Writing Roulette Results

 

She came dressed in nothing but the dust from butterfly wings and had dragonflies in her hair.  She shimmered with a silvery arctic sheen that barely covered her skin.  He wondered even if it was her skin.  He’d been in the mental hospital for so long that he wondered if humans had evolved this way, perhaps the climate was changing so much that people on the outside were developing ashen skin, burning in the sun until they came off on your fingers when you touched them.  He wanted her on his fingers like that, burned or not.

“I’ve been waiting for you,” she said. When she spoke, bumble bees came out of her mouth, whispering against his cheeks and wrapping him in honey.  They rested on his shoulders and chest, pollinating his skin.  He was hooked immediately.

“I’ve been here for years.”  He looked around to see if other people noticed her.  He didn’t trust his own eyes any more.

“You should have come sooner.”

“Why are you here?”

“Don’t you recognize me?” Her hair was white, long, silky strands, stronger than steel and he was caught in it.  Her eyes fluttered.   The bees which swarmed him tugged at something in the back of his mind, but she was too strange.  Her tongue curled and he was sure she was part insect.

Suddenly, her poetry came rushing back to him.

“Callie.”

 

Yesterday I posted a prompt about using various plot generators.  I wanted to share with you a little taste of what I came up with.  This came from one of the 5.1 million plots that Big Huge Thesaurus generated.  It was so inspiring as a prompt that it’s become a much, much larger (and still unfinished!) project.  I’ve shared the beginnings of it with you.  Has anyone else used any of these prompts?  What did you come up with?

Creative Commons love to Mr. Greenjeans on flickr for the amazing artwork.  Thank you!

Prompt: Writing Roulette: Plot Generators to Spice up Your Literary Life

 

 

 

Need a little spice and adventure in your writing life?  Did you make a New Year’s Resolution to write more and now your motivation is waning?  Did you join the My 500 Words Challenge, but can’t figure out what to write about?  Maybe you and the muse have just gotten into a rut and need a little more passion in your relationship.

Perhaps it’s time to leave things up to chance, play a little writing roulette and see where it takes you.  There is a huge array of plot generators out there, which will give you anything from a random sentence to hypothetical scenarios, to symbolism, to stories complete with weather and villains.  Here are some fun tools that might help get you through a little bit of writer’s block:

The Big Huge Thesaurus Story Plot Generator: 5.1 million possible story plots.  Just click the link for six possibilities.  Not inspired by those?  Just hit refresh until you find one that gets your fire going.  This one actually started me on a novel.

Plot Generator UK: This one takes a little bit more of your own input into consideration.  Choose a genre.  The options are Romance, Crime, Teen Vampire, Mystery, and Song Lyrics.  Or (my personal favorite) you can recreate a lost Bronte Sisters novel, complete with a well-to-do hero and a poor, lower class hero and a weather description. For this one, you can choose the names, jobs, descriptions, weapons, and hometowns of your characters, or the generator will suggest them for you.

Writing Exercises UK: This generator gives you characters, a setting, a situation, and a theme and you can put them together to create your plot.  If you don’t like one of the elements you’ve been given, just hit the button again to get a new one.  One of the exciting things about this site is that it also has other writing exercises, like a random first line, random title, subject or random words to use.  Very, very useful if you just need a little kickstart.

Seventh Sanctum Story Generator:  Another one where you can choose the genre, this generator gives more in-depth scenarios in Fantasy, Science Fiction, Modern, or Free-for-All categories.  These plots are interesting because of the details that they contain.  This website also has a What-If-inator and a Symbolitron, which might be my favorite find in all of the plot creators!

Hopefully this will be enough to get your writing juices flowing.  If any of these work out for you, please share the results with us!

 

Creative Commons love to Adam Lerner for the awesome photo!

You Must Be Crazy!: A Year-long Submission Bonanza!

Way back in July, I started my first Submission Bonanza!  This was an attempt to rack up rejections and embrace an aspect of writing that is difficult for me: putting myself out there.  My first Submission Bonanza was so successful and I learned so much from it that I resolved to keep it on the docket as something I did regularly.  I did another one in September and am starting to rack up more than just rejections from that one as well (news to follow!).

One of the habits that I resolved to develop in 2014 was to spend an hour a day on submitting my work to contests, literary magazines, etc.  I am hoping this means that I will be submitting something everyday, but there is a lot of work to do around submitting, so I’m not holding myself too hard to the number, more to the time I invest.  This, for me, is a year of forming habits over having goals.

In an effort to keep myself honest and also to share some great literary journals and contests, I’ll be posting a list here of where I submit to as I go.  Keep an eye on this spot for new magazines and competitions.  I’ll be updating it regularly.

  1. Classical Poets Contest
  2. California Genealogy Contest
  3. Glimmer Train
  4. The Paris Review
  5. Harper’s Magazine
  6. New England Review
  7. The Antioch Review
  8. The Southern Review
  9. EPOCH magazine
  10. The Gettysburg Review
  11. Yale Review
  12. Alaska Quarterly Magazine

Call for Submissions: Flash Frontier

 

Submissions now open

In 2013 we are reading and publishing on a bi-monthly basis. Each issue follows a theme. See our Themes and Announcements pages for details. Also see Archives to read past issues and get a feel for stories we publish.

February 2014: one way (submitted by Brendan Way and among the top five themes from the winter 2013 comp)

April 2014: scattered (submitted by Bruce Costello and among the top five themes from the winter 2013 comp)

What we like

We are looking for variety and originality. Tickle us, haunt us, gobsmack us. Choose your words carefully and leave our readers wanting more. And do it in 250 or less (not including title).

Please submit only previously unpublished works. If the work has appeared in any other print or electronic journal, we consider it published. If it has appeared on a writing workshop site, we will consider it but please do let us know, and we expect Flash Frontierto be credited with first publication if your work appears in our pages.

We love original art in all forms — colourful and daring, muted and understated. We’ll choose art each month which reflects the theme.

How to submit

Stories

  • Electronic submissions only. Submit submissions in an email to: flashfrontier [at] gmail [dot] com
  • Write Submission: month / theme (that is, name the theme, as in: Submission: January / Frontiers) in the subject line.
  • Place your story in the body of the email. No attachments, please. If your story requires unusual formatting, the editors may ask for an different kind of document to confirm your formatting requirements.
  • Include the title of your story, your name, and the whole text in the email.
  • Please format your story by using double spacing between paragraphs and no indent on paragraph beginnings.
  • Provide a brief biographical sketch (approx. 60 words) about yourself that can be included on our Contributor page. You do not have to include your bio if you have submitted to us before.
  • Submissions are due by the last day of the month for the following month’s issue. Each issue will appear mid-month.
  • Remember to count: 251 won’t be accepted.
Art
  • If you are submitting art, please send your work(s) as an attachment. Provide a title for the piece and tell us where the artwork originated. Artists may send up to five pieces for consideration at once.
  • Please provide a brief commentary (approx. 60 words) about your art submission.
  • Provide a brief biographical sketch (approx. 60 words) about yourself that can be included on our Contributor page. You do not have to include your bio if you have submitted to us before.

Payment and Rights

  • We do not pay authors for their work, but there will be prizes awarded quarterly and at the conclusion of our first year.
  • An author must own full copyright of the work submitted.
  • First rights revert to author upon publication, although Flash Frontier reserves the right to anthologize material originally published here in electronic or printed format.

Please direct any questions to us at flashfrontier [at] gmail [dot] com

Bursting out of You or Showing Up?: How to Romance the Muse

 

There’s so much to Annie Dillard’s The Writing Life that I feel like I should be reading it more slowly. Today I read 30% of it in one sitting and I could barely contain all the thoughts that it brought up in me.  I sat in the airport and both laughed and cried in the short time that I read.  Other passengers stared.   The ideal way to read it would be to read just one page or one section a day, and ruminate on and write about that one bit.  It’s so dense with wisdom, with feeling.  It’s the kind of book needs to be chewed, tossed on the tongue and savored.  It needs to be digested and felt.

The part I found most encouraging in the sections that I read was Annie’s descriptions of her own writing processes.  I see quotes like Bukowski’s “If it doesn’t come bursting out of you, don’t do it,” and sometimes feel that I am on the wrong track.  There are days when I sit in front of the computer screen and need to walk around the room, have a coffee, make myself a sandwich, have another coffee, and still it’s like pulling teeth to get anything out.  Some days I know that all that I wrote that day will be useless in the final draft.  In terms of word count for the work I’m wrestling with, I’ve done nothing all day.  I think about Bukowski’s quote and think about how it’s not bursting out of me, it’s not even coming out when I’m trying.  Maybe the muse isn’t smiling on me. Maybe I’m not chosen.  Maybe I’m just a fraud thinking I can write when really I can’t.

But Dillard experiences the same frustration.  The same feeling that it’s coming too slowly – or not at all.  She also makes her two cups of coffee and “fools around all day” when she’s trying to write.  The honesty and authenticity with which Dillard writes about her writing process and her struggle brings tears to my eyes, inspires me, and soothes my soul.

She writes, “Even when passages seemed to come easily, as though I were copying from a folio held open by smiling angels, the manuscript revealed the usual signs of struggle-bloodstains, teethmarks, gashes, and burns.”

Writing isn’t easy.  It’s a process, a life.  For most of my writing life, I followed Bukowski’s advice.  I only wrote when I felt like I was going to explode if I didn’t.  I waited, passively, for Calliope to smile upon me, to fill my chest and my mind until my hands couldn’t write fast enough.  In the last ten years, all this waiting got me maybe fifty pages of writing that I was proud of.  Sure, when I was bursting, my writing was good.  But I made a promise to myself that I would no longer wait for my genius to show up, but I would work at it.  And I’ve written the same amount of work that I’m happy with in the past six months as I had in the ten years prior.

Yeah, sometimes it’s wrestling.  And sometimes nothing comes out.  Sometimes what comes out is terrible.  But showing up means that Calliope visits more often.  It means that I have time set aside in my day to work, to think about writing. It’s not as easy as passively waiting for the muse, but the more often I show up, the more often it comes bursting out of me.

 

*This post is part of a series on the craft of writing called Reading for Writers.  This series examines a variety of authors to ascertain the choices they’ve made in their writing and the effects of those choices so that we as writers can make better decisions in our own writing. May contain affiliate links.

Is Writing Selfish?: What I learned from two years of blogging

Two years ago, I started a blog.  I was scared.  I had spent the better part of my adult life running away from writing.  In an attempt to cover up this fear, I had told myself that writing was just selfish.  Why did I think that what I had to say needed to be heard by other people?  What did I have to share that the world needed to hear?  I’m no expert in anything.  And really, isn’t writing really just narcissistic and self-centered?

But there was always this little voice inside me, this little part of me that felt unfulfilled when I wasn’t writing.  I travelled the world, teaching and volunteering in developing countries, devoted myself to helping people learn and grow.  I had the most amazing adventures and there was still something that was missing.

“If money were no object and you didn’t care about what people thought, what would you do?” my friend Ram asked me.  I didn’t stop to think about it.  “Write.”

But it was still too scary, too intimidating.  Everyone knows that being a writer is a tough job.  There’s no job security.  What if the muse doesn’t come anymore and you can’t buy groceries? What are you going to do about a retirement plan?  Worse than the practical issues were the emotional repercussions.  What if I bared my soul and no one wanted to read it?  What if I sent my writing to thousands of publishers and got thousands of rejections?  Am I strong enough to keep even through all of that?

So I did what seemed least risky at the time.  I started a blog.

I posted my first blog post steeling myself for negative comments or zero views.  Maybe only my mom would read it.  Perhaps that was all I could hope for, but hey, at least I would be writing.

That’s not what happened.

What did happen is that I learned the most important lesson that I’ve ever learned about writing.  I got positive comments, empathy from other WordPress writers and readers. People from all over the world read and followed my blog. I grew a writing community.

Can writing be selfish?  Sure, but it doesn’t have to be.

This is the thing about writing: writing has an enormous possibility for connecting with others.  Sharing your writing means sharing bits of yourself, putting yourself out into the world and trusting that other people will connect with you.  Every “like,” every comment is a connection.  Every description of scenery is a connection to that place.  Every word about an emotion is a connection with that feeling.

To me, connection, however fleeting, is what life is all about.  Each smile, each moment in the present, each shared experience with another person: these are the things that last once we’re gone.  These are the things that people will remember about us, and the things that we will remember on our deathbeds.  Writing is an extension of that.  Writing allows us to have these moments of connection with more people than we would be able to otherwise: people who are far away, people we haven’t met yet, people who were right there with us for the experiences we write about, and the people who couldn’t be.

So, thank you, writing community, for teaching me something that I really needed to learn.  I have no excuses anymore and nothing to be scared of.  Each time I write, I am fulfilling my highest potential – I am connecting, with myself and with  you.

A big thank you to Matti Vinni from flickr for the creative commons photo of  Essi Korva’s sculpture, Connection.

Reading for Writers: The Writing Life by Annie Dillard

Chapter 1.1

In her first chapter of The Writing Life, Annie Dillard begins to explain the complexities of writing.  She hones in on the process.  She starts with the importance of the word as a tool, a hammer, a pick, that gets to the root of the gold you are searching, plumbing depths and getting you closer to truth.  But she also asserts the need to know that many of your words will need to be scrapped, thrown away for the good of a piece.

This first chapter is a perfect example of sparseness that works.  Dillard moves back and forth between musing about writing and metaphors for writing.  For example, she tells of the inch worm that is constantly searching climbing a blade, “in constant panic” (7).  When putting forth her metaphors, she does not fumble with explication or transitions. Instead she boldly throws the metaphor out juxtaposed with her thoughts about writing and allows her reader to draw their own conclusions about the meaning and purpose of the metaphor.  This book would be a quick and easy read; this first chapter is a mere 21 pages.  But Dillard trusts that her reader will stop and parse the nuance behind her words.  This makes for an enjoyable, engaging experience for the reader and an excellent example of how to write in a way that engrosses the reader.

I loved her discussion of why to write word by word:  “The reason to perfect a piece of prose as it progresses – to secure each sentence before building on it – is that original writing fashions a form.  It unrolls out into nothingness. It grows cell to cell, bole to bough to twig to leaf; any careful word may suggest a route, may begin a strand of metaphor or event out of which much, or all, will develop.” (15)

Though she also discusses the merits of writing like a steam train, without thinking and just going, going, going, this quote really resonated with me and with the way that I write.  I love a little thesaurus.com and Wikipedia.org while I am writing.  Sometimes I feel the need to find just the perfect word and when I do, it leads me on a new idea or metaphor that runs away into the sky in beautiful swirls of words.  This happens also with Wikipedia. Often I have a question or want to know more about some small detail I am including and once I get into Wikipedia, I’m off on new paths that I never imagined but are wonderfully complex and inspire the piece I am working on to go further than I ever thought.

My creative nonfiction professor balked when I told him how long it took me to do our weekly three-page exercises.  I was often spending hours on an assignment that was intended to take only one or two. “You’ve got to learn to write faster. There’s going to be demand for your work and you’re going to have to fill it.”  I tried to explain that I wasn’t being overly meticulous or editing as I wrote, necessarily, but that my process for creativity and association took a lot of time and consideration to come about.

I love the non-linear, associative, over-the-top writing of someone like Tom Robbins (some of you might know that he’s one of my favie faves), who said in an interview with the New York Times, “The reason I write so slowly is because I try never to leave a sentence until it’s as perfect as I can make it,  so there isn’t a word in any of my books that hasn’t been gone over 40 times.” I think this kind of consideration and thorough thought about each word is exactly the reason that Robbins’ sentences are so jam-packed with meaning and imagery and purpose and humor.  They leave me both feeling full and always wanting more.  In the same interview Robbins says that he often starts with just a title, and you can easily imagine how you can go from just a title to a whole whirlwind of a novel if you building it word by word in this way.

The quote above from Dillard helped me to remember why I write this way.  After a failed (well, 17,165 words, which was excellent for me, but not the 50,000 word target) attempt at NaNoWriMo and a push from my nonfiction prof, I was doubting my process and this little aside in The Writing Life reminded me that my process is my own. It does get results and I do love what comes out of it.  So, I can let go a bit on this insistence on word count and instead remember that what I need to put in is time.  Sit so the muse will show up.  And when she does, I’ll be there, listening slowly and conscientiously, even if she gives me only 100 words a day.

 

*This post is part of a series on the craft of writing called Reading for Writers.  This series examines a variety of authors to ascertain the choices they’ve made in their writing and the effects of those choices so that we as writers can make better decisions in our own writing. May contain affiliate links.

 

 

Books for Writers: The Writing Life by Annie Dillard
Writing Tips from Annie Dillard’s The Writing Life
How to Be a Writer: Lessons from The Writing Life by Annie Dillard

Check out the Lightning Droplets Blog for writing inspiration from Annie Dillard’s The Writing Life. A book every writer should read!

Learn how to develop a writing practice and get useful advice for writers about how to cultivate a writing life. This writing inspiration can be used in all kinds of creative writing: poetry, novel writing, fiction writing, and memoir writing.

#mustread #writing #nonfiction #books #memoir #tbr #amwriting #tipsforwriters #inspiration #writinglife #creativity
Books for Writers: The Writing Life by Annie Dillard
Writing Tips from Annie Dillard’s The Writing Life
How to Be a Writer: Lessons from The Writing Life by Annie Dillard

Check out the Lightning Droplets Blog for writing inspiration from Annie Dillard’s The Writing Life. A book every writer should read!

Learn how to develop a writing practice and get useful advice for writers about how to cultivate a writing life. This writing inspiration can be used in all kinds of creative writing: poetry, novel writing, fiction writing, and memoir writing.

#mustread #writing #nonfiction #books #memoir #tbr #amwriting #tipsforwriters #inspiration #writinglife #creativity
Books for Writers: The Writing Life by Annie Dillard
Writing Tips from Annie Dillard’s The Writing Life
How to Be a Writer: Lessons from The Writing Life by Annie Dillard

Check out the Lightning Droplets Blog for writing inspiration from Annie Dillard’s The Writing Life. A book every writer should read!

Learn how to develop a writing practice and get useful advice for writers about how to cultivate a writing life. This writing inspiration can be used in all kinds of creative writing: poetry, novel writing, fiction writing, and memoir writing.

#mustread #writing #nonfiction #books #memoir #tbr #amwriting #tipsforwriters #inspiration #writinglife #creativity

2014 New Year’s Resolutions: Process over Goals

“How we spend our days is, of course, how we spend our lives.” – Annie Dillard

As I begin this new year, I can see that I’ve reached many of the goals I set for 2013.  I made some big goals.  I started an MFA Program in Writing, so now writing has become the focus of my life.  I’m studying writing, teaching writing, and most importantly writing writing.  I’ve gotten some good publishing under my belt and even won some awards and nominations.  This is, of course, extremely exciting.

As I look into 2014, I realize that what I really need this year has less to do with goals and more to do with systems.  My writing goal long-term is actually not to write a book or make money, but to build a writing life.  For me, this has more to do with habits than with milestones.

This morning I read an article on m.entrepenuer.com that suggested we trade goals in for systems.  It’s a pretty compelling argument.  The author asserts that goals suggest that we are not good enough in the moment, whereas systems give us something we can work at any moment and we will be successful just by virtue of working on them.  He goes on to propose that systems are more motivating in the long term because they release you from the emphasis on results and instead concentrate on the process.  Lastly, goals can often include aspects of things that we can’t actually control, whereas systems are always within our control.  For example, it might not be within our control to set the number of pounds we might lose this year, but it is within our control to set a number of hours each week to exercise.  Whether we lose 5 pounds or 15, we can feel accomplished by having gone through with the routines we’ve set.  Not only that, but this works much better in the long term, because we won’t stop once we’ve reached our goal, but instead we will have developed daily habits that support us in going even further.

The most helpful part of this article, for me, comes at the end.  He writes, “None of this is to say that goals are useless.  However, I’ve found that goals are good for planning your progress and systems are good for actually making progress.”  In some ways, this is what I’ve been doing all along.  When I do a Submission Bonanza!, my goal is obviously to be published.  But also, the decisions that editors make are out of my control.  What is within my control is that I am sending my work out there, on a regular basis.  Also, in doing the Submission Bonanza, I accomplished things that I hadn’t even considered in my goals.  Not only was I published, but I was published 4 times, highlighted as a featured author,  and nominated for Best of the Net.  I wouldn’t have set these things as goals, but the process that I followed lead to these things.

I, for one, have always been skeptical of routines.  How can you grow if you’re doing the same thing every day?  Are you living a thoughtful, authentic life if you’re just following a script?  But Annie Dillard’s above quote is making me change my mind.  How do I want to spend my life?  I’d better make sure that that’s how I’m spending my days.  That’s how I’m going to be living conscientiously.  Not by sitting mindlessly in front of the computer or the TV when I feel like it, but by being thoughtful about how I’m spending my days.  It seems to me that setting routines is an excellent way to be conscious of this.  Instead of being distrustful of habits, I’m coming to see them as cultivation, the planting and nurturing of seeds that need time and attention to grow.

So for me, 2014 will be about creating habits.  My resolutions will be processes, systems instead of goals.  So here they are:

My 2014 Resolutions

  1. Writing Treadmill: 1 hour per day on writing, also keep track, so that at the end of the week, month, or year I can look back and see how much I’ve accomplished.
  2. Submitting Treadmill: 1 submission per day (eep!).  This is basically a year-long Submission Bonanza!, but think of the results!  In terms of process, I’ll spend one hour a day working toward this.  This can include editing pieces, researching magazines or actually submitting.
  3. Mental, Emotional, and Physical Health: 1 hour per day on this, as well.  Yoga, meditation, running, hiking, whatever!  This semester (can I blame the busyness and my first winter?) I’ve lost sight of the importance of these things and I need to make sure that I’m devoting time to keeping myself sane.  In the long run, it’s more important than finishing that last chapter of reading for a class and I need to remember that.

Finally, I’ll leave you with a little more from Annie Dillard’s The Writing Life:

“How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living.”

Creative Commons love to Nikos on flickr for the inspiring picture.

Prompts to Start the New Year

 

 

I always feel like there’s an excitement in the air this time of year, a freshness that’s just waiting to be plucked.  The new year is pregnant with possibility and is just waiting for us to snatch it up.  In celebration of that, here are some revisited prompts to get your creativity and inspiration going.  Enjoy!

The Encyclopedia Game

Myths in New Places

Anagrams

Reimagining History: Rasputin

When the Goddesses Come Out

Write Fast

 

Creative Commons love to http://www.flickr.com/photos/bartmaguire/ for the photo! Thanks!