Sharing: The Widow’s Pension from Postcards from Thursday

I was completely enthralled with this poem by Alison over at Postcards from Thursday and just needed to share it.  Enjoy!

 

The Widow’s Pension

A dead finch in each hand,
bile and memory heaving out,
years, decades of speaking loudly
and weeping into book binding,
though she once ached to be left
with scratches along her ears,
to be the vandal, to touch
the bottom of the river.

She’s lived her life one miracle short,
but, for herself, she will say at least this—
she has seen beauty in a quilt of torn blouses,
found that it’s the slow pour that spills over.

She trampled bees on the night when she woke
and left that bed. No leaf of Eve, no more blessed thing.
Radiant is all her grayness.

 

Alison, who writes Postcards from Thursday, also includes original photography on her blog.  The above photo is one of her creations as well.  Check out her moving photography and poetry.  It’s well worth a look!

You Must Be Crazy!: A Year-long Submission Bonanza!

Way back in July, I started my first Submission Bonanza!  This was an attempt to rack up rejections and embrace an aspect of writing that is difficult for me: putting myself out there.  My first Submission Bonanza was so successful and I learned so much from it that I resolved to keep it on the docket as something I did regularly.  I did another one in September and am starting to rack up more than just rejections from that one as well (news to follow!).

One of the habits that I resolved to develop in 2014 was to spend an hour a day on submitting my work to contests, literary magazines, etc.  I am hoping this means that I will be submitting something everyday, but there is a lot of work to do around submitting, so I’m not holding myself too hard to the number, more to the time I invest.  This, for me, is a year of forming habits over having goals.

In an effort to keep myself honest and also to share some great literary journals and contests, I’ll be posting a list here of where I submit to as I go.  Keep an eye on this spot for new magazines and competitions.  I’ll be updating it regularly.

  1. Classical Poets Contest
  2. California Genealogy Contest
  3. Glimmer Train
  4. The Paris Review
  5. Harper’s Magazine
  6. New England Review
  7. The Antioch Review
  8. The Southern Review
  9. EPOCH magazine
  10. The Gettysburg Review
  11. Yale Review
  12. Alaska Quarterly Magazine

Call for Submissions: Flash Frontier

 

Submissions now open

In 2013 we are reading and publishing on a bi-monthly basis. Each issue follows a theme. See our Themes and Announcements pages for details. Also see Archives to read past issues and get a feel for stories we publish.

February 2014: one way (submitted by Brendan Way and among the top five themes from the winter 2013 comp)

April 2014: scattered (submitted by Bruce Costello and among the top five themes from the winter 2013 comp)

What we like

We are looking for variety and originality. Tickle us, haunt us, gobsmack us. Choose your words carefully and leave our readers wanting more. And do it in 250 or less (not including title).

Please submit only previously unpublished works. If the work has appeared in any other print or electronic journal, we consider it published. If it has appeared on a writing workshop site, we will consider it but please do let us know, and we expect Flash Frontierto be credited with first publication if your work appears in our pages.

We love original art in all forms — colourful and daring, muted and understated. We’ll choose art each month which reflects the theme.

How to submit

Stories

  • Electronic submissions only. Submit submissions in an email to: flashfrontier [at] gmail [dot] com
  • Write Submission: month / theme (that is, name the theme, as in: Submission: January / Frontiers) in the subject line.
  • Place your story in the body of the email. No attachments, please. If your story requires unusual formatting, the editors may ask for an different kind of document to confirm your formatting requirements.
  • Include the title of your story, your name, and the whole text in the email.
  • Please format your story by using double spacing between paragraphs and no indent on paragraph beginnings.
  • Provide a brief biographical sketch (approx. 60 words) about yourself that can be included on our Contributor page. You do not have to include your bio if you have submitted to us before.
  • Submissions are due by the last day of the month for the following month’s issue. Each issue will appear mid-month.
  • Remember to count: 251 won’t be accepted.
Art
  • If you are submitting art, please send your work(s) as an attachment. Provide a title for the piece and tell us where the artwork originated. Artists may send up to five pieces for consideration at once.
  • Please provide a brief commentary (approx. 60 words) about your art submission.
  • Provide a brief biographical sketch (approx. 60 words) about yourself that can be included on our Contributor page. You do not have to include your bio if you have submitted to us before.

Payment and Rights

  • We do not pay authors for their work, but there will be prizes awarded quarterly and at the conclusion of our first year.
  • An author must own full copyright of the work submitted.
  • First rights revert to author upon publication, although Flash Frontier reserves the right to anthologize material originally published here in electronic or printed format.

Please direct any questions to us at flashfrontier [at] gmail [dot] com

Bursting out of You or Showing Up?: How to Romance the Muse

 

There’s so much to Annie Dillard’s The Writing Life that I feel like I should be reading it more slowly. Today I read 30% of it in one sitting and I could barely contain all the thoughts that it brought up in me.  I sat in the airport and both laughed and cried in the short time that I read.  Other passengers stared.   The ideal way to read it would be to read just one page or one section a day, and ruminate on and write about that one bit.  It’s so dense with wisdom, with feeling.  It’s the kind of book needs to be chewed, tossed on the tongue and savored.  It needs to be digested and felt.

The part I found most encouraging in the sections that I read was Annie’s descriptions of her own writing processes.  I see quotes like Bukowski’s “If it doesn’t come bursting out of you, don’t do it,” and sometimes feel that I am on the wrong track.  There are days when I sit in front of the computer screen and need to walk around the room, have a coffee, make myself a sandwich, have another coffee, and still it’s like pulling teeth to get anything out.  Some days I know that all that I wrote that day will be useless in the final draft.  In terms of word count for the work I’m wrestling with, I’ve done nothing all day.  I think about Bukowski’s quote and think about how it’s not bursting out of me, it’s not even coming out when I’m trying.  Maybe the muse isn’t smiling on me. Maybe I’m not chosen.  Maybe I’m just a fraud thinking I can write when really I can’t.

But Dillard experiences the same frustration.  The same feeling that it’s coming too slowly – or not at all.  She also makes her two cups of coffee and “fools around all day” when she’s trying to write.  The honesty and authenticity with which Dillard writes about her writing process and her struggle brings tears to my eyes, inspires me, and soothes my soul.

She writes, “Even when passages seemed to come easily, as though I were copying from a folio held open by smiling angels, the manuscript revealed the usual signs of struggle-bloodstains, teethmarks, gashes, and burns.”

Writing isn’t easy.  It’s a process, a life.  For most of my writing life, I followed Bukowski’s advice.  I only wrote when I felt like I was going to explode if I didn’t.  I waited, passively, for Calliope to smile upon me, to fill my chest and my mind until my hands couldn’t write fast enough.  In the last ten years, all this waiting got me maybe fifty pages of writing that I was proud of.  Sure, when I was bursting, my writing was good.  But I made a promise to myself that I would no longer wait for my genius to show up, but I would work at it.  And I’ve written the same amount of work that I’m happy with in the past six months as I had in the ten years prior.

Yeah, sometimes it’s wrestling.  And sometimes nothing comes out.  Sometimes what comes out is terrible.  But showing up means that Calliope visits more often.  It means that I have time set aside in my day to work, to think about writing. It’s not as easy as passively waiting for the muse, but the more often I show up, the more often it comes bursting out of me.

 

*This post is part of a series on the craft of writing called Reading for Writers.  This series examines a variety of authors to ascertain the choices they’ve made in their writing and the effects of those choices so that we as writers can make better decisions in our own writing. May contain affiliate links.

Is Writing Selfish?: What I learned from two years of blogging

Two years ago, I started a blog.  I was scared.  I had spent the better part of my adult life running away from writing.  In an attempt to cover up this fear, I had told myself that writing was just selfish.  Why did I think that what I had to say needed to be heard by other people?  What did I have to share that the world needed to hear?  I’m no expert in anything.  And really, isn’t writing really just narcissistic and self-centered?

But there was always this little voice inside me, this little part of me that felt unfulfilled when I wasn’t writing.  I travelled the world, teaching and volunteering in developing countries, devoted myself to helping people learn and grow.  I had the most amazing adventures and there was still something that was missing.

“If money were no object and you didn’t care about what people thought, what would you do?” my friend Ram asked me.  I didn’t stop to think about it.  “Write.”

But it was still too scary, too intimidating.  Everyone knows that being a writer is a tough job.  There’s no job security.  What if the muse doesn’t come anymore and you can’t buy groceries? What are you going to do about a retirement plan?  Worse than the practical issues were the emotional repercussions.  What if I bared my soul and no one wanted to read it?  What if I sent my writing to thousands of publishers and got thousands of rejections?  Am I strong enough to keep even through all of that?

So I did what seemed least risky at the time.  I started a blog.

I posted my first blog post steeling myself for negative comments or zero views.  Maybe only my mom would read it.  Perhaps that was all I could hope for, but hey, at least I would be writing.

That’s not what happened.

What did happen is that I learned the most important lesson that I’ve ever learned about writing.  I got positive comments, empathy from other WordPress writers and readers. People from all over the world read and followed my blog. I grew a writing community.

Can writing be selfish?  Sure, but it doesn’t have to be.

This is the thing about writing: writing has an enormous possibility for connecting with others.  Sharing your writing means sharing bits of yourself, putting yourself out into the world and trusting that other people will connect with you.  Every “like,” every comment is a connection.  Every description of scenery is a connection to that place.  Every word about an emotion is a connection with that feeling.

To me, connection, however fleeting, is what life is all about.  Each smile, each moment in the present, each shared experience with another person: these are the things that last once we’re gone.  These are the things that people will remember about us, and the things that we will remember on our deathbeds.  Writing is an extension of that.  Writing allows us to have these moments of connection with more people than we would be able to otherwise: people who are far away, people we haven’t met yet, people who were right there with us for the experiences we write about, and the people who couldn’t be.

So, thank you, writing community, for teaching me something that I really needed to learn.  I have no excuses anymore and nothing to be scared of.  Each time I write, I am fulfilling my highest potential – I am connecting, with myself and with  you.

A big thank you to Matti Vinni from flickr for the creative commons photo of  Essi Korva’s sculpture, Connection.

My 500 Words Challenge

It’s amazing sometimes how the universe seems to be sending very distinct messages, as if it’s conspiring for goodness.  Pronoia.  After writing a post about forming writing habits and a post about writing word by word, my reading of Annie Dillard’s The Writing Life presents me with this food for thought, which she refers to as “comfort for friends discouraged by their writing pace:”

“It takes years to write a book, between two and ten years. Less is so rare as to be statistically insignificant… Thomas Mann was a prodigy of production. Working full time, he wrote a page a day. That is 365 pages a year… At a page a day, he was one of the most prolific writers who ever lived.  Flaubert wrote steadily…For twenty-five years he finished a big book every five to seven years.  If a full-time writer averages a book every five years, that makes seventy-three usable pages a year, or a usable fifth of a page a day… On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away.” (13-14)

Then an email from Jeff Goins over at Goinswrites.com shows up in my inbox with an invitation to participate in a 31 day 500 word challenge.  Jeff’s advice echoes Annie’s:

“Here’s what I know about writing: It happens in small bites. Step by step. One little chunk at a time. You don’t write a whole book. You write sentences that turn into paragraphs. And paragraphs turn into sections that, then, turn into chapters.  In other words, it all begins with words. You don’t control the outcome, just the process.”

So, clearly, the cosmos are trying to tell me something and I figure that I don’t really have much choice other than to join the challenge.  I won’t be holding myself too strongly to the word count, but I’ll be working really hard to make sure my butt is in my writing seat for at least an hour a day, as per my New Year’s System.  And I’ll be using the My 500 Word Challenge as extra motivation.  Nearly 700 other writers have signed up so far, so it should be some excellent community-building.  I’ll be tracking progress here.   Feel free to join us!

My 500 Words Widget

January 1: 1087

January 2: 675

January 3: 940

January 4: 545

January 5: 629

January 6: 1201

January 7: 524

January 8: 0

January 9: 1152

January 10: 1398

January 11: 540

January 12: 513

January 13: 583

January 14: 503

January 15: 1159

January 16: 278

January 17: 0

January 18: 1097

January 19: 506

January 20: 537

January 21: 1302

January 22: 2173

January 23: 0

January 24: 0

January 25: 634

Reading for Writers: The Writing Life by Annie Dillard

Chapter 1.1

In her first chapter of The Writing Life, Annie Dillard begins to explain the complexities of writing.  She hones in on the process.  She starts with the importance of the word as a tool, a hammer, a pick, that gets to the root of the gold you are searching, plumbing depths and getting you closer to truth.  But she also asserts the need to know that many of your words will need to be scrapped, thrown away for the good of a piece.

This first chapter is a perfect example of sparseness that works.  Dillard moves back and forth between musing about writing and metaphors for writing.  For example, she tells of the inch worm that is constantly searching climbing a blade, “in constant panic” (7).  When putting forth her metaphors, she does not fumble with explication or transitions. Instead she boldly throws the metaphor out juxtaposed with her thoughts about writing and allows her reader to draw their own conclusions about the meaning and purpose of the metaphor.  This book would be a quick and easy read; this first chapter is a mere 21 pages.  But Dillard trusts that her reader will stop and parse the nuance behind her words.  This makes for an enjoyable, engaging experience for the reader and an excellent example of how to write in a way that engrosses the reader.

I loved her discussion of why to write word by word:  “The reason to perfect a piece of prose as it progresses – to secure each sentence before building on it – is that original writing fashions a form.  It unrolls out into nothingness. It grows cell to cell, bole to bough to twig to leaf; any careful word may suggest a route, may begin a strand of metaphor or event out of which much, or all, will develop.” (15)

Though she also discusses the merits of writing like a steam train, without thinking and just going, going, going, this quote really resonated with me and with the way that I write.  I love a little thesaurus.com and Wikipedia.org while I am writing.  Sometimes I feel the need to find just the perfect word and when I do, it leads me on a new idea or metaphor that runs away into the sky in beautiful swirls of words.  This happens also with Wikipedia. Often I have a question or want to know more about some small detail I am including and once I get into Wikipedia, I’m off on new paths that I never imagined but are wonderfully complex and inspire the piece I am working on to go further than I ever thought.

My creative nonfiction professor balked when I told him how long it took me to do our weekly three-page exercises.  I was often spending hours on an assignment that was intended to take only one or two. “You’ve got to learn to write faster. There’s going to be demand for your work and you’re going to have to fill it.”  I tried to explain that I wasn’t being overly meticulous or editing as I wrote, necessarily, but that my process for creativity and association took a lot of time and consideration to come about.

I love the non-linear, associative, over-the-top writing of someone like Tom Robbins (some of you might know that he’s one of my favie faves), who said in an interview with the New York Times, “The reason I write so slowly is because I try never to leave a sentence until it’s as perfect as I can make it,  so there isn’t a word in any of my books that hasn’t been gone over 40 times.” I think this kind of consideration and thorough thought about each word is exactly the reason that Robbins’ sentences are so jam-packed with meaning and imagery and purpose and humor.  They leave me both feeling full and always wanting more.  In the same interview Robbins says that he often starts with just a title, and you can easily imagine how you can go from just a title to a whole whirlwind of a novel if you building it word by word in this way.

The quote above from Dillard helped me to remember why I write this way.  After a failed (well, 17,165 words, which was excellent for me, but not the 50,000 word target) attempt at NaNoWriMo and a push from my nonfiction prof, I was doubting my process and this little aside in The Writing Life reminded me that my process is my own. It does get results and I do love what comes out of it.  So, I can let go a bit on this insistence on word count and instead remember that what I need to put in is time.  Sit so the muse will show up.  And when she does, I’ll be there, listening slowly and conscientiously, even if she gives me only 100 words a day.

 

*This post is part of a series on the craft of writing called Reading for Writers.  This series examines a variety of authors to ascertain the choices they’ve made in their writing and the effects of those choices so that we as writers can make better decisions in our own writing. May contain affiliate links.

 

 

Books for Writers: The Writing Life by Annie Dillard
Writing Tips from Annie Dillard’s The Writing Life
How to Be a Writer: Lessons from The Writing Life by Annie Dillard

Check out the Lightning Droplets Blog for writing inspiration from Annie Dillard’s The Writing Life. A book every writer should read!

Learn how to develop a writing practice and get useful advice for writers about how to cultivate a writing life. This writing inspiration can be used in all kinds of creative writing: poetry, novel writing, fiction writing, and memoir writing.

#mustread #writing #nonfiction #books #memoir #tbr #amwriting #tipsforwriters #inspiration #writinglife #creativity
Books for Writers: The Writing Life by Annie Dillard
Writing Tips from Annie Dillard’s The Writing Life
How to Be a Writer: Lessons from The Writing Life by Annie Dillard

Check out the Lightning Droplets Blog for writing inspiration from Annie Dillard’s The Writing Life. A book every writer should read!

Learn how to develop a writing practice and get useful advice for writers about how to cultivate a writing life. This writing inspiration can be used in all kinds of creative writing: poetry, novel writing, fiction writing, and memoir writing.

#mustread #writing #nonfiction #books #memoir #tbr #amwriting #tipsforwriters #inspiration #writinglife #creativity
Books for Writers: The Writing Life by Annie Dillard
Writing Tips from Annie Dillard’s The Writing Life
How to Be a Writer: Lessons from The Writing Life by Annie Dillard

Check out the Lightning Droplets Blog for writing inspiration from Annie Dillard’s The Writing Life. A book every writer should read!

Learn how to develop a writing practice and get useful advice for writers about how to cultivate a writing life. This writing inspiration can be used in all kinds of creative writing: poetry, novel writing, fiction writing, and memoir writing.

#mustread #writing #nonfiction #books #memoir #tbr #amwriting #tipsforwriters #inspiration #writinglife #creativity

Flecks of Inspiration to Ring in the New Year

 

 

These are a few things that I’ve found inspiring over the years, some ideas that have helped me cook up some creativity, punched procrastination in the face, and take a battering ram to writer’s block.  I hope you find them as helpful as I do.

Creativity as Play: John Cleese on what it takes to be creative

Look Up More: The shared experience of absurdity and how it comes to play on storytelling

Cat Exploded? Make Good Art: Neil Gaiman on the creative process

A Vessel for Genius: Elizabeth Gilbert on how to talk to your muse

 

Creative Commons love to Jon Delorey for the photo!

Prompts to Start the New Year

 

 

I always feel like there’s an excitement in the air this time of year, a freshness that’s just waiting to be plucked.  The new year is pregnant with possibility and is just waiting for us to snatch it up.  In celebration of that, here are some revisited prompts to get your creativity and inspiration going.  Enjoy!

The Encyclopedia Game

Myths in New Places

Anagrams

Reimagining History: Rasputin

When the Goddesses Come Out

Write Fast

 

Creative Commons love to http://www.flickr.com/photos/bartmaguire/ for the photo! Thanks!