Word Flood

This piece was originally published in Yemassee Journal, Issue 20.2

“Self-expression must pass into communication for fulfillment.” –Pearl S. Buck

Her words sank.  Not quickly like an anchor, or with a splash like a rock.  Instead as she spoke, her words fluttered in the air, held afloat by the humidity.  They tickled earlobes, in a language half a world away. Pieces of ideas curled with the wind among tendrils of jasmine, leaving a heavy scent wafting through the city.  Nouns and verbs together toyed with bodhi leaves, pulling them along as they flitted to the ground.  They landed gently on the Chao Phraya, quivering on the surface of the river and leaving ripples too small to be noticed.  Amongst water hyacinth and coconuts they floated, gathering silt and absorbing the wetness of the city.  In this way, the words gained weight and began to drown.

Before long, they swam in the wake of snakefish and nestled between the scales of water monitors.  The more weight they gathered, the more they were immersed, the harder it was to see them. The light had trouble reaching them between algae and waste and even apsaras would be hard pressed to find them.  They landed on the river bed, stirring up the bottom and throwing silt into an already murky darkness.  Covered.

And soon all her pen could do was draw the curves of the paths her words had taken, as if trying to retrace their steps.  Searching between the roots of ficus trees and the stamens of hibiscus for where she had misplaced them.  A world made of tendrils and bubbles, floating in a silent and wordless black and white.  Sea horses and leaves and turtles all swirled with a silent current.  Owls became nok hoo, knock, who? and lost their edges and their names.  Questions were gone and statements no longer made sense.  The world churned as if everything were from the point of view of those lost words, staring up at far away surface of a river that always was moving.

And then there was a flood.  The water seeped slowly, climbing up through sewers and along the streets.  The river rose past dams and sandbags bringing pythons into houses and buoys into cars.  It brought everything from its depths, decay, sand, and her words, which huddled against a curb and waited for the waters to recede.  After months, the river left, burrowing back into its banks but leaving its refuse to dry in the sun.  The sediment cracked and caked.  Mosquito larvae dried like tiny raisins.  The decomposing river sludge made banana trees greener and left seedling strangler figs sprouting along sidewalks.  And, as if growing out from cracked pavement, her words dried, too, finally able to breathe and soak up a little bit of the warm winter sun.

Reaping Rewards: Word Flood in Yemassee

 

 

Here’s another non-rejection that I’ve racked up from my original Submission Bonanza! 

Word Flood,” my first published creative nonfiction piece, just came out in Yemassee.

I’ve pasted the original text below for your reading enjoyment!

 

Her words sank.  Not quickly like an anchor, or with a splash like a rock.  Instead as she spoke, her words fluttered in the air, held afloat by the humidity.  They tickled earlobes, in a language half a world away. Pieces of ideas curled with the wind among tendrils of jasmine, leaving a heavy scent wafting through the city.  Nouns and verbs together toyed with bodhi leaves, pulling them along as they flitted to the ground.  They landed gently on the Chao Phraya, quivering on the surface of the river and leaving ripples too small to be noticed.  Amongst water hyacinth and coconuts they floated, gathering silt and absorbing the wetness of the city.  In this way, the words gained weight and began to drown.

Before long, they swam in the wake of snakefish and nestled between the scales of water monitors.  The more weight they gathered, the more they were immersed, the harder it was to see them. The light had trouble reaching them between algae and waste and even apsaras would be hard pressed to find them.  They landed on the river bed, stirring up the bottom and throwing silt into an already murky darkness.  Covered.

And soon all her pen could do was draw the curves of the paths her words had taken, as if trying to retrace their steps.  Searching between the roots of ficus trees and the stamens of hibiscus for where she had misplaced them.  A world made of tendrils and bubbles, floating in a silent and wordless black and white.  Sea horses and leaves and turtles all swirled with a silent current.  Owls became nok hoo, knock, who? and lost their edges and their names.  Questions were gone and statements no longer made sense.  The world churned as if everything were from the point of view of those lost words, staring up at far away surface of a river that always was moving.

And then there was a flood.  The water seeped slowly, climbing up through sewers and along the streets.  The river rose past dams and sandbags bringing pythons into houses and buoys into cars.  It brought everything from its depths, decay, sand, and her words, which huddled against a curb and waited for the waters to recede.  After months, the river left, burrowing back into its banks but leaving its refuse to dry in the sun.  The sediment cracked and caked.  Mosquito larvae dried like tiny raisins.  The decomposing river sludge made banana trees greener and left seedling strangler figs sprouting along sidewalks.  And, as if growing out from cracked pavement, her words dried, too, finally able to breathe and soak up a little bit of the warm winter sun.

 

Featured Author: Reaping the Rewards of a Submission Bonanza!

After an incredibly intense month of submitting writing to 30 literary magazines in 30 days, following my Submission Bonanza! Challenge, I am beginning to reap the rewards.

This month Flash Frontier included me in their featured authors section.  Check it out!

Also, if you want to do your own Submission Bonanza! you can check out my tips for editing and choosing pieces to submitfinding magazines, and writing your cover letter and bio.

Or check out the unexpected lessons that I learned while doing this challenge.

Cicadas (Thailand. Rewrite)

 

 

 

She could hear his abdomen, even from eight stories above. She knew he waited for her, dressed in new skin holding the bark of a mango tree. For thirteen years, she had dug and hid, dug and hid, a pale pearl of a nymph sheltered in flooding clay. Prematurely buried. She had fed on rootjuice and waited.

And now, the time for burying herself had gone. She no longer wore the tough soil skin of the past. The brightness of being was nearly unbearable. She was green and larger than herself.

She sat exposed, mesmerized by the equatorial sunlight and the sound of his clicking ribs. She could see him from here, just a speck, but she could tell even at this distance that he looked back at her. Through her ten eyes, he was a kaleidoscope of rounded cicada flecks, mirrored and moving in unison, calling her to the ground.

And then a closer sound. Behind her, ten of the same dark-haired girls with lightning eyes and cloud-colored skin reached a catastrophic finger in her direction.

She heard him again, dry-fly ribs rubbing together to blot out the sounds of metropolitan traffic and children. The vibrations called to her.

She looked down at the expectant mango tree and imagined the future she would create: millions of shimmery nymphs sprinkling from the branches, raining onto the soil below, christening the ground with their sparkling selves.

There was nothing for her to do now, except let go.

 

 

Back in the day, I wrote about submitting some of my flash fiction to Flash Frontier.  This rewrite of my original post was published in Flash Frontier’s November Issue, Eye Contact.

 

Also, I’d like to reiterate my Creative Commons love to Flickr user Roger Smith for the amazing photo!

Her Memories Are Round. (Winter 2012.)

 They sit on the mantle and she fingers them slowly one by one, as if touching them brings back the sights and smells more fully.   They are self-contained, held in proper place by perfectly spherical glass walls, so that the snowflakes of experiences and emotions of each segment do not intermingle. Each one collects its own dust, attracting mites to its cause with sparkling reminiscences.   For each memory, an ornate, dainty pedestal calls out the name of the place and cradles the round, full memory that it holds.

Prague.  One of the few globes that has snow in it.  You almost can’t tell what century it’s from.  Bridges over the Vltava and Gothic architecture with snowy-tips.  It holds days that were ripe with inspiration.  It seemed that lightning was everywhere.  Circuses popped up in her favorite park and artists chased the buildings.  It was a country ruled by writers and it seemed that Milan Kundera was on every street corner.  Gargoyles caught the eye of old Communist statues from across the river and dared them to join in staring contests.  On tram rides to school, everyone was a character.  War widows and Russian spies, past lives and secrets sat all in a row waiting for their stop.   “Better Red than dead!” her grandmother joked, reminding her of past generations who once lived in this land, when it had another name and held a shameful family past.  This memory holds side trips to Cologne and Vienna, Budapest and Bratislava.  It’s one of the few snow globes that holds pieces of her family.  Aunt and uncle, mother and grandmother, all curious about this homeland.   Nightclubs filled with expats and whispers of absinthe.  Maybe if she drank what they drank, she could write like them.

The house itself is sparse.  Her movements make noises that echo off empty walls and bare floors.  As she places the snow globe from Prague back on the mantle, the noise echoes an emptiness, bouncing off bare walls and floors.

Alaska.   A summer that was constant spring.  The trees were always that new shade of green, as if they were permanently fresh.  Mountains grew into glaciers.  Snow was stuck in crevasses so that it didn’t float as you shook the snow globe.  This was closer to what she remembered anyway.  The water in the globe seemed to be cold to the touch, as if it had just melted, as if it had been melting these past 8 years.  It was bright blue, but not clear, like the run off from ice age giants.  There were toothpaste tubes hidden from grizzly bears and games to show you how to run zig zag away from moose.  Even the plants seemed like overgrown prehistoric remnants, with mammoth leaves and sabretoothed thorns.   There was no electricity or internet there.  Unconnected, but somehow much more connected.  She was sure she herself sat on one of those glaciers, too small to be seen, wrapped in the inciting cold.   The water was 39 degrees, and still she couldn’t keep from swimming.

She wonders briefly how many people have seen this globe.   She doesn’t keep her snow globes in order, chronological or otherwise.  They cluster together in the center of the mantle, as if vying for attention, at odds with each other.   Alaska might be in back most days.

San Francisco.  There are no row houses or piers in this one, like most people would expect.  She didn’t take home that Bay Area.  There was no Golden Gate Bridge jutting out from the water or Coit Tower thrusting up over the bay.   Instead she captured potlucks in the park and quiet BART rides.   No-pants parties and the murals of Mission Street swirled fancifully around pirate stores and parks and parks and parks.  The water in this globe churned, far from pacific, but alive all the same.  There were misplaced bison, grazing on grass from the Golden Gate Park.   At 4pm every day, the fog rolled in, keeping the globe fresh, sheltered.

And all the people from San Francisco stare back at her from inside the globe.  They don’t speak or move any more.  They stand as they were then, snapshots of friendships that only live in this one memory.

Thailand.  Water from the Chao Phraya fills the dome, so packed with life that you can’t see inside.  Water monitor lizards hide in the water as ochre-robed monks send turtles into the waves and birds into the air.  The globe gives off a mishmash of smells, each indistinguishable one setting off a strand of memories that seems unending.  Dried squid and fresh rain and jasmine and incense and sewage mix until you are no longer sure if you want to inhale deep or hold your nose.  Bodhi trees and strangler figs burst from the cracks, tiny parodies of each other.  Rambutan and mangoes and durian bob to the top of the riverwater, beckoning and repulsive in the same call.  Water hyacinth spurt purple blooms and ladyboys call to tourists from beneath temple gates.  Bangkok sparkles with grime and seems to drown in its own development.

Her hair had gotten darker in Thailand.  It went from a fiery red to an anonymous black.  She lived inside that globe so long that she could no longer look through the murky river out into the world.  This globe was both the majority of her adult life and also so, so far away.

The Bahamas.  Tiny sea biscuits float in what she likes to imagine is a little piece of the Atlantic.  Tiny periwinkle shells swim through the water and dance around a junkanoo parade.  The drummers are paused mid-beat and ready to strike.  Horns are held to lips as if they may scream any minute.  Feathers reach every which way.  The sand is pink, reflecting millennia of queen conchs sticking their tongues out at the waves.   The roosters never know what time it is, but it doesn’t seem to matter on the island, as long as you make it to the beach by sunset.   The globe held its own miniature Sargasso Sea, hiding the mystery of deep-blue depths and the growth of sea turtles and eels.  Mermaids’ purses and conchs burst with song.

This snow globe is her newest.

It is sudden and confusing when the house begins to shake.  At first it’s as if someone very large is trampling down the stairs, but in the back of her mind, she knows she is alone.  As it gets stronger, she holds the corner wall that hugs the fireplace for balance.  The snow globes begin to jostle and bounce, dancing side to side and right off the edge of the mantle.  They throw thirty years of dust into the air like confetti and she briefly wonders what they are celebrating.  They jump, glass heads first, freely into an ocean that begins to form on the floor, free diving out of their prescribed places.

The ocean they create is choppy and alive.  Gargoyles and Buddhist monks swim like fish amongst each other.  Gothic buildings and Alaskan mountains jut out from the sea like islands.  Friends from Thailand stare in awe at the aurora borealis that plays on the water.  Lizards play junkanoo while park-bison dance along.  The interactions are rich and charged.  Alive and fresh.

Creative Commons love to http://www.flickr.com/photos/_vini/ for the photo!

Kanchanaburi

The river slithered out of the mountains with such speed that it seemed the forest must have been on fire. This should have been our first clue, but we pressed on, past rice paddies and the Death Railway, past water monitors and banana trees, past lotus fields and check points. We curved around roads unable to watch where we were going because we were mesmerized by the sun setting through the jagged dragon’s teeth jutting out of the landscape. Even as night began to fall, we did not stop, further into the heart of a jungle so dark that the moon and stars could not be seen, as if we were no longer in a world surrounded by other planets and galaxies. The fauna grew more massive and the flora grew more crowded until we were shouldering our way into a deafening density. Frogs croaked wood against wood, geckos sounded like birds, and cicadas imitated longtail boats.

Beetles and dragon flies landed on us as if we were sticks. Park rangers told us to turn back. Kitti bats stayed in their caves. Street signs shaped like royal crabs scuttled away from roads. And yet we persisted, driven on by an incurable bug for adventure, a sickness that pushed to see more and more unseen, a fever that made our hearts restless and drove us from our homes.

The mountains became billowy the higher we went, as if this far from the city even they were not fixed. Mist gathered round, blurring the edges. Bamboo plumed off cliffs, looking like giant feathery ferns from a distance. Animals jumped off limestone bluffs, floating into elephants and crocodiles and gibbons of cloud. Forests sank into reservoirs, as if the earth did not know where it stood. The road twisted, uncertain of the ground beneath it. On motorbikes and bicycles and boats, we pressed, closer toward forbidden lands where borders were blurry, into frontiers decorated with coconuts and cow skulls, where cowboys wore rice paddy hats. Into a west so wild that centuries and continents fell on top of each other. And we, naturally, lost our bearings, too.

Ficus roots floated in midair so that we wondered briefly if we were underground. Strangler figs wound around trees so tightly that the buttressed giants choked and fell, leaving exoskeleton trunks of vine, hollow ghost trees that still sprouted leaves and fruit. We climbed inside and nestled there, daring the vines to squeeze us, too. They were slow to respond to our taunts, as careful foliage often is. Hidden inside that creeping constrictor, we were not so cautious.

Deprived of the embraces of elkhorns and newts, we clasped each other. As tigers turned to clouds and mountains gaped into open dragon’s maws, we held hand to hip, mouth to mound, cheek to cheeks. Arms flattened into banana leaves. Hair transformed into mountain fog. Feet flew into branches. Eyes grew into papaya. Bellies became karst formations and breasts danced into spinning seed pods. Fingers split into ferns. Orchids turned and cooed at the rustling, lizards clucked, birds whistled, mangoes dropped like dumbfounded jaws, and gibbons whooped.

We were no longer sure if we were astronauts or crickets, dinosaurs or gods. But the knowledge no longer mattered. I did not return from that heart of darkness, and nor did you. But we came home, as frangipani and limestone, passion fruit and snakes, tree frogs and jasmine, the earth and the sky.

Creative Commons  love to purplekarmaaxelsaffron, and beakatude (in that order) for the photos! Thank you!

Darunsikkhalai (Thailand. May 2010.)

(Reposted for Ram (:  )

Norea wondered how the scene in front of her looked to the tour group.  A woman framed her mock-surprised face with her hands as she backed away from a set of high-heeled feet dangling lifelessly.  In a circle around the computer screen, 8 orange-striped ten-year-olds in pleather rolly chairs listlessly watched the drama.  Only their Thai teacher seemed enrapt.  In the corner, the teaching assistant scrolled through pictures of cookies shaped like Lady Gaga.  From the window outside, the five professors on Norea’s tour tittered like overexcited hamsters.

“Very… unusual school,” one of them said to her.  Norea nodded.

Norea turned around so that her silvery eyes met the horizon. On the eighth floor, she had an uninterrupted view of the city.  In the distance, the most recognizable bridges in Bangkok batted golden eyes as they coyly skirted behind the smog.  They dropped gray-brown veils onto the vibrating city below as they shimmied in the heat.   The distant downtown towers looked as if they had donned their best khakis and sidled up next to the stage to enjoy the show.   The scene was suspended, a sepia photo with blurred edges and a highlighted blue sky.  All the smiles were frozen.

The wet, climbing ivy that was the Chao Phraya River evaporated inexorably up the sides of skyscrapers, covered the cars parked on bridges, and hid the street vendors, encircling the city in its grasp.

“The children learn by creating,” she told the group, still looking at the hazy sparkle in the distance.  “In this class, they are learning Thai culture and language by studying curses.  In the coming weeks, they will make their own drama about curses.”

The group nodded in unison and Norea guided them downstairs.

“And does it work?” a professor with too-red lipstick and an unmoving-shell of hair asked.

“The sixth floor has science labs and the facilitator’s offices,” Norea said.

Creative Commons love to http://www.flickr.com/photos/mikebehnken/ for the picture!

Cicadas (Thailand. May 2010.)

She could hear his abdomen, even from eight stories above. She knew he waited for her, dressed in new skin holding the bark of a mango tree. For thirteen years, she had dug and hid, dug and hid, a pale pearl of a nymph sheltered in flooding clay. Prematurely buried. She had fed on rootjuice and waited.

And now, the time for burying herself was gone. She no longer wore the tough soil skin of the past. The brightness of being was nearly unbearable. She was green and larger than herself.

She sat exposed, mesmerized by the equatorial sunlight and the scene in front of her. A kaleidescope of rounded, dark-haired girls with lightning eyes and cloud-colored skin. Mirrored and moving the same. The repetition of girls had no expression on their faces. Their mouths moved at the groups of people surrounding them, but their dream-time eyes looked through the scene.

She heard him again, dry-fly ribs rubbing together to blot out the sounds of metropolitan traffic and children. The vibrations called to her.

She looked down at the expectant mango tree and imagined the future she would create. Millions of shimmery nymphs sprinkling from the branches, raining onto the soil below, christening the ground with their sparkling selves.

There was nothing for her to do now, except let go.

 

 

 

Creative Commons love to http://www.flickr.com/photos/rogersmith/ for the photo! Thanks!

 

You can take the girl out of Florida… (Thailand. Spring 2009.)

The pull of the swamp is unbearable. As if there is muck in my marrow. The brine I sweat has alligator gar swimming through it, snaky and smooth. It is a cycle that follows me even to Asia — too much grows, it chokes itself, and it falls to die in the water. The gases of decomposition lurk behind cypress knees and tamarind trees alike. They haunt the air and shimmy up to my nostrils. In my lungs, it is wet, it is safe, and it is warm. The perfect place for growth. The perfect place for rot. A steamy warmth for alligator eggs, filling my mouth and forcing a pearly grin. Small cracks and mucus begin to appear as they tumble off my tongue. The birth of baby predators, so cute, falling from my lips to the slippery algae below, is so much more than words.

Many thanks to http://www.flickr.com/photos/danielproulx/ for the picture.  Also, check out the other things on this flickr profile, because they are super cool.