppost (Florida. Spring 2002.)

We

bathed

in amber

last night

getting stuck

with mosquitoes

under an orange sheen

which made things

not illuminated, but

notdark.

So, surrounded

by a personal 11 pm we sat

under a lampshade of  notdark

and tried to get our feelings

out.

Even sitting back to back,

empty bookends, we held orange

light between us

a sinister glow.

I could see that nothing hid beneath its gleam,

no beady-eyed monsters lurked

in the harvest colored bushes,

but I could also see only shapes,

as if my eyes were taking silent hours

to adjust to the light on Crescent Road.

That tiny orange                              kept me from being

moon on a lamppost                     scared and kept me from seeing

you.

Dry Flies (Thailand. Summer 2011.)

Dry Flies

Ten eyes blink
in an unfamiliar brightness.
You both almost remember
seeing this sun before.
Some time before the darkness,
before you slept with roots and grubs,
before your premature burials,
before the prime number
of years spent waiting.

The temperature is right.
It’s your four minutes, the soil urges.
Take it. Take it.

Seventeen years this moment has
grown and molted, hid and sighed,
waited and waited to sing.

It’s not time to store for winter.
It’s time to leave empty selves behind,
clinging to bark and dust.
It’s time to shed golden skins.

Vines pause their swaying,
mangoes hold their breath,
leaf corpses don’t even rustle.
The dog day is silent.

It’s loud at first, furious and brave,
drunk with the newness of light.
It’s not a matter of legs or violins.
Bodies resound as ribs rub together.

The song becomes a whisper
as you near each other,
gentler, like a snake in the leaves.
It’s no longer for coaxing,
no longer for the eyes of the trees.

Branches are split.

Later, much later,
buttressed trees will burst with children,
nymphs will rain from their twiggy fingers,
speckled-dust life and the promise of song
will fall to a summery, shimmery floor.

But now, it’s not time to store for winter.

Creative Commons love to http://www.flickr.com/photos/pennstatelive/ for the photo of “Cicadas” etching by Marilyn McPheron.

Childhood Landscape (Florida. Winter 2012.)

The landscape holds the deafening density of memory.  The needles of each slash pine burst with the recollection of some childhood experience just on the edge of my mind.  Each oak limb twists in the shape of a person long forgotten, whose name I would only recall if someone reminded me.    It’s as if the trees and Florida air are storing the memories for me.  They are my Giver, coddling reminiscences in case some day I might want them.  I’ve seen them all before.  Every sabal palm, every old oak, every casaurina.  I’ve left pieces of myself in the sap of each tree.  They whisper a promise to hold it, to free me, to lighten my load.  It is only in this way that I am able to travel.  In leaving behind the teenage worries and prepubescent fears, there is room for Thai macaques and Czech bridges.  But they are not lost.  The Spanish moss dangles with the whispers of elementary school friends.  Mistletoe glistens with stolen first kisses.  Pepper trees play melodies I know I’ve heard before.  Even the formations of clouds seem to materialize into shapes that I’ve seen, in the same sunset, over twenty years ago.

It’s Easier to Date Moon Rocks (Florida. May 2004.)

It’s a strange sort of orbit

the moon takes around the earth,

mesmerized by the amount of light the planet can reflect,

the way it shifts and writhes and is still

learning to be comfortable in its skin,

while the moon is only black rock,

the same trapped-oxygen rock

for three and a half billion years.

 

 

The moon must be ashamed,

because it always maneuvers

itself in such a way

that one side can’t be seen from earth

and when the sun doesn’t hit

the moon just right,

it rotates, its violet rays

can’t be seen at all.

 

 

The Earth has atmospheric clothes

that do their best to keep

its elements stable and it feels

few drops of newness on its crust,

while the moon gets to bathe

in meteor showers, a constant

sprinkling of new elements and it is molded

by each particle of dust that passes.

 

 

It’s easier to date moon rocks.

Pieces of my foot (California. Summer 2004.)

 

 

Pieces of my foot

have been falling off for days

small pieces

–hardening themselves

curling to mimic plastic

they boycott the work I force upon them

taking their chances

that seceding from my body will

allow them a better life

they each leave a younger sister

in their place

–tender sprigs of too new life

who yelp each time they are stepped upon

My foot, you see,

is out of place in shoes.

He is used to feeling

free grass between toes

hugged by cold ground

and these boots, well,

they send the skin on my foot

hiking.

When (The Netherlands. Winter 2002.)

When

Even the stars did not know where to stand,

flame filled the void with his partner the frost.

Waiting and teasing, they joined on the brink.

Moving to passionate swirls and then me.

I was alone with a blackness that fell,

speckled by wandering stars.  Nothing green

grew.  Not one shore, sea, nor cooling grey wave

sang the full song of a dying rich life.

I was alone in the dark, not a sound

reached my new ears and the noise of that drove

me to creation.  The sun and the moon,

made from my eyes, from my toes are the trees,

stones from my teeth and my eyelashes, snakes.

Now,

I am not lonely, but I was the first.