Sharing: An Explanation, Of Sorts by Ingrid Sykora

I never cease to be amazed by the gems found by wandering around wordpress.  There are some amazing writers out there.  Some pieces are so great that I just need to share.  Like this one:  An Explanation, Of Sorts (Flash Fiction)  by Ingrid Sykora.  Check it out!

An Explanation, Of Sorts (Flash Fiction)

by ingridsykora

I wish I could say that my father is a cruel man. To say he was cruel would be a way to rationalize his behavior, to make him seem more human. It would be a way to make sense of him, to categorize him and thus feel safe, knowing he has been placed in a sort of box, even if that box is only a label, a word, a concept, nothing more. It would be a way to imprison him, in a sense.

But he slips beyond categorization as effectively as he slips past any other kind of prison. For thousands of years, people have tried to imprison him. In mythology, his story is repeated endlessly: the imprisonment of Lucifer, the castration of Set, the acid fate of Loki, the casting of Cronus into Tartarus, &c. In human form, he has been put into solitary prison a half dozen times, has been killed by poison, electrocution, beheading, firing squad, and sunk to the bottom of the sea with weights. He returns in a different form every time, but it does not matter–eventually, his transgression mount, and he is killed or imprisoned again. But it only lasts until he escapes, and leaves behind nothing but a fuzzy memory, and people wondering, “Wasn’t there someone in that prison cell? Who was I bringing this meal to?”

My father whispered in Hitler’s ear, though granted, Hitler did not take a lot of encouraging. My father inspired Stalin and Mao. He drove the making of the atomic bomb. He nurtured the religious extremism that led to the crusades, the terrorists attacks, the holy wars, the kool-aid drinkers. My father is so twisted and evil that he came up with the concept of God, such that people would be inspired to commit atrocities without hesitation or remorse. Any civil war, any partisan disaster, any mass murder or serial killer has his roots in my father’s dark embrace.

x

Back in the eighties, my father decided that it was time to produce offspring. Why, when heroin addictions, AIDS, and class warfare were a few of the many rampant problems in the world, he felt the need to add greater chaos and darkness, is beyond me. He had never before held an interest in such things, and I have vowed to discover his reasoning before I die. He bedded a woman who was institutionalized for a triple homicide.  I was born nine months later by caesarian, and the woman died–though how much the doctors intended to deliver her to such a fate is unclear.

It would seem that goodness, as it is typically identified, is a spontaneous genetic quality. My father has not an ounce of goodness in him, and my mother certainly lacked it, even when turning her attention on herself. But from an early age I have resisted my father’s call, the call of my blood, the call that encourages chaos, destruction, murder, murder, murder.

The abilities that come most easily to me are those that are along this line. It takes a single look to kill a man. It is almost effortless to start a fire that cannot be put out by mere water. Telekinesis is second nature, and sharp objects respond with particular alacrity. I can read tarot cards or tossed crystals or tea dregs in any dark manner I wish and it will come true. Harder to produce is an aversion to a coming danger or crisis.

But, whether it’s youthful rebellion or a true difference in nature, I have no desire to follow in my father’s footsteps. I direct people away from harm when I can. I protect them when I see the need. I guide them away from dark thoughts and shadowed roads.

I have taken it upon myself to reverse every plotline my father has set into motion, to snap every thread he has spun. My name is Eris, and this is my story.

Prompt: Write Fast

I’ve been told recently that I write too slowly.  I will admit, my process is meticulous.  I follow in the footsteps of Tom Robbins (swoon)* in which I try to make the most perfect sentence possible before moving on to the next one.  There’s all kinds of research that happens and word-associations and trials and retrials.  I realize that this flies in the face of most writing process advice, which is to just get as much down on paper and then edit afterwards, but I have to admit, that’s just not the way it comes out for me.

Lately, I’ve been trying to exercise my “sprinting” muscles a little bit more and one way of doing this is with oneword.  It’s lovely for speed-thinking and writing and a nice little way to start a story.

So, here’s my challenge.  Go on oneword, write for the sixty seconds that they give you and use something you write in those sixty seconds as the start or end of a story.

Ready?  Go!

*It has recently come to my attention that for years I’ve been fostering a schoolgirl crush on a 77-year-old man.  I am not sure how I feel about it, but Switters would be proud.

Racking up More than Rejections: Shards in Exegesis

So, the ripples of goodness from July’s Submission Bonanza! are still rolling in.  (Rejections are still rolling in too, so it is true that I am racking up rejections, but these small victories overshadow the rejections by so much.)  It’s amazing what happens when you just decide to put yourself out there.  I wasn’t expecting much back except for some experience and some notches on my writing bedpost.

But I’m in the latest issue of Exegesis, an academic journal at Royal Holloway, University of London.  They published Shards, a short short of mine, in their third issue: Landscapes:Digital, Real, Imagined.

Woohoo!

Call for Submissions: Yemassee

The good folks over at Yemassee are open for submissions.  Check them out!

 

General Guidelines

Yemassee publishes all genres and forms of writing, including poetry, fiction, drama, creative nonfiction, reviews, and interviews, along with visual art. We publish in the fall and spring, printing three to five stories and twelve to fifteen poems per issue.  We do not favor any particular aesthetic or school of writing. Quality of writing is our only concern.

We’re seeking quality, previously unpublished work in these genres.  We are open to submissions year-round, and we suggest you familiarize yourself with our journal before submitting (Back Issues are available for $5 each).

Simultaneous submissions are accepted, given that you identify them as such on your cover letter and immediately notify us if the submission is accepted elsewhere.  Once you have submitted, please wait three months before submitting again.

We accept online submissions through our submissions manager at http://yemassee.submishmash.com/  As of May 2012, we no longer accept paper submissions.  Any paper submissions we receive will be recycled.  

Submissions Format

Submissions for all genres should include a cover letter that lists the titles of the pieces included, along with your contact information (including author’s name, address, email address, and phone number).

You should be sure to look at our masthead and address your submission to the appropriate editor.

Poetry submissions should include 3-5 poems combined into a single document, with no more than one poem per page.

While we have published longer work, we typically prefer fiction and nonfiction pieces be 5,000 words or fewer.

Art submissions should be uploaded as up to five separate attachments.  The following file types are supported: jpg, gif, tiff, png.  All art submissions must be at least 300 dpi at  6 inches x 9 inches or the equivalent.  Submissions that do not meet this requirement cannot be considered.  Yemassee prints in black and white, but we may consider color art for the cover or the website.

Guidelines specific to our contests are also available on our submissions manager.

Visit our submissions manager here.

 

Rights and Compensation

Contributors receive a copy of the issue in which their work appears, with the option to purchase additional copies at a discounted rate.

Yemassee acquires first-time North American rights. Copyright reverts to authors upon publication.

Submission Bonanza!: Second Time Around

So, you might have noticed that it’s October 19th.  You might have also noticed that it’s not September any more.  In fact, it’s nearly three-weeks-not-September already.

Way back in July, I set myself a challenge to do a Submission Bonanza!  It was incredible and successful.  I learned so much, and I’ve been published in three magazines so far (more on that to come later!).  It was so successful that I resolved to do it again in September.

Some of my cohorts looked at me like I was insane — and with good reason.  In September, I started an M.F.A. program, began lecturing on writing at university, and moved to the frontier (Why, hello, Alaska!) all in the same month.

It’s true that I didn’t finish my 30 litmags in 30 days.  It’s an ambitious challenge amidst so much transition.  I have, however, finally finished!  It took me much longer than I had hoped, but I still got work out to 30 litmags and ok, it took me 50 days, but better late than never, right?

So, in true Submission Bonanza! fashion, I’ve pasted below links to all the literary magazines that I submitted to.  They’re all magazines that accept submissions online and accept submissions for free, because those are some of the restrictions that I’ve currently set for myself.  You’ll notice that some of the magazines here are quite ambitious for such a fledgling like me to be submitting to (cough, cough, New Yorker, cough, cough, The Atlantic).  One of the things I learned during my first Submission Bonanza! was that I needed to be more choosy.  Once a piece gets published, those First Time North American Rights that all the magazines are asking for are gone, gone forever.  Because of this, I figured I’d start with the big boys and get real about racking up the rejections.

So, here it is, ladies and gents:  an incredibly ambitious September Submission Bonanza! 30 litmags in 50 days.

1. Glimmer Train
2. Subtropics
3. American Scholar
4. Podcastle
5. Writing Tomorrow
6. New Haven Review
7. AGNI
8. Nashville Review
9. A River & Sound
10. Journal of Compressed Creative Arts
11. The Pedestal
12. Poetry Magazine
13. Kenyon Review
14. Shenandoah
15. Devil’s Lake
16. The New Yorker
17. The Atlantic
18. Tin House
19. Cincinatti Review
20. TriQuarterly
21. A Public Space
22. Bomb
23. Chicago Review
24. One Story
25. West Branch
26. New Ohio Review
27. Willow Springs
28. Third Coast
29. Southeast Review

30. Pleiades

Call for Submissions: Permafrost Magazine

Permafrost Magazine is now accepting submissions.

Permafrost Magazine is the farthest north literary journal for writing and the arts.   Founded in 1977, Permafrost is housed at the University of Alaska Fairbanks MFA program and run by dedicated creative writing graduate students. We publish a winter print issue as well as a spring online issue, both of which feature compelling poetry, fiction, and literary nonfiction by established writers and new voices alike.  In Alaska, our unique environment shapes our perspective, but Permafrost seeks original voices from all over the world.

Submit

Regular submissions for the print edition are read between September 1 and December 15. All pieces receive three independent readings from our staff of volunteer readers, all of whom are graduate students or faculty in the English Department at the University of Alaska Fairbanks. The average turn-around for regular submissions is approximately three months.

If your submission arrives after our December 15 deadline, it will then be considered for the May online edition.  The deadline for submissions to the online edition is April 15.

You can submit by mail or online here: http://permafrostmag.submishmash.com.  Please note that we are charging a $3 fee for submitting online, which is comparable to the cost of postage and mailing materials and helps offset some of the journal’s expenses.

To submit by mail, send to:
Permafrost
University of Alaska Fairbanks
Department of English
P.O. Box 755720
Fairbanks, AK 99775-0640

ALWAYS ENCLOSE AN SASE.
Your work will not be returned or responded to without one.

Contributors will receive one copy of the issue in which their work appears. Additional copies can be purchased at the reduced price of $5.

Email submissions will not be read.

PROSE (FICTION AND NON-FICTION): Typed and double-spaced with author’s name, address, phone, and email at the top of page one, with each page after numbered with name at top. We welcome prose submissions of less than 8,000 words (more if it’s really great). Notify us if you’d like your manuscript returned. Always include an SASE.

POETRY: Typed with author’s name, address, phone, and email at the top of each page. Poetry does NOT need to be double spaced; please submit it as you would like it to appear. Poems of more than one page should have the author’s last name, along with page number, at the top of each following pages. No length maximums, as we like the idea of publishing something truly epic. Please do not submit more than five poems at once. Include an SASE.

ARTWORK: Photographs, drawings, cover art, etc. will be considered.

Don’t be discouraged if your first submission is not accepted, and please specify if your submission is simultaneous.Permafrost also sponsors literary contests for fiction and poetry.

Racking up More than Just Rejections

Inspired by a list of 100 Best Ways to Becoming a Better Writer on thecopybot.com, I decided in July that I was going to follow Number 66: Rack up Rejections.  I set off on a crazy adventure in which I submitted work to 30 literary magazines in 30 days.  At the time, I was really just expecting to get some practice in the litmag scene and also start steeling myself to the idea that if I wanted to write, I’d have to come to terms with being rejected.

It turns out, I learned more than I could have ever expected.  It was such a powerful learning experience that I am doing it again this month.

I have been racking up the rejections.  They are trickling in slowly due to slow response times.  This is kind of nice so that I don’t have to hear 30 No!s all at one time.  But I haven’t been getting only negative responses, either.

Flash Frontier, a purveyor of fine flash fiction, accepted a piece I wrote long ago about Alaska for their August 2013 Issue: Snow.

And that’s not the only positive response I’ve gotten.  More news on that front as the publications come out!

Call for Submissions: The Round

The Round is a journal of literary and visual arts based at Brown University in Providence, RI.

Published biannually, The Round accepts submissions in all mediums and from all sources, inside and outside the Brown community.

The Round is happy to accept submissions of both literary and visual art. In the past we have published prose, poetry, plays, and translations as well as paintings, drawings, prints, and photography.

Submissions are accepted on a rolling basis. Typically, for the fall issue, we read through October, and for the spring issue, through March. Issues are published at the end of each semester in December and May.

To submit, please send us a brief bio and your mailing address, if not on Brown’s campus, along with your work. Written submissions should be sent in .rtf, .doc, or .docx format. Please send visual art as high quality .jpg images and include a piece’s title, medium, and dimensions.

 

Please email all work to theroundmagazine@gmail.com .

 

September Submission Bonanza Challenge!

September is here, folks and that means it’s time to celebrate Labor Day by expending a bit of my labor on my writing career.  All this month, I will be working on my second Submission Bonanza!

In my first Submission Bonanza! I racked up a few rejections, got some things published (more info to come on some of those things as the publications come out!), and learned a whole lot.  It was incredibly successful in more than just my initial idea that I would start racking up the rejections to get my work out there.  I am reading more critically and closely.  I found lots of new magazines.  I feel part of a larger literary conversation.  I am inspired to write more.  Also, I am inspired to keep up with submitting and submit more.

Like last time, I will be working on submitting to 30 magazines in a month.  I have my pieces picked out and edited.  I have a list of magazines that I want to submit to. And I have a cover letter and bio template ready to go.

Feel free to join me in this journey.  I loved doing this in July and I am excited about all the magazines opening their doors to submissions this month.  I would highly recommend that anyone who is wanting to grow and develop as a writer think about doing this in some form.  Maybe you don’t want to do one magazine every day.  Maybe you want to do one every other day, one a week, or even just one.  Maybe you want to do three a week or three a day.  Whatever the case may be, set a reasonable goal or yourself and get going.  Your work isn’t going to read itself.  If you do decide to join, please let me know.  I would love to be able to support and encourage each other as the months go on.  Good luck!