Amenhothep IV

         Amenhothep. That was what he had been called. Named after his father. But even his father regretted that. He was clearly not his father’s son. He came out misshapen, with a head too big and the shoulders of a woman. Not fit to be a king. Not even fit to be a prince. He didn’t hope to be invited anymore. He didn’t ask to go to ceremonies or carvings. Family sculptures were for the princely children. Siblings who came out looking normal enough, generic enough that any sculptor could make them beautiful, could make them look like a pharaoh should. Broad shoulders. Small waists. Perfect faces just waiting to be framed by royal adornments. His was truly a face only a mother could love.

And love she did. Fiercely. With a strength and ferocity that scared him.

But Amenhothep (Amenhothep IV, to be precise, because Amenhothep III was every bit the ruler he should have been) was different. Too different. Not eccentric in the way that was permissible for pharaohs. Not egocentric in the right way. His mother Tiye insisted that this second son bore his father’s name. Amenhothep. Amun is satisfied. It felt like such a lie. Even to the boy himself. Just imagine how his  father felt. How could his seed produce something so perverse, so… otherworldly.

He spent his time alone. His mother called him special and he was sure that it was not a good thing.

Together, his family was set in stone. Older brother, two sisters, Mother, Father… without Amenhothep. Festivals, reliefs, religious ceremonies. Left alone, staring at the sky.

It was always Sopdet that caught his eye. The Dog Star. Sirius, Sothis, Sopdet. How could it not? The brightest star in the sky felt like home to him. It seemed to shine for him, to call his name in whispers in the night. The days when Sopdet disappeared were the worst. 70 days straight without that bit of comfort, that tiny speck of support from afar. Each year it brought a winter to his heart.

One night his mother even caught him.

“Your world is here, Amenhothep.” Tiye surprised him.

“I know,” he said, nearly disappointed.

“Are you watching Sopdet?”

“Yes,” he looked at the ground.

“It’s special to us. The birthplace of Isis.” He had heard the mythology. It was not new.

“And of your father,” she intimated. He turned to look at her. Was she being mythological? Spouting the stories that kept the pharoahs divine? That was unlike her, he knew. His mother was straightforward, powerful, and not prone to indulging folklore. And yet… His father was just a man normal and mortal, as much as he pretended otherwise, Amenhothep knew. He narrowed his eyes and Tiye sensed his suspicion.

“Not that father.” She walked away, ending the conversation.

Creative Commons love to Archer10 on flicker for the photo!  Thank you!

Akhenaten (Winter 2012.)

Even when history is written in stone, it is re-written.  This is the nature of the story.  Suns and hawks and buffaloes are erased, scratched over to be reused in the temples of the future.  Reunderstood.  Re-envisaged.  Repostulated.  This is how Akhenaten was lost, struck from the roll of the pharaohs, a distant memory of a monotheistic heretic, a madman with only one god.  He built cities and temples and sculptures of stone and gold and they were quietly erased in the span of a generation.  Father of history’s most famous pharaoh, the first individual, founder of world religions and yet … forgotten.

Even when etchings are deep, the vengeance of history is deeper.

His lips were full, and so was his stomach, as if he were the bearer of life:  Mother and Father in one.  Son of the sun, he named himself.  Descendant of the stars. Yet “He is the sun, as compared to the stars,” the people wrote.   He shone and spun with energy and life.   He was daytime and dawn and we were drawn to him.  The pull of his large middle seemed to keep earth in orbit and suggested that he was … different.

His head was large, too.  And not just metaphorically.  His skull was not round, not adorned with the dress of kings.  Instead it jutted, backwards.  As if his brain were trying to leap out of his head.   As if he came born with too many thoughts for a human skull to hold.  Or too many questions.

His face was not manly and beautiful.  It was strange and androgynous.  His lips pouted, asking to be kissed.  His nose barely fit on his face.  And his chin, his chin was so pointy.  It turned his giant skull into the shape of an upside-down tear drop: a large, rounded cranium that ended in a small, pointy face.  And then there was the matter of his eyes.  They were big, but not round, enormous almonds that seemed to fill his brow.  With his mouth and eyes and nose, there was very little room for a face, to speak of.  Instead he was an immense head, full of features.   It wasn’t normal.  It wasn’t human.  It was almost alien – as if he did come from the stars.

He did not recline the way other pharaohs did.  He was not somehow both always at rest and gifted with an athletic, sculpted body.  His shoulders were small and his hips were large.  His arms and calves were so spindly that some likened him to a spider.  His thighs were so large that there were whispers amongst the people “Is he Oedipus, swollen foot?”  His mother was, after all, beloved.

Instead, he was lively, as if stone carvers always caught him in the act.  Each carving seemed to be a live-action photograph of a son of god engaged with his surroundings.  The cartoon pharaoh, always animated, surrounded by loved ones, animals, and the outdoors.  Not only acting as a ruler, but acting as a father, a man, a lover.  He was a king of movement: orbiting and revolving through the universe.  His pull and the pull of the world around him spun together, and inspired each other to dance faster and further.

You can see how the present had fallen in love, and how history was not amused.

Response to a previous prompt: http://lightningdroplets.wordpress.com/2012/02/10/prompt-rasputin/

Thanks to http://www.flickr.com/photos/zinetv/ for the photo of Nefertiti (?).