Making Love to Clouds

I did not flinch when I saw her, though I knew she expected it.  My face did not mirror hers, eyes pulled wide, lips forced apart by the sharp intake of breath she could not control,  brow clenched upwards by a mind which could not believe.

A small breath of air made its way from my lungs, but my lips could not form her name.

Her eyes moved away from mine to the ground.  She did not want me to see her this way, I knew, and she would rather have never seen me at all than to meet me like this.

Her hair, which I had never seen down in all our years together, even through sleep and childbirth, fell in front of her face, intentionally hiding it.  In the darkness, it was hard to tell the two apart, now that the night of her straight hair had spread down the length of her body.  It was the blackness of her face from which I could not take my eyes.  Not the decay of her skin, crawling into strange formations as it fell from her flesh, nor the worms escaping from within her and being more eager to return to her to feast, but the pure tar of her face.  It had been one of her more powerful features, lighting the sky with its whiteness, its power making men run for cover.

“Do not look on me,” her words were loud, quick.  I wondered if she knew I had been chasing the young nymph which had just passed her, giggling melodically, curls and young breasts bouncing teasingly around the corner.  I wondered if it had been long enough since her death, or if it ever would be.

“I miss looking on you,” I offered.

She scoffed under her breath.  I could hear the tightening of her hard face through the darkness.  It was a sound I had not forgotten.

She crossed her arms, jagged elbows sending small bolts of lightning at the ground.  In the light, I could see a cockroach on the ground, near her dirty, bare feet.  It was the first time I understood her shame in being seen in the underworld.  Her usually tidy, glowing dress looked like what a peasant mortal would wear.  Instead of her usual shining shoes, her small, sharp feet, were caked in dirt, and being eaten.  I wondered if it was difficult for her to walk with the same poise that she had always carried.

“Please,” I said, knowing she would notice that my voice was not that of a god, but of a mole.  It did not happen often, but I knew she always noticed when I lost my composure.   “We will never see each other again.  We are lucky for just this moment.  Please, just look at me.”

“I-”  It was not often that she stuttered.  Her uneasiness grew to fill the small confines of the underground cave in which we stood.

Maybe she also feels as if it were my fault.

Perhaps she did not recall her last days, after the birth of the fire.  The way she screamed as the flames came forth from her womb burned my insides also.  The tears that sparked her electric face for days afterwards as she whimpered in pain each stung me as well. And I could no longer live forever when her immortality was taken away.

“I am not the same,” she said, her voice beginning to crack.  I knew she would not cry.  I struggled in the darkness to see better the prickly lines of her long body and face, the points of her nose, chin, and hips.

“I know,” I said.  I still missed looking on her.

   He did not know. 

            I could see his misty face, churning with emotions — for me!  If he knew, he would not be taking the time to steal a few moments with me before his return home.

            He moved towards me and I was within his arm’s reach.  I moved away.

            “I know,” he repeated, taking a small, determined step forward. 

            That was the moment when the memories flew past me and I was forced to turn and look at the decaying wall.  This gave my unruly mind free reign in recalling my memories, but at least I did not look at his face. 

            The tree came back to me first, but I knew that did not mean I loved him more.  The nights I had stolen away with the tree in a forced, hushed passion were just easiest to remember — there had been so few.  Always after dark.  Embracing without kissing.  A dainty removal of his own splinters.  All so the clouds could detect no signs when I returned home.  The splinters were my favorite part, even then.

            But there were more nights — since the beginning of time, in fact — with the clouds.  After all, what is lightning without clouds, or clouds without lightning?  The best nights were always the ones spent over tropical islands — hurricanes and our children, the thunder, the rain, and the tornado, were all conceived from the swirls of our passion on nights like those.

            So, when I first realized that I was having the fire child, I stopped seeing the tree.  I had no doubts about who fathered it.  But, then again, neither did the clouds.  Perhaps that was the most painful part of the ordeal:  the clouds trusted me so much that he was sure the child was his.

            “I am sorry,” he tried.  I knew he was fumbling for words, and it made me want him to hold me.

            “I am as well.”  But I stayed cold.  Who would want to hold a sack of maggots?

            “If I had known what would happen –“

            “You should not apologize.”

            “It was my fault,” he said.

            “It was not your fault,” I insisted, my voice rising with tension.

            “I should not have–” he stopped.

            I could hear him turn, his arm brushing chunks of dirt off the crumbling wall, and return the way he had come.

 

 

 

 

 

Creative Commons Love to Liamfm on flickr.  Thank you!

Amenhothep IV

         Amenhothep. That was what he had been called. Named after his father. But even his father regretted that. He was clearly not his father’s son. He came out misshapen, with a head too big and the shoulders of a woman. Not fit to be a king. Not even fit to be a prince. He didn’t hope to be invited anymore. He didn’t ask to go to ceremonies or carvings. Family sculptures were for the princely children. Siblings who came out looking normal enough, generic enough that any sculptor could make them beautiful, could make them look like a pharaoh should. Broad shoulders. Small waists. Perfect faces just waiting to be framed by royal adornments. His was truly a face only a mother could love.

And love she did. Fiercely. With a strength and ferocity that scared him.

But Amenhothep (Amenhothep IV, to be precise, because Amenhothep III was every bit the ruler he should have been) was different. Too different. Not eccentric in the way that was permissible for pharaohs. Not egocentric in the right way. His mother Tiye insisted that this second son bore his father’s name. Amenhothep. Amun is satisfied. It felt like such a lie. Even to the boy himself. Just imagine how his  father felt. How could his seed produce something so perverse, so… otherworldly.

He spent his time alone. His mother called him special and he was sure that it was not a good thing.

Together, his family was set in stone. Older brother, two sisters, Mother, Father… without Amenhothep. Festivals, reliefs, religious ceremonies. Left alone, staring at the sky.

It was always Sopdet that caught his eye. The Dog Star. Sirius, Sothis, Sopdet. How could it not? The brightest star in the sky felt like home to him. It seemed to shine for him, to call his name in whispers in the night. The days when Sopdet disappeared were the worst. 70 days straight without that bit of comfort, that tiny speck of support from afar. Each year it brought a winter to his heart.

One night his mother even caught him.

“Your world is here, Amenhothep.” Tiye surprised him.

“I know,” he said, nearly disappointed.

“Are you watching Sopdet?”

“Yes,” he looked at the ground.

“It’s special to us. The birthplace of Isis.” He had heard the mythology. It was not new.

“And of your father,” she intimated. He turned to look at her. Was she being mythological? Spouting the stories that kept the pharoahs divine? That was unlike her, he knew. His mother was straightforward, powerful, and not prone to indulging folklore. And yet… His father was just a man normal and mortal, as much as he pretended otherwise, Amenhothep knew. He narrowed his eyes and Tiye sensed his suspicion.

“Not that father.” She walked away, ending the conversation.

Creative Commons love to Archer10 on flicker for the photo!  Thank you!

Prompt: The Encyclopedia Game

In my writing, I love to toy with the idea of truth and tinker with facts.  Objectivity?  Historical accuracy?  These are things that I, honestly, throw out the window when I write.  They are much less capital-T True to me than the feelings behind things.

I do, however, use wikipedia often when I write.  It’s great fodder.  Often the articles show connections between things that I may not have thought of or give details about things that I didn’t know.  Honestly, I am one of those people who goes to wikipedia not only for my facts, but also for my inspiration.

I have heard many times about the dubiousness of wikipedia’s factual accuracy.  I have even seen articles on wikipedia say things that I am sure were incorrect.  So, I know that people twiddle with the articles.  Wikipedia vandalism is not something that’s a new idea for me.  But I had always thought of it as something playful and silly.  Never before as something subversive.

Some of my (very amazing) friends from university are in the process of making a film about the characters behind wikipedia vandalism.  Their research so far is incredibly interesting.  It touches on themes of objectivity, the control of information, and subversion.  They have started a kickstarter campaign to fund the project, and I, for one, am very excited about seeing it come to fruition.

In support of this project, I would like to start a wikipedia-based prompt.  If you go to the main page of wikipedia, on the left-hand side, there is a ‘Random Article’ button.  Flip through 10-15 random articles and see how many of them you can fit into one piece of writing.  Once you start randomly flipping through random articles, you really get a sense of how much information wikipedia holds.  From tiny towns in Europe to obscure sports participants, I am sure that you will mostly come across things you ordinarily wouldn’t write about.  It should be quite interesting.

Good luck and let me know what you come up with!

 

[youtube http://www.youtube.com/watch?v=qKxjvroP0jQ&w=560&h=315]

 

[youtube http://www.youtube.com/watch?v=wS27SDEWEbw&w=560&h=315]

Prompt: Myths in New Places

“Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth–penultimate because the ultimate cannot be put into words. It is beyond words… Mythology pitches the mind beyond that rim, to what can be known but not told.” ” – Joseph Campbell

It never fails when I need something to write about to read folklore or mythology.  It’s like instant inspiration for me.  So many of the stories are so rich and yet so bare.  They feel like playgrounds to me.  They beg to be told from different perspectives.  They seem to yearn to have details filled in.  They taunt me with the questions, ‘But what happened after that?’

But this prompt is not about retelling.  This is an exercise in setting.  I will admit that I often do not give the setting of a story enough thought.  Setting changes everything.

Pick a random myth or folktale from the (amazing!) collection at the University of Pittsburgh’s website here.  Some fun things I’ve tried: tales starting with the same letter as my name, a character’s name —   you get the point.  Then spin a globe and pick a random place to set your story.  Or, better yet, use the antipodes map to set your story on the exact opposite side of the globe.  Set the story in modern day to change the setting even more.

I would be super interested in seeing what other people come up with, so if you do this, please share!

 

Creative Commons love to Tina Bell Vance, from flickr for the photo.  Please check out her work.  It is amazing!

Akhenaten (Winter 2012.)

Even when history is written in stone, it is re-written.  This is the nature of the story.  Suns and hawks and buffaloes are erased, scratched over to be reused in the temples of the future.  Reunderstood.  Re-envisaged.  Repostulated.  This is how Akhenaten was lost, struck from the roll of the pharaohs, a distant memory of a monotheistic heretic, a madman with only one god.  He built cities and temples and sculptures of stone and gold and they were quietly erased in the span of a generation.  Father of history’s most famous pharaoh, the first individual, founder of world religions and yet … forgotten.

Even when etchings are deep, the vengeance of history is deeper.

His lips were full, and so was his stomach, as if he were the bearer of life:  Mother and Father in one.  Son of the sun, he named himself.  Descendant of the stars. Yet “He is the sun, as compared to the stars,” the people wrote.   He shone and spun with energy and life.   He was daytime and dawn and we were drawn to him.  The pull of his large middle seemed to keep earth in orbit and suggested that he was … different.

His head was large, too.  And not just metaphorically.  His skull was not round, not adorned with the dress of kings.  Instead it jutted, backwards.  As if his brain were trying to leap out of his head.   As if he came born with too many thoughts for a human skull to hold.  Or too many questions.

His face was not manly and beautiful.  It was strange and androgynous.  His lips pouted, asking to be kissed.  His nose barely fit on his face.  And his chin, his chin was so pointy.  It turned his giant skull into the shape of an upside-down tear drop: a large, rounded cranium that ended in a small, pointy face.  And then there was the matter of his eyes.  They were big, but not round, enormous almonds that seemed to fill his brow.  With his mouth and eyes and nose, there was very little room for a face, to speak of.  Instead he was an immense head, full of features.   It wasn’t normal.  It wasn’t human.  It was almost alien – as if he did come from the stars.

He did not recline the way other pharaohs did.  He was not somehow both always at rest and gifted with an athletic, sculpted body.  His shoulders were small and his hips were large.  His arms and calves were so spindly that some likened him to a spider.  His thighs were so large that there were whispers amongst the people “Is he Oedipus, swollen foot?”  His mother was, after all, beloved.

Instead, he was lively, as if stone carvers always caught him in the act.  Each carving seemed to be a live-action photograph of a son of god engaged with his surroundings.  The cartoon pharaoh, always animated, surrounded by loved ones, animals, and the outdoors.  Not only acting as a ruler, but acting as a father, a man, a lover.  He was a king of movement: orbiting and revolving through the universe.  His pull and the pull of the world around him spun together, and inspired each other to dance faster and further.

You can see how the present had fallen in love, and how history was not amused.

Response to a previous prompt: http://lightningdroplets.wordpress.com/2012/02/10/prompt-rasputin/

Thanks to http://www.flickr.com/photos/zinetv/ for the photo of Nefertiti (?).

listening to icicles (Colorado. November 2002.)

listening to icicles

they giggle softly

dripdripdrip

drop

drap

rods of burning cold

tensing their muscles

to break free of the shingles

crackackackackackle

they blind with the light

of a reflected winter sun

and mirror the calm

of soothing soft snow

blipblipblip

blop

blup

slowly melting now

making waves of ice

beneath them

to be suspended from

the sky the snow

anything but the roof

buckleuckleuckleuckleuckle

.               .               .

floating among the snowflakes

little brothers of ice

the ground beneath

comes near

the icicles reach

trying to embrace

crassssssssssssssssh

Inspiration: A Vessel for Genius

As I begin to think about writing as a larger part of my life, I realize that I need to think about it differently.  In the past, I’ve written only when it is bursting out of me.  Only when there is that feeling in my chest that if I don’t put pen to paper I might explode.  Only when I am inspired.

But this seems to happen only on days when the honeysuckle moves just an inch to the right and the sun is at a 40 degree angle to the horizon except on even numbered days when the scent of decay is coming from the northeast.  Or, hardly ever.

In the last month, I’ve been making an (mostly, but not completely successful) attempt to write every day.  I’ve found that if I sit down and force myself to write, if I am actively searching for words and my muse, it shows up.  I don’t need to wait around until I feel like the scene from Alien is going to happen and creativity and words are going to splatter all over the keyboard.  I just need to write.

And yes, we’ve all been there.  There are some days when just showing up to write is incredibly painful. On days like that, this talk by Elizabeth Gilbert is incredibly helpful.  Your role in the creative process is to show up – to put in the work.  If you show up and put in the work and your genius doesn’t show up, that’s your genius’s fault.  You can show up and try again tomorrow.  But if you don’t show up at all…

Well, I will let her tell you.

And yes, it’s another TED Talk, but really, they don’t get old.

[youtube http://www.youtube.com/watch?v=86x-u-tz0MA&w=560&h=315]

switching on your own electricity (from Make Believe Boutique)

As I write this, I am sitting by the rooftop pool overlooking downtown Bangkok.  It strikes me in this moment that even the dense, urban hive of this city feels calm and tranquil on a Sunday morning.  It’s the kind of peaceful that still feels alive with possibility, the kind of gentle breeze that holds secrets of inspiration, the kind of quiet that pulls gratitude from somewhere deep in your chest.  There’s something quite special about Sunday mornings.

This kind of tranquil, introspective mood makes me want to share. And today, I’d like to share something from someone to whom I am quite grateful.  In Blue, from http://makebelieveboutique.com/, who is a fellow manatee-lover (!), nominated me for the Sunshine Award last week.

I feel quite honored, seeing as her blog is incredibly soulful and introspective.  Each one of her posts is a tiny morsel of food for thought, that leaves your tongue rolling over the thoughts again and again so that you can grok the fullness of her words.

 

Here is one I particularly like, pasted from http://makebelieveboutique.com/2012/02/12/1162/.

 

Enjoy!

 

 

switching on your own electricity

to fly or not to fly

Attempts to unravel the labyrinthian dynamics of art’s propulsion according to the categories of the reasoning mind will never replace the mystery with an explanation. The phenomenon simply exists. According to Jung, ‘the bird is flown’ when we attempt to explain the mystery….Shaun McNiff

Art Making & the Shadows of Your Work….

the strange shadows over treetops sometime between dark & dawn (always a miracle)

little baby feet curled around themselves

that peculiar letting go just before sleep (knowing it’s already gone)

the distance felt in a room full of beloved friends, like a dream

looking in night windows; glow & mist & warmth

walking with hands in pockets, filled with treasures; pinecones, stones, feathers

opening a book to the perfect poem

a song flies you back to a time of converse sneakers & blue nail polish

cold hands find a warm teacup & the world is perfect

suddenly aware that you’re being & not doing (oh, that’s so rare & good)

In our night-time, there’s always the electricity switched on, we watch ourselves, we get it all in the head, really. You’ve got to lapse out before you can know what sensual reality is, lapse into unknowingness, & give up your volition. You’ve got to learn not-to-be before you can come into being…..D.H. Lawrence

there can be no doubt when you tiptoe through your own life gently…

Darunsikkhalai (Thailand. May 2010.)

(Reposted for Ram (:  )

Norea wondered how the scene in front of her looked to the tour group.  A woman framed her mock-surprised face with her hands as she backed away from a set of high-heeled feet dangling lifelessly.  In a circle around the computer screen, 8 orange-striped ten-year-olds in pleather rolly chairs listlessly watched the drama.  Only their Thai teacher seemed enrapt.  In the corner, the teaching assistant scrolled through pictures of cookies shaped like Lady Gaga.  From the window outside, the five professors on Norea’s tour tittered like overexcited hamsters.

“Very… unusual school,” one of them said to her.  Norea nodded.

Norea turned around so that her silvery eyes met the horizon. On the eighth floor, she had an uninterrupted view of the city.  In the distance, the most recognizable bridges in Bangkok batted golden eyes as they coyly skirted behind the smog.  They dropped gray-brown veils onto the vibrating city below as they shimmied in the heat.   The distant downtown towers looked as if they had donned their best khakis and sidled up next to the stage to enjoy the show.   The scene was suspended, a sepia photo with blurred edges and a highlighted blue sky.  All the smiles were frozen.

The wet, climbing ivy that was the Chao Phraya River evaporated inexorably up the sides of skyscrapers, covered the cars parked on bridges, and hid the street vendors, encircling the city in its grasp.

“The children learn by creating,” she told the group, still looking at the hazy sparkle in the distance.  “In this class, they are learning Thai culture and language by studying curses.  In the coming weeks, they will make their own drama about curses.”

The group nodded in unison and Norea guided them downstairs.

“And does it work?” a professor with too-red lipstick and an unmoving-shell of hair asked.

“The sixth floor has science labs and the facilitator’s offices,” Norea said.

Creative Commons love to http://www.flickr.com/photos/mikebehnken/ for the picture!

Cicadas (Thailand. May 2010.)

She could hear his abdomen, even from eight stories above. She knew he waited for her, dressed in new skin holding the bark of a mango tree. For thirteen years, she had dug and hid, dug and hid, a pale pearl of a nymph sheltered in flooding clay. Prematurely buried. She had fed on rootjuice and waited.

And now, the time for burying herself was gone. She no longer wore the tough soil skin of the past. The brightness of being was nearly unbearable. She was green and larger than herself.

She sat exposed, mesmerized by the equatorial sunlight and the scene in front of her. A kaleidescope of rounded, dark-haired girls with lightning eyes and cloud-colored skin. Mirrored and moving the same. The repetition of girls had no expression on their faces. Their mouths moved at the groups of people surrounding them, but their dream-time eyes looked through the scene.

She heard him again, dry-fly ribs rubbing together to blot out the sounds of metropolitan traffic and children. The vibrations called to her.

She looked down at the expectant mango tree and imagined the future she would create. Millions of shimmery nymphs sprinkling from the branches, raining onto the soil below, christening the ground with their sparkling selves.

There was nothing for her to do now, except let go.

 

 

 

Creative Commons love to http://www.flickr.com/photos/rogersmith/ for the photo! Thanks!