A Blister on the Land: Excerpt from The Snow Witch by Jaclyn Wilmoth

The Snow Witch Fantasy Novel Cover The boreal Witch Series


This post is an excerpt from the fantasy novel The Snow Witch by Jaclyn Wilmoth. You can find The Snow Witch at all major retailers in both ebook and paperback by clicking here.


To Lumi, Arctic Town was just too creepy. The birds were always watching and she stuck out like a sore thumb. 

From the air, the domed city looked like a blister on the land. A blemish where the pus of the place boiled out of its skin. They had arrived in spring as the snow melted down the dome, creating honeycombs of ice around the lower walls. 

“This,” Cole swept his arm out in front of him as they came in to dock, “is Arctic.”

As they stepped out of the dirigible terminal, the world of Arctic Town sprawled before her. The brightness of the place smacked her. The sun at this angle seemed to be magnified by the dome in which the city was built. 

It was more than just a town. It was an entire manufactured experience, like stepping back in time. The streets were bustling with people. The buildings had facades that looked like a frontier town. 

From inside, you could hardly see the outside world at this time of year. A thin veil of water ran between the dome and the ice-comb, making the forest outside shift and change in unnatural ways, its reflection distorted for those inside. It gave Lumi an uncomfortable feeling, as if nothing was what it seemed, as if she couldn’t trust her own eyes. 

Cole moved into the crowd and Lumi weaved her way through people to follow. 

Lumi felt herself drifting away on the stream of people as Cole wrapped his hand around her waist.

“You can always spot the tourists.” He gave her a knowing smile.

“How?” she asked, looking around. There was something off about it. The people swarming the roads all looked so similar. The same pale eyes, the same fine hair, the same set chins.

“The newness of their clothes.”

Lumi looked closer. The clothes looked old to her. Old-fashioned, like each person had just stepped in from a hundred years ago, as if they’d been riding horses, but there were no horses to be seen. Frontier clothes, horse hands in pristine condition. Everyone almost seemed to be in costume, as if they were wearing clothes that didn’t quite fit them. Denim and leather that hadn’t been worn before. The jeans were bright blue, the leather stiff and uncomfortable looking. 

Cole fit in here, in his denim shirt and tan moleskin pants. Lumi felt garish in her bright blue dress, out of place in her tattered but contemporary clothes. Here everyone else wore stuff that was old-fashioned but new. She wondered if they were even in uniform, the sameness was so exact. 

“But how can you tell? Everyone’s got new clothes,” she called ahead to Cole.

He smirked back at her. “Everyone’s a tourist.”

Lumi wondered what this said about a place, that everyone was a visitor. The trees even seemed transplanted. Even they looked uncomfortable, as if they too wore costumes that didn’t quite fit. 

There were birds everywhere, but no other animals. Each tree lining the street had several birds of different species looking down into the street, heads whirring from one side to another.

Lumi looked to the ground, wondering if there should be birdshit everywhere. There was none. 

The light shone bright in Arctic Town. She had to squint against it. Then claws clamped down on her shoulder. She shouted, swatting and trying to get away.

It was a magpie, perched on her shoulder even as she tried to run from it. As it moved next to her ear, she could hear the machinations beneath the feathers. This was no biological bird. 

The movement on the street around her had frozen. Lumi looked around. Everyone was staring at her. 

“Oh, it’s okay,” Cole said. He leaned his mouth toward the bird, as if he were talking into it. “Just her first time here.”

He nudged the magpie up onto his finger and flicked it into the sky, on its way.

The crowd murmured and slowly returned to the bustle it had been.

“Turning heads everywhere you go,” Cole said. “Good thing we’re here.” And he guided her through a wooden door as he opened it. 

“I feel like I’m being followed,” Lumi told him.

“It’s the birds,” he said. “You get used to it.”

They were only passing through, so she didn’t get used to it. 

Just as she had stepped back into the stream of vintage-clad, starched bodies, she felt a brush of fur and a firm grip on her arm. Some soul so old that Lumi couldn’t tell if it was a man or woman, so wrinkled as to be unrecognizable and covered in so many furs that the person seemed not to have a body at all. Just a wrinkled face and wrinkled hands in a ball of dead animals. 

The hands held Lumi’s wrists, and she looked toward the elder.

“Whatever you do,” the voice seemed to be garbled, as if it came from beneath the pelts. “Do not come here with child.”

Lumi pulled her hand away.

“You will disappear,” the elder said, releasing Lumi’s hand. “They are watching.”

The aged soul looked up to the birds in the trees. Lumi followed the gaze and when she looked down, the ball of furs was gone.

She was on edge for the rest of the time they were in the dome. Each time she looked outside, each time they went out, she saw fur rushing to hide. 

The Snow Witch, Jaclyn Wilmoth


Jaclyn Wilmoth lives in the boreal forest of Alaska, where she teaches creative writing, grows very large kohlrabi with her husband, and tries to keep her daughter away from no-no mushrooms and berries. Hauling water is her least favorite chore. 

You can follow her on Instagram and on Facebook.


Find more of my creative writing here. You can check out prompts and inspiration for your own writing here. And for posts about how to add more magic into your own life, click here.

Writing Roulette Results

 

She came dressed in nothing but the dust from butterfly wings and had dragonflies in her hair.  She shimmered with a silvery arctic sheen that barely covered her skin.  He wondered even if it was her skin.  He’d been in the mental hospital for so long that he wondered if humans had evolved this way, perhaps the climate was changing so much that people on the outside were developing ashen skin, burning in the sun until they came off on your fingers when you touched them.  He wanted her on his fingers like that, burned or not.

“I’ve been waiting for you,” she said. When she spoke, bumble bees came out of her mouth, whispering against his cheeks and wrapping him in honey.  They rested on his shoulders and chest, pollinating his skin.  He was hooked immediately.

“I’ve been here for years.”  He looked around to see if other people noticed her.  He didn’t trust his own eyes any more.

“You should have come sooner.”

“Why are you here?”

“Don’t you recognize me?” Her hair was white, long, silky strands, stronger than steel and he was caught in it.  Her eyes fluttered.   The bees which swarmed him tugged at something in the back of his mind, but she was too strange.  Her tongue curled and he was sure she was part insect.

Suddenly, her poetry came rushing back to him.

“Callie.”

 

Yesterday I posted a prompt about using various plot generators.  I wanted to share with you a little taste of what I came up with.  This came from one of the 5.1 million plots that Big Huge Thesaurus generated.  It was so inspiring as a prompt that it’s become a much, much larger (and still unfinished!) project.  I’ve shared the beginnings of it with you.  Has anyone else used any of these prompts?  What did you come up with?

Creative Commons love to Mr. Greenjeans on flickr for the amazing artwork.  Thank you!

Cassiopeia

She floated on her back in the water, looking up at the stars.  Her arms and legs flowed in waves that kept her afloat.  All around her, the phosphorescence of a summer’s night twinkled in the sea.  They left stars on her knees, her breasts, her hips and her toes.  A tiny star rested on the crown of her head.  With the sky as her full range of vision and weightless in the water, there was no up or down, no north or south and she spun.

She reminisced about how she got here, splayed amongst the ocean of stars.

She had been tied to the sea for as long as she could remember.  In her early years she sat on the beach, watching the waves hesitantly tickle the shore and run away laughing.  As a teenager, she wore fire coral in her hair and the skeletons of sea urchins on her fingers so that the ocean never left her sight.  Each time she waved her hand, each time she swung her head, the waves crashed around her.  As queen, she nestled herself on the rocks asking starfish and octopuses for guidance.  They never failed to disappoint.

You can imagine, then, how she felt when the sea turned against her.  And it all started with a tiny misunderstanding.

It was nearly sunset, that honeyed hour when everything glowed with leftover sunlight.  She was perched on the edge of a tide pool with her toes in the water.  Anemones and hermit crabs had come out to watch the twilight settle in.  She crawled to the watch the still, glassy water meet the shore below.  It was a mirror, as if the whole ocean held its breath in her presence.  “You are the most beautiful thing in the world,” she said to the sea.

From the peaceful crepuscular blue, the waters began to churn and boil.  The waves tossed angry white caps into the air and the nereids bubbled up from the depths of their silvery cave.  All fifty of them poked heads out of the water, glaring at her.  They were radiant, as if the sunlight soaked up by the ocean poured from them.

“Using our home as a looking glass?” Clio asked her.

“The most beautiful thing in the world, are you?” Halie mimicked, her eyes narrowing.

She was taken aback, unable to speak in their presence.

And just as suddenly, they were gone.

It was a mere three hours later when the tsunami struck.  The ocean pulled itself up to rival the mountains and came crashing down.  All of Poseidon’s power slapped her kingdom, leaving it whirling, in tears.

As the waters receded, she went back to the sea, her husband in tow, looking for answers.  She asked sharks and lobsters, kissing fish and dolphins, shrimp and sea turtles.  They all stayed silent.  Only the man-o-war responded.

“It will happen again and again,” his voice undulated.

“What can we do?”

“You must show you are sorry, humbled.  You must give something precious.”

“Gold? Jewels? Anything,” her husband’s voice strained.

“More precious.”

She felt her stomach drop. She knew even before it was spoken.

The jelly fish’s tentacles crept toward her ankles.

“You are the offender,” he directed his speech towards her.  “What’s most precious to you?”

At home, in their palace, the couple fought.  She had a daughter to protect, and he a kingdom.  Word of the man-o-war’s prophecy seeped through the city, out into the fields, and back to the sea.  Citizens came to protest, to demand the safety and protection of their king.

The waters receded once more, threatening the province, exposing a vulnerable beach and stranding  minnows and whale sharks on the shore.  You are minnows, it taunted the citizens.  Are you more powerful than whale sharks?

And what is a mother to do?  How many lives is a daughter’s life worth?  The king decided there was no choice to be made.

The parade of king, princess, queen, and citizens followed the retreating sea.  It seemed they walked for days, through seaweed and over sand dollars.  Crabs joined the procession and the people gathered starfish for luck on their pilgrimage.  Seagulls and pelicans pointed the way, leading the flock.  When dolphins were found stranded, women made stretchers from skirts and scarves and carried them to the sea.

All the while, all eyes were on her daughter.  They adorned her to make her the best offering the sea had ever seen.  They dressed her in seaweed and put fire coral in her hair.  They hung sea urchins from her ears and put shells on her fingers.  She was covered with the ocean, until she looked as if she were drowning in a Sargasso Sea.  Her mother could only look away.

When they reached the water’s edge the found a large rock, tied her to it, and left.

Back in the kingdom, the ocean returned, placid and inviting.  It gave up fish and lobster to feast on.  It sparkled an ecstatic aquamarine.  The offering had worked.

And because this is a fairy tale, her daughter returned, on the arm of a hero, saved from the briny wrath.

The kingdom rejoiced.  The king threw feast upon feast: for the generous ocean, for the princess returned, for the dashing new hero.  Even a wedding ensued.

But very little changed for her.  She had still lost a daughter.  When she looked in her daughter’s eyes, she did not see the bond they once shared, their tender secrets, the maternal adoration, the unconditional affection.  Nor did she see hatred or blame, resentment or hostility.  What she saw was much worse – pity.

Pity for a mother who would bring such a fate upon a daughter.  Pity for a woman who could not protect her child from a too-pragmatic father.  Pity for someone who could not speak up.

It was probably expected and predictable when she threw herself off the cliff into the sea.  The ocean received her with open arms, welcoming her home the moment she hit the salty sheets.  Wrapped in the waves, she laid on a rock, looking through the surf up at the stars and surrounded by phosphorescence.  The sea held her suspended, her arms and legs splayed so that she was a W.  The light landed on her head, her shoulders, waist, knee, and breast.  She flowed there, light and water, looking to the North Pole and never right-side-up, as she waited for her daughter, the hero, and her husband to join her.  All returning to the ocean of stars from whence they’d come.

Creative Commons love and a big thank you to TravelinginEurope and tristanf, respectively for the amazing photos.

Arachne

I don’t remember a time before I wove. I grew up in the fields, alongside my father and sheep.  There was never a mother around to birth me, nor was there any explanation given. My father had only the wool of his sheep to keep his bed warm at night.  He was known far and wide as the man with the purple flock, but this was a myth.  The truth was much stranger. 

Our sheep were the same muddied grey as the neighbors’.  The difference in the wool came from my father.  Alone at night, he would sit over the wool, refining and spinning it.  With his hands on the spinning wheel, tears would begin to fall, as if summoned by the whirring of the wheel.  As his feet pressed down, my father cried amethysts: tiny, shimmering mulberry tears which landed perfectly every time onto the rough yarn, turning it the color of violets and royalty, of pomegranates and jewels.  It was a color nature couldn’t keep and man wanted to grasp.

It was in this house that I learned to weave.  It seems I must have learned and yet… My father does not touch the loom.  He avoids it with a deathly fear.  I sometimes wonder if in playing with it as a toddler, I intuited how to use it.  Maybe it’s a skill deep in my blood that I inherited from my absent mother. Perhaps it’s older than that.

My days were always the same growing up, and yet they were never boring.  In the mornings, I would wake my father and we would tend to our dingy-cloud sheep, me, frolicking with the animals and him napping under trees.  He would cook us dinner and put me to bed and then begin his nightly ritual.  He would sob purple until piles and piles of luxuriant yarn lay in our kitchen.

It’s no wonder that he raised a daughter with amaranthine hair and orchid eyes.  It’s as if I were woven from the amethyst yarn.  And I always thought of myself that way, not born of a mortal, but as if I wove myself from magical tear-stained wool of my father.  Related to him, but not his.

It wasn’t long before I was using his salty, brilliant strands to weave intricate textiles. Each tapestry was a story I’d never heard, the detailed faces of goddesses and men looking out from it, caught in action.  More than just patterns or fractals, my weaving created whole worlds.  And being the daughter of a shepherd whose wool was already the talk of the town, it did not go unnoticed.  Merchants came to marvel. Princes came to purchase. Even nymphs took notice.  I will admit, with my father’s tinted tears and my nimble fingers, I felt that I was a god.

So I was not surprised when She showed up.  She came with a motherly demeanor and a proposal of competition.  I was stunned by Her, taken with Her owl eyes and glowing hair.  Though I knew it could not be true, I felt drawn to Her, as if She were the mother I’d been missing.  I saw myself in the creases of Her fingers and protrusion of Her chin.

“You’ve grown haughty, my child,” and I knew it was true.  But I wanted to show Her what I could do.  I wanted to make Her swell with pride at the fabric I spun.

She had brought Her own loom, and it sat immaculate in our sooty shepherd’s shack.  It seemed to shine and quiver, like everything She touched.  I yearned to tremble and sparkle in that way.  She sat and plucked at the strings, as if playing an instrument. She nodded at me to take my place behind my own loom and follow in suit. I started on my tapestry.  I could hear the strands under Her fingers sing as She strummed them wildly.   I dared not look up.  My eight fingers crawled over the loom, savagely spinning stories.  I worked faster and harder than ever before, until sweat dripped from my face, tiny black diamonds falling from my forehead into the pupils of characters I did not know, bringing them to life.  I could hear Her beside me, making Her loom cry out in a frenzied chant.  The narratives I wove became more detailed, more real, worlds within themselves.  Each thread held the vibrations of a universe and I could feel them all beneath my fingers, until I could no longer take the sensations: the sounds, the sights, the reverberations.  As I pushed the last strand into place, everything stopped.

I awoke to Her anger.  She stood over me, not with the concern of a mother, but with the fury of a god.

“The insolence…” She began, and my gaze followed Her golden finger to the two tapestries hanging side by side on the wall.  One, gleaming and golden, showed the glory of the pantheon.  Zeus threw thunder.  Poseidon’s trident created the very oceans.  Athena Herself inspired civilizations.  Mortals came from far and wide to leave gifts for the gods.  The other tapestry was beautifully dark with the gems of my sweat.  Zeus was a horny swan.   Dionysus could barely stand up.  And Athena aged a lonely virgin.  Along the edges, mortals glowed with eyes that were alive, that held the promise of death and passionate urgency of life.  They looked stunning and ephemeral and heavenly next to the gods.

I could feel Her boiling next to me and She flew at my tapestry, ripping it to shreds.  It was gone in an instant, tatters flying around the room as if it snowed tiny snippets of the stories I had spun.  Just as quickly, I felt a slap across my face and She was gone.  I was too shocked to cry.

I might have sat there for days, staring at Her weaving and at the tiny scraps of mine.  My father never came back.  I did not feel remorse, or hurt, or sadness.  I felt nothing, and that is why I did what I did.

It was She who found me, swinging from my father’s purple yarn, neck snapped and breathless.  Had She come back for Her masterpiece?  Had She felt remorse? Was She looking for me?  She took me down and cradled me in Her arms, holding me to Her chest, as if I were a babe sleeping.  I suspect She may have even cried.

She laid my limp body on the floor and held Her hands over me. “You’ll spin forever,” She chanted, again and again.  My chest raised up and my body became full and round. My eight spinning fingers grew long, longer than my body, longer than legs.  She kept chanting.  My eyes bulged, doubled and doubled, into iridescent black diamonds.

Now I am the mother I never had.  I call my children to me, black widows and wolves, funnel-webs and jumpers.  They gather round me and keep me company and I teach them to weave.

“You’ll spin forever.”  It was all I’d ever done, what I was born to do.

This post is the first in a series I am working on.

Creative Commons love to shelley1968 from flickr for the awesome photo.

Writing Challenge: When the Goddesses Come Out

 

 

Nymphs, goddesses, apsaras, maenads!  It’s May.  There’s a fresh exhilaration in the air.  Mother’s Day is coming up.  I have been incredibly inspired by all those bloggers who did the A-Z blogging challenge in April.  These things all fit together nicely in a little challenge that I am setting for myself.  This month, I am endeavoring to write about 26 strong, creative women from mythology.  So, the goal is to write 26 short stories, one based on a female mythological figure for each letter of the alphabet.  Feel free to join me, or to set your own goal for this month.  New growth and new beginnings are in the air!

 

A special Creative-Commons “Thanks!” to itjournalist from flickr for the photo!

Full Pink Moon

It’s the golden hour, and all the plants are glowing as I make my way up the hill.  The sky is shocking, pink and blue and purple, as if suddenly bruising from its collision with the earth.  I want to reach up and comfort its throbbing beauty.  The turning leaves soak up the last bits of sun and radiate as if they were autumnal lanterns.  They light my way as the air turns dark.

The turning of the season and my northern-hemisphere body are at odds.  It’s nearly Beltane.  My blood wants to dance around fires throwing the cozy scarves and mittens of hibernation wantonly to the wind.  My skin is expectant with the warmth of new beginnings, and yet the gusts here are becoming harsher.  I push on.  It’s not fall for me.

As the final rays of the day tuck themselves in behind clouds and hills, I reach the well.  The very sight of the clearing tugs at something inside me.  I finger the stones, making them melt and turn to sand, as if they were an old lover who’d been waiting for my touch.

In response, I remove my shoes and socks.  My toes dig into the dirt and rocks dig back into my soles.  The breeze lifts my shirt and grazes my belly.  It’s all the impetus I need.  The wind keeps nibbling at me, encouraging me, and so I tie my clothes to the hawthorn tree.

It’s cloudy tonight and I know it’s no accident.  The moon is hiding in the shadow of the earth, tucked in the darkness of her cave as if in hibernation.  She’s just waiting for her moment.  It’s an up-side-down celebration here.  The leaves are beginning to saunter away from their branches.   The night is still pregnant with the potential of sprouts and seedlings, even as Antarctic winds raise mountain ranges of goose bumps on my skin.

I start a fire and I know you will be here soon.  I wonder how many logs and how much kindling we will need to last through the night.  The moon is flush and full.  Beneath my feet, the phlox creep further and further from the well.  The pink moss stretches its feelers toward unknown lands, testing whether those grounds hold lives that it can live.  The dainty flowers look up to the moon and howl, reflecting her full, surprised face back in their flushed cheeks.  They beam on a night like tonight.  They gather in such numbers and their blushing blazes so brightly that even the moon blushes back.

You come with logs for the fire and no words.  Before long we have our own sun flickering before us. “Ne’er cast a cloot ‘til Mey’s oot,” they warned us.  It’s not quite May, but it is time to cast our clothes.  The cold of the April wind nibbles at our skin and makes it blush, in brazen mimicry of the pink moon.  The light is deafening, and I am exposed, as are you.  The heat of the fire makes my frontside glow.  The cold of the April wind turns my backside pink.  I am round and glowing, a perfect salmon moon.

We dance in circles, falling into orbit around the fire.  I am drunk on the pollen wafting through the air, and red, yellow, and brown leaves swirl around me.  I can no longer tell whether I am surrounded by flames or trees or both.  Stars leap from the fire, embers fall from the sky.  I collapse into the embrace of the infinite.

Lost in space like this, there is no north and south, no spring or fall, only the endless expanse of new fires being lit.

 

 

Creative Commons love to phil dokas from flickr for the stunning photo!

Fall in the Long White Cloud

It’s a wet kind of cold, the kind that still allows things to grow.  The cloudy sky and diffused light makes the green of the plants more striking and they glisten with the drops of rain.  Actually, the rain doesn’t quite drop.  The air is so thick with water that it falls in a mist, mot even heavy enough to be a drizzle.  It makes me feel like I am walking through a long, white cloud, as if I am so far above the earth that I am inside the sky.  Only the moss reminds me that I am at sea level.

The tree outside my window has been dying all summer, but now, in the cold of the autumn rain it has begun again to grow.  It also seems confused by these antipodean seasons.  It lost its leaves in the shining sun of the summer drought, and now that it’s fall, it’s sprouting new life.

The koru seem unsure about whether or not to open.  I am sure I’ve seen the ferny tendrils on my path tentatively stretch open, and now they’ve closed again, as if pulling back from the abrupt, damp, winter.  Their spiral fractals seem to contract and breathe, opening timidly and closing again.

It’s on days like this I long to be outside, to feel the growth and life.  The plants and ground feel full with the potential that the rain brings, bursting with possibility and expectant growth.  I want that potential, that possibility, that growth.

 

 

This is a little birthday present from New Zealand for my awesome, amazing, inspiring cousin, Janelle.  

 

Also, Kiwi Creative Commons love to Brenda Anderson for the photo.  Thanks so much!

A Letter to My Muse

My dearest Fulgura,

As the red of the pohutukawa flowers gives way to the red of changing leaves, it becomes achingly clear how long it’s been.

Do you remember when we went to the Bahamas?  We sat by the water together and told story after story.   It was New Year and my birthday and you gave me present after present of sea glass and sand dollars and mermaid’s purses.  I carry them in my pocket still and think of you as my fingers toy with them.  That was over a year ago now.

So much has happened since then.  I’ve spent nearly a year under the long white cloud and I’ve been distracted.  The craft breweries and aerial circuses have drawn my attention away from you.  I think of you often, as I hike under tree ferns or explore kelpy tide pools, I wish you were there to share it with me.

I can sometimes feel you near me.  I wonder on misty nights if you are peeking through my windows.  You feel so close.  I can picture your wet, mist-laden hair sticking to your face, perfectly framing your Antarctic-nipped cheeks.  Do you see me drinking pinot gris and wonder why I don’t invite you in to share some?  I wonder why.  I imagine you cuddled up next to me, a wine glass in your hand and your lips become looser and looser, knowing you can tell me anything.  And I hang on to your every word, holding you close and letting you know how important you are to me.

It’s completely my fault, of course.  I’ve taken you for granted, assumed that you would just come when I called. I know we’ve always been close and I just expected it would always be that way.  But deep down I know, you are getting frustrated with me.  I know that this relationship needs to go both ways.  Something needs to change.  It’s time for me to take responsibility for this.

In light of that realization, I have some news for you.  I am moving to Alaska to be with you.  I can picture it already, the two of us cuddled up under northern lights, huddled together in amazement at the impossible cold.  With nothing to do but admire the snow and share our stories, we get closer and closer.  I capture your words, as they fly into the frozen air and crystallize like snowflakes, each one the delicate fossilization of an idea, a memory, made solid so that we can share it with each other.   Venturing out to glaciers on summer days that never end.  I can promise you this: in the coming years you will be my focus.  I will give you the time and energy and attention you deserve, if you just grant me your company in return.

I want to show you how much you mean to me, and I intend to start today.  I’ll wait for you tonight, under our usual starry night.  If you feel the inclination, you can slip in beside me.  If you feel so inclined, we can catch up.  Or we can sit together in silence and relearn what it feels like to be close to each other.  And if you don’t feel like it tonight, I’ll be waiting tomorrow night also, and the night after that and the night after that.

 

 

 

In response to revisiting Elizabeth Gilbert’s TED Talk on Genius.

 

Also, creative commons love to Brian @HKG for the photo!

Her Memories Are Round. (Winter 2012.)

 They sit on the mantle and she fingers them slowly one by one, as if touching them brings back the sights and smells more fully.   They are self-contained, held in proper place by perfectly spherical glass walls, so that the snowflakes of experiences and emotions of each segment do not intermingle. Each one collects its own dust, attracting mites to its cause with sparkling reminiscences.   For each memory, an ornate, dainty pedestal calls out the name of the place and cradles the round, full memory that it holds.

Prague.  One of the few globes that has snow in it.  You almost can’t tell what century it’s from.  Bridges over the Vltava and Gothic architecture with snowy-tips.  It holds days that were ripe with inspiration.  It seemed that lightning was everywhere.  Circuses popped up in her favorite park and artists chased the buildings.  It was a country ruled by writers and it seemed that Milan Kundera was on every street corner.  Gargoyles caught the eye of old Communist statues from across the river and dared them to join in staring contests.  On tram rides to school, everyone was a character.  War widows and Russian spies, past lives and secrets sat all in a row waiting for their stop.   “Better Red than dead!” her grandmother joked, reminding her of past generations who once lived in this land, when it had another name and held a shameful family past.  This memory holds side trips to Cologne and Vienna, Budapest and Bratislava.  It’s one of the few snow globes that holds pieces of her family.  Aunt and uncle, mother and grandmother, all curious about this homeland.   Nightclubs filled with expats and whispers of absinthe.  Maybe if she drank what they drank, she could write like them.

The house itself is sparse.  Her movements make noises that echo off empty walls and bare floors.  As she places the snow globe from Prague back on the mantle, the noise echoes an emptiness, bouncing off bare walls and floors.

Alaska.   A summer that was constant spring.  The trees were always that new shade of green, as if they were permanently fresh.  Mountains grew into glaciers.  Snow was stuck in crevasses so that it didn’t float as you shook the snow globe.  This was closer to what she remembered anyway.  The water in the globe seemed to be cold to the touch, as if it had just melted, as if it had been melting these past 8 years.  It was bright blue, but not clear, like the run off from ice age giants.  There were toothpaste tubes hidden from grizzly bears and games to show you how to run zig zag away from moose.  Even the plants seemed like overgrown prehistoric remnants, with mammoth leaves and sabretoothed thorns.   There was no electricity or internet there.  Unconnected, but somehow much more connected.  She was sure she herself sat on one of those glaciers, too small to be seen, wrapped in the inciting cold.   The water was 39 degrees, and still she couldn’t keep from swimming.

She wonders briefly how many people have seen this globe.   She doesn’t keep her snow globes in order, chronological or otherwise.  They cluster together in the center of the mantle, as if vying for attention, at odds with each other.   Alaska might be in back most days.

San Francisco.  There are no row houses or piers in this one, like most people would expect.  She didn’t take home that Bay Area.  There was no Golden Gate Bridge jutting out from the water or Coit Tower thrusting up over the bay.   Instead she captured potlucks in the park and quiet BART rides.   No-pants parties and the murals of Mission Street swirled fancifully around pirate stores and parks and parks and parks.  The water in this globe churned, far from pacific, but alive all the same.  There were misplaced bison, grazing on grass from the Golden Gate Park.   At 4pm every day, the fog rolled in, keeping the globe fresh, sheltered.

And all the people from San Francisco stare back at her from inside the globe.  They don’t speak or move any more.  They stand as they were then, snapshots of friendships that only live in this one memory.

Thailand.  Water from the Chao Phraya fills the dome, so packed with life that you can’t see inside.  Water monitor lizards hide in the water as ochre-robed monks send turtles into the waves and birds into the air.  The globe gives off a mishmash of smells, each indistinguishable one setting off a strand of memories that seems unending.  Dried squid and fresh rain and jasmine and incense and sewage mix until you are no longer sure if you want to inhale deep or hold your nose.  Bodhi trees and strangler figs burst from the cracks, tiny parodies of each other.  Rambutan and mangoes and durian bob to the top of the riverwater, beckoning and repulsive in the same call.  Water hyacinth spurt purple blooms and ladyboys call to tourists from beneath temple gates.  Bangkok sparkles with grime and seems to drown in its own development.

Her hair had gotten darker in Thailand.  It went from a fiery red to an anonymous black.  She lived inside that globe so long that she could no longer look through the murky river out into the world.  This globe was both the majority of her adult life and also so, so far away.

The Bahamas.  Tiny sea biscuits float in what she likes to imagine is a little piece of the Atlantic.  Tiny periwinkle shells swim through the water and dance around a junkanoo parade.  The drummers are paused mid-beat and ready to strike.  Horns are held to lips as if they may scream any minute.  Feathers reach every which way.  The sand is pink, reflecting millennia of queen conchs sticking their tongues out at the waves.   The roosters never know what time it is, but it doesn’t seem to matter on the island, as long as you make it to the beach by sunset.   The globe held its own miniature Sargasso Sea, hiding the mystery of deep-blue depths and the growth of sea turtles and eels.  Mermaids’ purses and conchs burst with song.

This snow globe is her newest.

It is sudden and confusing when the house begins to shake.  At first it’s as if someone very large is trampling down the stairs, but in the back of her mind, she knows she is alone.  As it gets stronger, she holds the corner wall that hugs the fireplace for balance.  The snow globes begin to jostle and bounce, dancing side to side and right off the edge of the mantle.  They throw thirty years of dust into the air like confetti and she briefly wonders what they are celebrating.  They jump, glass heads first, freely into an ocean that begins to form on the floor, free diving out of their prescribed places.

The ocean they create is choppy and alive.  Gargoyles and Buddhist monks swim like fish amongst each other.  Gothic buildings and Alaskan mountains jut out from the sea like islands.  Friends from Thailand stare in awe at the aurora borealis that plays on the water.  Lizards play junkanoo while park-bison dance along.  The interactions are rich and charged.  Alive and fresh.

Creative Commons love to http://www.flickr.com/photos/_vini/ for the photo!

The Space Between Myths (Florida. May 2004.)

The Space Between Myths

 

            This is the English translation of a Coptic text that was first found in 1954.   I estimate that the codex dates back to the third century of the common era, during the formative years of Christianity.  This can be surmised because of the dating of papyrus used in the cover of the text.  The dates on this papyrus lead right up until 250 C.E., suggesting that this was the time that the codex was bound.  It was buried shortly thereafter, though by whom and why are questions which remain unanswered.  The original codex was found in Egypt, buried by itself in a cave.  I postulate that the text was buried because it was forbidden by the authorities of the day.  Yet someone must have believed that the work should be preserved, and hid it in a sealed jar, to be uncovered at a later date.

Though the text was constructed in the third century, it is apparent that the thoughts contained therein are much older.  The ideas contained in the manuscript seem to be those of an early Christian sect which revered Norea, a daughter of Eve. Though the text was not whole, I managed to fill in many of the gaps using context clues.  I have given the text the title The Space Between Myths and Realities, a phrase from the text itself because the codex seemed not to contain a title. The codex itself is probably also a translation, first from Aramaic to Greek and then from Greek into the Coptic text which we now have.

Actually, we no longer have the Coptic manuscript itself.  It is fortunate that I copied it when I did, since a short while later, the papyrus pages were swept away.  On a particularly blustery day, the papyrus was picked up by a burst of wind coming through my office window and carried off; the original manuscript was completely lost.  This was not the only setback to the translation of The Space Between Myths and Relaties, since the wind picked me up as well, making me fall out of the window as I was trying to save the manuscript.  I spent weeks in the hospital before my work on the text could begin again.  I must admit to many hours agonizing over the delay in the completion of my work with this text.  This work in particular drew me in and compelled me to translate its words to make them available to a much larger audience.

Though the codex was lost, we do have the original Coptic words, which I copied diligently in the weeks before the gusty catastrophe, and therefore, I can offer you the following English translation, the long-awaited fruit of a lost text.

– April, 2004

My brothers chant tales in my ear as I sleep at night and I wake remembering vague details, a slow, persistent hum in my mind, reminding me to feel ashamed that I am her daughter. sssser-pent-sssser-pent-sssser-pent-sssserpent  It is unclear if I am the serpent, or if it is my mother, or another entity all together.  More clear is the call to repent, whatever role the serpent, my mother and I have played, all parties remotely connected to the story are summoned by these nightly hymns to atone for their sins, for the sins of the world.

It was a turbulent time.

It was the night of menstruation ritual when the chants began.  I first heard them as my mother and I traveled toward the river.  It seemed as though the night was swollen with a deep whisper.   sssser-pent-sssser-pent-sssser-pent-sssserpent  It did not grow louder, but it was somehow more intense.  The words became sharper, the pronunciation more pronounced.  My mother, having my hand in her own, dragged me swiftly behind her, running wildly and seeming frightened, though she always looked like that, the heads of Leviathan seeming to twist madly at the ends of her locks.  Our feet splashed in muddled puddles as we ran, sending the spit of the ground upon our calves, anointing us up our thighs.

My mother stopped at the river which sprang out of the trees. The father of the Euphrates had tiny waves which were illuminated by moonlight, casting deep slithers of green on the face of the river.  The waves became scales reflecting moon reflecting sun burning.  I ran a bit past her, my ankles dancing in the stream of water, my hand still in hers.  The river hissed whispers of watery histories.  Shadows, I noticed now, drew trees on the damp ground, fuzzily, forcing interpretations of their interpretations.  They were far from trees.  The chants continued.  I wondered if my mother heard them.

My mother smiled at me.  It was the first time I had ever seen her lips curl upwards.  Her face seemed pained by the unfamiliar pose, her mouth twisted as her cheeks reached for her forehead.  It soothed me.

My mother began walking further; the water swallowed her up to her waist and she beckoned me to follow. I floated on my back, resting in the bedsheets of water as she grasped my wrists, locking our arms together.  I watched the moon move, round in its cycle through the sky. I laid in the water for hours, I knew.  And nothing happened.  The chants had been replaced with the splashing of water; all else was silent.

My mother looked up at the sky.  The moon silhouetted her face and she opened her mouth, her head leaning back, and swallowed the moon whole.  It continued on its path straight into her mouth, as if this was its destination all along.  She closed her mouth and the night become dark.  Her eyes seemed illuminated and she looked tempestuous.

I began to bleed.

Though I dared not look, I pictured the pulpy matter flowing downstream, giving life to the river, thousands of tiny red snakes swimming from between my legs and swirling around rocks before they disappeared under the small waves of the river.

The sounds of my blood leaving my body were too much for me, and I made noises to cover them.  Familiar.  sssser-pent-sssser-pent-sssser-pent-sssser-pent.  Faster. ssser-pent-ssser-pent-sser-pent-sser-pent. Further.  ser-pent-ser-pent-ser-pent-ser-pent. Failure. er-pent-er-pent-re-pent-re-pent.

My mother let go of my hands.

My fertility turned the water to wine, deeply crimson, yet flowing more freely than blood alone.  I wondered about the moon, if it was letting go of eggs that night, for it had been swollen and seemed ready to burst.

The chants have filled my nights ever since.

But I have not been separated from my brothers.  Apart from their dark incantations, I have not been singled out.  We run and play together; although I am growing breasts, the ritual has not served to keep me isolated from the men.

It was not Cain whom I first became close to.  As far as anyone could tell he was my least favorite.  I never spoke to him.

But you already know this story.  You do not need to read these words. They are only signs which will direct you to the place in your mind where this story already sits.  There are infinite paths to get there, and these signs may be misleading, crumbling under the weight of time before becoming paths themselves.  They may lean crooked, pointing in ambiguous directions, so you may want to stop reading and find another, more direct, reliable way.  Or you could continue.

It is true they call me a virgin,[1] but you may be misled.  They may also call me a whore, though they would be further off.  Both concern my first conversation with Cain.

“You’re too close to the trees.”  Calling across a field one day when no one else was around.

“I happen to like them.”  I did not look in his direction, but continued on my path.

He detached himself from the tree he leaned on.  I did not lean on a tree.

“You are missing out.” The words were thrust angrily in my direction.

“Perhaps you are as well.” Mine pumped back, my head barely in his direction.

“You are like me.” Sharp.  I did not wince.  My legs quivered with tension.

“Mistaken again.” He did wince; I had pounded him.

“You are bold.” He prodded.  I could feel the grass begin to sweat dew.

“I know more.” Firmly; yet I bared more than I wished to.  His skin was hard to peel. Mine would be as well.

“You are not alone.” It was a caress.

We were locked.

Indeed, nothing was taken.  Through childbirth and old age.  So, it is true that I am a virgin.

            In later years words such as mine would turn an arc to ash.  That was the power of my voice.  It is hard to comprehend that the apple gave the ability to recognize, and not always understanding.  They called me Na’amah then.  You see that they did not understand; though they were able to see the truth and rejected that ability, opting to know lies.  That was the true fall.  They shrieked my name into air that swelled with the sound.  It soon burst, sending the residue of those screams into new places.  But I am now Norea, and I use the air for my own purposes, making it hum with my voice.  You have the ability to understand.

            Yes, I have heard the stories about my mother.  But you can only trust stories so far.  There is no way to judge how true they are, even when they begin to happen to you.

 

            It was the first time I had seen Samael.  But I knew immediately that the figure standing before me was it.  I had heard descriptions of it from my brothers.  It had a full mane of white, which grew almost as low as its sagging, wrinkled breasts.  In some ways, it had the look of a tortoise, which at any age seems old because of its redundant folds of skin. It was so pale as to be translucent and glowing.  I did not know if I should be afraid.

It stepped.  I stopped. It was not with its eyes that it saw.  Energy radiated from them; they took nothing in.  This was a form it took on for me, only so that I could see it. There was a certain awe evoked in this form, for though it looked disgusting, it shone even in the daylight.

Turn your head.

It stepped. I wept at the pleasurable cruelty of its image.  Again and it was closer.  I was rock, and shivering.

It began to speak… “Your mother came to us.”  Pricking my ears.

“You must render service to us, like your mother Eve; for I have been given dominion over you.”  My lower jaw forced itself upon my top teeth.

Its spell on my eyes broke.  “You are accursed.  I am not your descendant.  You do not know my mother.”

It jumped for me, springing; its breasts hung onto my own.

A scream broke out of my chest.  Samael was gone.

I am the virgin whom the forces did not defile.

“Who are you to be demanding the help of God?”  Its skin was simultaneously the whitest and the most natural looking skin I had ever seen.  It hovered above me, great golden wings of fabric and wood flapping at its back.

“Who are you?”  The response surprised even me, for far from supposing I would reply to it, I was mesmerized.  It looked strangely similar to the blind Samael, and yet it was beautiful, seemingly on fire.

“I am understanding.  I am knowledge.  I am apples.  I am olives.  I am a blazing shrub.  You already know me.  You did not need to call for my help.”

“Eleleth.”

“That is my name.”

My head lowered.

“Tell me about the genesis of that creature.”

It began.[2]

In the beginning, the shadow of wisdom created the world.  Wisdom alone can make no whole world.  It was an aborted fetus.  It could not breathe on its own, and wisdom only goes so far in inspiring life.  The world was abandoned.

A mold began to grow in the shadow of wisdom, surrounded by only darkness and water.  In the beginning, there was chaos.

The mold cried into the night, trying to prove that it alone existed.

But a voice answered, sweetly inspiring terror.  “Samael, you are blind.  Wisdom is incorruptible, and you only last as long as words.”

The mold still grew.  Grew a mane.  Grew a mind.  Grew a voice. Grew.

It was this voice that gave it power.  The mold molded the world with its words.  Its speech parted waters, holding them back.  Its tongue cut rivers and licked land upward into mountain ranges.  It uttered birds into being.  With only its voice, the mold brought Jealousy, Wrath, Pain, Bitterness, Suffering, Lust, and Lamentation into being; it now had offspring. The mold called it creation.

It was a universe made of shadows.  There was nothing that the mold did not touch.

A light fell from the sky.  A purple puddle nearby reflected images of God into the sky.  Samael saw.  It was more striking than anything the mold could have called into being.  Indeed, the image in the water was more powerful than the mold.

Naturally, the mold was entranced by the power.  As it watched, the image faded, leaving light on the ground and speckles light in the sky.  The world was no longer shadow.  The mold yearned to bask in the light of God again.

A plan grew from the mold.

“You understand what is happening?” Eleleth, in flames.

“Samael is born.  It constructed this world with its words.”

“It is not alone in this [power][3].”

It continued.

The mold formed a mound of clay with its voice, a heap which was in the image of  light in a puddle, a human.  This clay was male, bait for incorruptibility.  The man would fool God.  The mold intended to have God for itself, to lay hold of incorruptibility; to always soak in the greatness.

The mold breathed its breath into the nostrils of the clay, giving the man a soul, allowing movement.  The soil of the human became different than the soil of the earth, transformed, but only in its function

It would have been an unfortunate sight to us.  Knowing that humans were destined to be animated, the form of a human lying on the ground would have been disturbing.  But mold does not have foreknowledge, and this mold was proud of its workmanship.

Fortunately for us, the Wisdom of Life, Sophia Zoe, did know the fate of humankind, and took pity on the small man writhing on the earth.  Without this spirit, he could not stand.  Soul is not enough.  Sophia Zoe had anticipated the creation of man.  It was the will of God, and so she knew.

Sophia Zoe had created her own human, in the likeness of Incorruptibility.  The Spirit let a droplet of light fall from the sky, creating the body of the new human being, a body saturated with Spirit. It had waves in its form, which gently rose and fell as if they were the first melodies.  Droplets are androgynous, and the human still needed to attract the human of Samael.  Sophia Zoe sculpted femininity.  It took twelve months.

The first virgin had arrived.

Rain began to fall, tiny stars reflecting the chaos which Samael had tried to tame.  The rain burned red with the breath of seven-headed dragons contained in each drop.  A small trickle for all of eternity would soon loosen the binds holding the moisture from the land. Creation had only begun.

The humans landed plop in a garden,  a mess of uncharacteristically sultry vinestreesgrassleaves.  Crooked vines and banyan roots hung down on all sides of them, lightning striking the ground.  The light was just right then, at dusk, to stab the canopy with a flaming sword of sunshine, orange and opening, pricking a gurgle of water.

The first thing the breasted-human saw was herself.  In a puddle which mirrored the image of God, she gazed at the moving figure in the ripples.  The figure had a sharp jaw-line, and shoulders which blocked other sights from being echoed in the water.  She felt her own shoulders, which were round and pliable and pinched her full cheeks.  The reflection mimicked her movements, but reflections can only show so much.

A form like her reflection made the sound of earth against earth and caught the female’s attention.  She strolled closer.

“Arise, Adam,” she encouraged the dirt.  Her words became life.  The first creation was complete.

They were able to look each other in the eye.

“You shall be called Eve.  For it is you who have given me life.  It is you who is my mother.  It is you who have given birth.”

The forms had uttered their first words.  Both speeches which became truths.

But the next words Eve spoke were not her own.  She became filled with sounding, roars bellowing from her pores, eyes flooding with the water of her insides, palms radiating fiery rays, mouth opened as if her head were on hinges.  No mouth could open wide enough for these words:

“It is I who am the part of my mother;

And it is I who am the mother;

It is I who am the wife;

It is I who am the virgin;

It is I who am pregnant;

It is I who is the midwife;

It is I who am the one that comforts pain of travail;

It is my husband who bore me;

And it is I who am his mother,

And it is he who is my father and my lord.

Yet I have born a man as lord.”

Well, words of truth are few and far between and the space between myths and realities can easily be filled with speech.

Samael felt the love of his new creation float in a different direction.  Its aroma no longer found those feline nostrils, and with that perfume out of the mind of the mold, it recalled its original intention.

Samael had never captured Incorruptibility.  Instead, it had on its hands an unruly creature, who moved by his own accord and mingled with this spirit-endowed woman, who carried a resemblance of the face Samael was originally trying to have.

Samael craved her.

This female would do, Samael thought.

Embers trickled from the sky, singing the land to sleep.  As the earth slept, so did Adam, conceiving erased dreams and empty visions.

The mold crept toward the woman. The Spirit leapt from the woman.  She laughed.  A hysterical laugh, set free from her throat, expectorated.

The female body continued to run and the Spirit sunk her toes into the ground, grasping the soil with them.  With her arms and hair she grabbed hold on the sky and fixed her torso firmly.  Samael reached them just in time to see leaves and fruit explode from the Spirit’s skin.

Eve continued to run.  The mold surrounded her and came upon her body and into her mouth.  Samael defiled her speech, and she became the prophet to whom no one would listen.  Her breasts and the point beneath her belly became untrustworthy.  They began to grow in preparation.  The offspring of mold squirmed inside her.

Samael awoke Adam with his words.

“It is not good that you should be alone, Adam.  I have made for you a helper.”

Eve was brought in front of Adam, and after his cloudy fantasies, she was new and unfamiliar.

“I have formed her from your rib, so that you know she belongs to you.”

Adam was delighted.  His eyebrows migrated quickly up his forehead and his eyes widened.

“But you may have her only if you follow my command.”  Samael paused.  “From every tree in this garden shall you eat; yet — from the tree of recognizing good and evil do not eat, nor touch it; for the day you eat from it, with death you are going to die.”  The mold pointed toward the biggest tree, which stood in the middle of the garden.  It seemed to grasp heaven and it moved as other trees did not.

It was a fair trade.

A snake flowed up the trunk of the tree, which pulsated.  The tree and the snake melded so that they were both filled with the Spirit.  The serpent swayed towards her mission.

The subtlest creature did not have to wander far to find Eve.  The woman came toward the tree and was not alone.  The snake slid toward Eve, leaving ridges in sand.  She twisted up the woman’s leg, winding around the ankle, calf, and thigh before resting her head on Eve’s belly.

“What did Samael say to you?”  The fork of the creature’s tongue flicked.

“He said, ‘You shall not eat of the fruit of the tree that is in the middle of the garden, nor shall you touch it or you shall die.’ ”

Her diamond head crawled further up the swollen belly to Eve’s breasts.

The snake whispered.  “You will not die.  Samael knows that you will become like gods, understanding the difference between good and evil.  Indeed, the mold did not want you to surpass it in power.  You must eat.”

Already once having understanding, Eve ate.

She turned to Adam and handed him the fruit as well.  He ate.

The Spirit left the snake, which fell from Eve’s body, and returned to the tree.  God’s will be done.

Samael forced the humans away from the tree, condemning them to a life occupied with survival, leaving no room for understanding, though the ability had been won.

Eve, who soon became your mother, started to grow.  She was aware of the swelling of her body.  She put a stick between her legs and struck herself.  But Abel was still born.  Cain came next, so shortly after.  But you, Norea, and Seth, were not born of defilement.  This is why you have escaped Samael.

“So now you know.”

I left the flaming angel.

I found her near a tree.  It seemed she could not get enough of it.

“I know that you know.” She looked up at me.

It was the first time I ever heard my mother spoke.

“Would you make the same choice?”  I asked her.

“Yes.”

“But the stories they tell. . .”

“I knew the consequences.”  My mother’s eyes grew wide.  “Of course, I already knew.  I knew that eating the fruit would make the two of us unable to meld together, rib between rib and become one.  But becoming closer to God, Norea.  It would have been a fall to choose to be the only people who lived.  There is no understanding of God without sharing suffering.  The Archons did not realize it, but their punishment has made us able to know again.”

“I would have made the same decision.”  It was a soft flutter of my lips, a group of bubbles floating into the air and finally disappearing.

“It is just as well,” she told me.  “Better for you to be unlike your brothers.  I have had dreams of others like you and Seth.  Though they come from humankind, they are born without the mark of semen, without the sin of primality, conceived in pure life.  They will come from virgins and point their fingers to the moon of God. As with you.  They are our children.”

“What good is this fruit?  I do not understand the difference between good and evil.”  I played the devil’s advocate.

“You understand that there is none.”


[1] Translator’s note: The meaning of the word used here has no English equivalent.  It seems to signify purity, though, unlike the English word here, it also signifies activity.

[2] Translator’s Note: The Coptic manuscript here recounts the story of Adam and Eve.  Though the reader undoubtedly is already familiar with this well-known story, I will repeat it here for the sake of remaining true to the text.

[3] Translator’s Note:  The meaning of the word used here in the Coptic text is unknown.