Dry Flies
Ten eyes blink
in an unfamiliar brightness.
You both almost remember
seeing this sun before.
Some time before the darkness,
before you slept with roots and grubs,
before your premature burials,
before the prime number
of years spent waiting.
The temperature is right.
It’s your four minutes, the soil urges.
Take it. Take it.
Seventeen years this moment has
grown and molted, hid and sighed,
waited and waited to sing.
It’s not time to store for winter.
It’s time to leave empty selves behind,
clinging to bark and dust.
It’s time to shed golden skins.
Vines pause their swaying,
mangoes hold their breath,
leaf corpses don’t even rustle.
The dog day is silent.
It’s loud at first, furious and brave,
drunk with the newness of light.
It’s not a matter of legs or violins.
Bodies resound as ribs rub together.
The song becomes a whisper
as you near each other,
gentler, like a snake in the leaves.
It’s no longer for coaxing,
no longer for the eyes of the trees.
Branches are split.
Later, much later,
buttressed trees will burst with children,
nymphs will rain from their twiggy fingers,
speckled-dust life and the promise of song
will fall to a summery, shimmery floor.
But now, it’s not time to store for winter.
Creative Commons love to http://www.flickr.com/photos/pennstatelive/ for the photo of “Cicadas” etching by Marilyn McPheron.
Lovely! I particularly like this:
“It’s loud at first, furious and brave,
drunk with the newness of light.
It’s not a matter of legs or violins.
Bodies resound as ribs rub together.”
I can feel the earth in this poem- very tactile style.
“Mangoes holding their breath”: “twiggy fingers” Lots of nice phrases. Great way with words.
Thanks!
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