Dating Advice for Writers

Recently, a young relative, who shall remain nameless to protect the innocent, was preparing for their first date through an online dating app. My husband and I met online, and so we were plying this young’un with all our so-called wisdom. In doing so, we realized we were just telling them not to do any of the things we had done. We are now happily married.

But both the hubby and I are writers. In some ways we writers are a different breed, and that means there are different ways to woo our hearts. The following is advice you definitely should not follow. It will not lead to second dates, to marriage, or to happiness. Unless you are a writer.

  1. Send detailed, soulful messages to someone far, far away. What is distance, when you are pouring your heart out on the page? A ten hour drive away? Sure, you probably won’t ever meet in real life, but at least you’ll be in love. Do not call or zoom or meet. You are a writer. Only write. 
  2. Stand them up at a literary event. When you are finally in the same town, cancel plans to see them at a literary event because you started dating someone else while also sending soulful messages to the writer you thought you’d never meet, and now you feel too guilty about dating more than one person. But definitely still go to the event. Make sure it’s a costumed event, so you can pretend you’re not yourself. But also, it makes for extra magic if your name could be announced at the event, so you both know the other is there. Hide in the corner. DO NOT INITIATE CONTACT! 
  3. Send them weird things like a stalker. After standing them up, ask for their home address. When they shockingly give it to you, send them strange things. It’s best if these things are handmade and look it. Make sure you don’t give too much context, like an apology for standing them up or any update on your life, like that you are single again. Just the weird crafts will do. Writers like bookmarks. Extra points if they are made out of dead things, like conch feet and sharks’ teeth.
  4. Bring your publisher on your first date. Sure, some people might think it’s weird to bring someone else along on a date you’ve been planning for months. But you’re at AWP, or some other writing conference, which just means all rules are out the window. Bonus points if your publisher is age appropriate for dating you. Extra bonus points if they are incredibly assertive and do most of the talking on the date. Extra-extra bonus points if your publisher drove you to the date and now you don’t have a ride home. 
  5. Invite them to sleep in other writers’ beds. As you house sit for your other writer friends, invite your new flame to come along. How many already-published writers’ beds can you sleep in while you yourself are dreaming of that book deal? Has anyone washed these sheets? Perhaps some of that publishing magic will rub off on you. Isn’t it romantic? 
  6. Bring them someplace scary. When you finally invite them to your own house, make sure that it’s a remote cabin without cell reception. What seemed romantic in your soulful messages will seem like a horror movie when they realize no one would be able to hear them scream. The cabin should be filled with books (signed by your famous author friends), but only have one chair, so it is very obvious you have never had company there before. The guns are optional, but the taxidermy is not. Don’t forget to sleep on your publisher’s sheets. 

For more about the follies of writers in relationships, click here. Shout out to Che Chorley for the pictures! You can find more of his amazing work here.

Inspiration: Creativity as Play

Amidst a series of “How many … does it take to screw in a light bulb?’ jokes John Cleese brings up particularly poignant points about creativity.  He gives an actual recipe for its formation and hope to those of us suffering from creative block.

He asserts that “Creativity is not a talent. It is a way of operating.”  People are not born creative.  It is not a high IQ or a muse on your shoulder.  Instead, it is finding a mode of working that allows for the creative which sits inside each artist to come out.

He cites studies and research which define creativity as “an ability to play.”  Creatives are childlike and have the ability to explore and frolic with ideas for no specific purpose other than play itself.

As I try to be more disciplined and determined in my writing practice, I find that this is something that I am missing lately.  If I’m not producing, I feel that I am not writing.  There isn’t room for play when deadlines and due dates are looming.  And yet, this is exactly what is needed for creativity: time and space.

“Creativity is not possible in the closed mode,” Cleese asserts.  But he also shows that working in both ‘open’ modes and ‘closed’ modes are necessary.  When we are working with a problem, we must examine it in the open mode.  However, once we find a solution, we must work in the closed mode to be effective at bringing it about.

For me, I have been getting better at the closed mode.  I have been developing my discipline and ability to sit down and write as if it is work, as if it is necessary.  But I have forgotten how to play with my writing.  I have forgotten to give myself the time and space to sit and play with my ideas, to let them be silly and run free.

The most useful part of Cleese’s speech comes in his practical advice for creating the ‘open’ mode necessary for creativity.

“You need five things:

1. Space (Away from the ‘real world’ so you can play!)

2. Time (Time blocked off especially for play!)

3. Time (The more time you spend playing, the more creative your solutions are!)

4. Confidence (Play means not being frightened of failure!)

5. A 22-inch waist.. Sorry, humour.”

He asserts that your creative play needs to be distinct from your everyday life in both the time and the space that you give it so that you can be free from the pressures (and ‘closed’ mode) that we usually operate under.  “Otherwise, it’s not play.”

“The most creative professionals always play with the problem for much longer before they try to resolve it.”

“While you’re being creative, nothing is wrong and any drivel might lead to the breakthrough.”

Of course, as he says in the beginning, “Telling people how to be creative is easy. Being creative is difficult.”

http://youtu.be/VShmtsLhkQg

Oh, and also…

How many psychiatrists does it take to change a light bulb?

Only one, but the light bulb has really got to want to change.