Submission: Flash Frontier

In my attempt to immerse myself in the writing culture of this fresh, charming country I find myself in, I stumbled across a little gem of a literary magazine called Flash Frontier.

It’s an online zine which publishes a monthly, theme-based collection of flash fiction and its morsels of stories are quite fetching.

Not only that, but the editors made suggestions to better my submission, which I did really appreciate.  You might find me in the November issue!

Creative Commons love to BabaSteve on flickr for the photo.  So New Zealand!

Inspiration: Creativity as Play

Amidst a series of “How many … does it take to screw in a light bulb?’ jokes John Cleese brings up particularly poignant points about creativity.  He gives an actual recipe for its formation and hope to those of us suffering from creative block.

He asserts that “Creativity is not a talent. It is a way of operating.”  People are not born creative.  It is not a high IQ or a muse on your shoulder.  Instead, it is finding a mode of working that allows for the creative which sits inside each artist to come out.

He cites studies and research which define creativity as “an ability to play.”  Creatives are childlike and have the ability to explore and frolic with ideas for no specific purpose other than play itself.

As I try to be more disciplined and determined in my writing practice, I find that this is something that I am missing lately.  If I’m not producing, I feel that I am not writing.  There isn’t room for play when deadlines and due dates are looming.  And yet, this is exactly what is needed for creativity: time and space.

“Creativity is not possible in the closed mode,” Cleese asserts.  But he also shows that working in both ‘open’ modes and ‘closed’ modes are necessary.  When we are working with a problem, we must examine it in the open mode.  However, once we find a solution, we must work in the closed mode to be effective at bringing it about.

For me, I have been getting better at the closed mode.  I have been developing my discipline and ability to sit down and write as if it is work, as if it is necessary.  But I have forgotten how to play with my writing.  I have forgotten to give myself the time and space to sit and play with my ideas, to let them be silly and run free.

The most useful part of Cleese’s speech comes in his practical advice for creating the ‘open’ mode necessary for creativity.

“You need five things:

1. Space (Away from the ‘real world’ so you can play!)

2. Time (Time blocked off especially for play!)

3. Time (The more time you spend playing, the more creative your solutions are!)

4. Confidence (Play means not being frightened of failure!)

5. A 22-inch waist.. Sorry, humour.”

He asserts that your creative play needs to be distinct from your everyday life in both the time and the space that you give it so that you can be free from the pressures (and ‘closed’ mode) that we usually operate under.  “Otherwise, it’s not play.”

“The most creative professionals always play with the problem for much longer before they try to resolve it.”

“While you’re being creative, nothing is wrong and any drivel might lead to the breakthrough.”

Of course, as he says in the beginning, “Telling people how to be creative is easy. Being creative is difficult.”

http://youtu.be/VShmtsLhkQg

Oh, and also…

How many psychiatrists does it take to change a light bulb?

Only one, but the light bulb has really got to want to change.

It started with her and I cannot let it go.

Her story begins before the beginning.  Before air and sea. Before light and dark.  Before hot cosmic messes melting elements into mass.  A partner without vowels.  Syzygy to the first. A cross in a circle as if she is a bullseye.  I know it is she who brings my inspiration.  It is she who knows my powers and my weaknesses.  It is she who has been forgotten.

It’s the eve of the primordial forest.

It begins with an army of frogs huddled around the very first puddle.  The air remains still with anticipation, as it does in turbulent times.  The hydrogen and helium swirl in hot messes all around, fusing into heavier elements and lighting the otherwise primeval void.  And still, the puddle does not move.  Their toes twitch, but they do not croak.  It seems they are waiting for something to happen.  They make eye contact with each other in anticipation.  They look in to it, trying to find their own reflections, to make sense of the sludge.

But you already know this story.  You do not need to read these words. They are only signs which will direct you to the place in your mind where this story already sits.  There are infinite paths to get there, and these signs may be misleading, crumbling under the weight of time before becoming paths themselves.  They may lean crookedly, pointing in ambiguous directions, so you may want to stop reading and find another, more direct, reliable way.  Or you could continue.

It’s more correct to say that the army of frogs is actually a mold.  It grows green around the edges of the puddle, tapering off, but having no edge itself.  It is not one. It is not many.  It both grows and does not move, like a tree rooted in cement.  It spasms in the hush.  And still, it watches the puddle, which is suddenly muddled.

And then the mold, the frogs, the army, the void: it sees her in the puddle.  Despite the cosmic lightning storm spiraling around it, she is the most beautiful thing they, it, the frogs, the mold, has ever seen.  She shimmers in a pool of water that refuses to show the reflection of the frogs, or the reflection of the universal birth exploding stars above.  She is perfect, Incorruptibility.  And just as quickly she is gone.

She is the daughter of knowledge.  Passion and fire.  Life.  Incorruptibility.  Knowledge.  She is daughter to all of these, and they reside within her.

It’s a story that’s easier to tell in tiles.  The texts are spotty and it’s long past.  Really, the true story sits somewhere in the shadow of each of our minds.  It’s the reflection in the sea of primordial memory that’s just a bit too hazy for us to see into.  A bit too muddled.  A muddled puddle surrounded by a mold of frogs croaking somewhere just below where memories lie.

Home

The landscape holds the deafening density of memory. The needles of each slash pine burst with the recollection of some childhood experience just on the edge of my mind. Each oak limb twists in the shape of a person long forgotten, whose name I would only recall if someone reminded me. It’s as if the trees and Florida air are storing the memories for me. They are my Giver, coddling reminiscences in case some day I might want them. I’ve seen them all before. Every sabal palm, every old oak, every casaurina. I’ve left pieces of myself in the sap of each tree. They whisper a promise to hold it, to free me, to lighten my load. It is only in this way that I am able to travel. In leaving behind the teenage worries and prepubescent fears, there is room for Thai macaques and Czech bridges.

But they are not lost.

The Spanish moss dangles with the whispers of elementary school friends. Mistletoe glistens with stolen first kisses. Pepper trees play melodies I know I’ve heard before. Even the formations of clouds seem to materialize into shapes that I’ve seen, in the same sunset, over twenty years ago.

Special thanks to _ryk from Flickr for the amazing photo!

Her Memories Are Round. (Winter 2012.)

 They sit on the mantle and she fingers them slowly one by one, as if touching them brings back the sights and smells more fully.   They are self-contained, held in proper place by perfectly spherical glass walls, so that the snowflakes of experiences and emotions of each segment do not intermingle. Each one collects its own dust, attracting mites to its cause with sparkling reminiscences.   For each memory, an ornate, dainty pedestal calls out the name of the place and cradles the round, full memory that it holds.

Prague.  One of the few globes that has snow in it.  You almost can’t tell what century it’s from.  Bridges over the Vltava and Gothic architecture with snowy-tips.  It holds days that were ripe with inspiration.  It seemed that lightning was everywhere.  Circuses popped up in her favorite park and artists chased the buildings.  It was a country ruled by writers and it seemed that Milan Kundera was on every street corner.  Gargoyles caught the eye of old Communist statues from across the river and dared them to join in staring contests.  On tram rides to school, everyone was a character.  War widows and Russian spies, past lives and secrets sat all in a row waiting for their stop.   “Better Red than dead!” her grandmother joked, reminding her of past generations who once lived in this land, when it had another name and held a shameful family past.  This memory holds side trips to Cologne and Vienna, Budapest and Bratislava.  It’s one of the few snow globes that holds pieces of her family.  Aunt and uncle, mother and grandmother, all curious about this homeland.   Nightclubs filled with expats and whispers of absinthe.  Maybe if she drank what they drank, she could write like them.

The house itself is sparse.  Her movements make noises that echo off empty walls and bare floors.  As she places the snow globe from Prague back on the mantle, the noise echoes an emptiness, bouncing off bare walls and floors.

Alaska.   A summer that was constant spring.  The trees were always that new shade of green, as if they were permanently fresh.  Mountains grew into glaciers.  Snow was stuck in crevasses so that it didn’t float as you shook the snow globe.  This was closer to what she remembered anyway.  The water in the globe seemed to be cold to the touch, as if it had just melted, as if it had been melting these past 8 years.  It was bright blue, but not clear, like the run off from ice age giants.  There were toothpaste tubes hidden from grizzly bears and games to show you how to run zig zag away from moose.  Even the plants seemed like overgrown prehistoric remnants, with mammoth leaves and sabretoothed thorns.   There was no electricity or internet there.  Unconnected, but somehow much more connected.  She was sure she herself sat on one of those glaciers, too small to be seen, wrapped in the inciting cold.   The water was 39 degrees, and still she couldn’t keep from swimming.

She wonders briefly how many people have seen this globe.   She doesn’t keep her snow globes in order, chronological or otherwise.  They cluster together in the center of the mantle, as if vying for attention, at odds with each other.   Alaska might be in back most days.

San Francisco.  There are no row houses or piers in this one, like most people would expect.  She didn’t take home that Bay Area.  There was no Golden Gate Bridge jutting out from the water or Coit Tower thrusting up over the bay.   Instead she captured potlucks in the park and quiet BART rides.   No-pants parties and the murals of Mission Street swirled fancifully around pirate stores and parks and parks and parks.  The water in this globe churned, far from pacific, but alive all the same.  There were misplaced bison, grazing on grass from the Golden Gate Park.   At 4pm every day, the fog rolled in, keeping the globe fresh, sheltered.

And all the people from San Francisco stare back at her from inside the globe.  They don’t speak or move any more.  They stand as they were then, snapshots of friendships that only live in this one memory.

Thailand.  Water from the Chao Phraya fills the dome, so packed with life that you can’t see inside.  Water monitor lizards hide in the water as ochre-robed monks send turtles into the waves and birds into the air.  The globe gives off a mishmash of smells, each indistinguishable one setting off a strand of memories that seems unending.  Dried squid and fresh rain and jasmine and incense and sewage mix until you are no longer sure if you want to inhale deep or hold your nose.  Bodhi trees and strangler figs burst from the cracks, tiny parodies of each other.  Rambutan and mangoes and durian bob to the top of the riverwater, beckoning and repulsive in the same call.  Water hyacinth spurt purple blooms and ladyboys call to tourists from beneath temple gates.  Bangkok sparkles with grime and seems to drown in its own development.

Her hair had gotten darker in Thailand.  It went from a fiery red to an anonymous black.  She lived inside that globe so long that she could no longer look through the murky river out into the world.  This globe was both the majority of her adult life and also so, so far away.

The Bahamas.  Tiny sea biscuits float in what she likes to imagine is a little piece of the Atlantic.  Tiny periwinkle shells swim through the water and dance around a junkanoo parade.  The drummers are paused mid-beat and ready to strike.  Horns are held to lips as if they may scream any minute.  Feathers reach every which way.  The sand is pink, reflecting millennia of queen conchs sticking their tongues out at the waves.   The roosters never know what time it is, but it doesn’t seem to matter on the island, as long as you make it to the beach by sunset.   The globe held its own miniature Sargasso Sea, hiding the mystery of deep-blue depths and the growth of sea turtles and eels.  Mermaids’ purses and conchs burst with song.

This snow globe is her newest.

It is sudden and confusing when the house begins to shake.  At first it’s as if someone very large is trampling down the stairs, but in the back of her mind, she knows she is alone.  As it gets stronger, she holds the corner wall that hugs the fireplace for balance.  The snow globes begin to jostle and bounce, dancing side to side and right off the edge of the mantle.  They throw thirty years of dust into the air like confetti and she briefly wonders what they are celebrating.  They jump, glass heads first, freely into an ocean that begins to form on the floor, free diving out of their prescribed places.

The ocean they create is choppy and alive.  Gargoyles and Buddhist monks swim like fish amongst each other.  Gothic buildings and Alaskan mountains jut out from the sea like islands.  Friends from Thailand stare in awe at the aurora borealis that plays on the water.  Lizards play junkanoo while park-bison dance along.  The interactions are rich and charged.  Alive and fresh.

Creative Commons love to http://www.flickr.com/photos/_vini/ for the photo!

Submission: Paper Darts

Lately I’ve spent a lot of time browsing the websites of Creative Writing MFA Programs.  One of the really wonderful side effects of  these hours in front of the computer is that I’ve come across quite a few fun, interesting literary magazines.

As I am determined to be more serious about my writing, I am also looking for publications where I can submit my work.  My guidelines are pretty well-defined.  I want to submit to lit mags that accept online submissions and have no reading fees.  Plus, the rebellious artist in me is attracted to publications that are a little funky.  I’d like to share these publications with you as I find them.  Perhaps you will enjoy them as much as I do and perhaps you will want to submit to them as well.

One of my favorites so far is Paper Darts.  I have to say, there is an not-so-small soft spot in my heart for a lit mag started by a group of girls with a sewing machine.  They also have quite a few other projects going.  I highly recommend checking them out.

Inspiration: Look Up More: The Shared Experience of Absurdity

I’ll just come out and say it, I love the absurd.  There’s something magical and beautiful about frivolity that’s not tied down to reason and rationality.  Absurdity has this detachment from the material world which makes me remember that I am not only a physical body that needs to eat and shit, but also a mind that needs to be stimulated and awed.  There’s some sort of wizardry that the ludicrous possesses which can turn even the most mundane of situations and surroundings into a wonderland.

Take for instance Christo and Jean-Claude’s outdoor art, The Umbrellas.  It instantly turns a brown, barren California landscape into a fairyland. And that’s exactly what’s amazing about absurdity.  It’s play for adults.  It’s a time when we are pulled out of daily routine and everyday life and invited to immerse ourselves in imagination and wonder.  It invites us to see the world around us not as a hard, material setting but as a playground ripe with beauty and ready for exploration.

The magic and wonder of the ridiculous is never so powerful as when it is shared.  In the TED Talk below, Charlie Todd, founder of ImprovEverywhere, discusses the power of sharing absurd experiences.

Here are some of my favorite quotes from the video:

“I love this moment in the video, because before it became a share experience, it was maybe a little bit scary, or something that was at least confusing to her.  And then once it became a shared experience, it was something funny and something she could laugh at.”

“There is no point and there doesn’t have to be a point.  We don’t need a reason, as long as it’s fun.”

[ted id=1269]

This video really inspired me because it made me think about how something just a little bit absurd lends itself to an entire story.  The people who witnessed the no-pants subway ride (and all the previous ones that followed!) will forever have that story to tell — and to share.  It will be something to connect over and an experience that they can give to others through the telling of that story for the rest of their lives.

All storytelling should have an element of this.  Stories should leave you wanting to retell them, to share them.  Good stories are instant bridges between people.  They bring us together and link us in common experience.

And for me, I always want a little bit of the absurd.  I want a little bit of play, a little wink at my reader.  I want that moment when my reader and I are both frolicking in the playground of wonder and imagination and beauty that is the world we live in.

Because it’s really fun to play by yourself, but it’s even more fun to play with others.*

*Sexual innuendo absolutely intended.  I’m sorry.  I couldn’t resist.

Creative Commons love to Jon Delorey for the photo and, of course, to TED for the video!

Sharing: First Post After a Long Absence

I’ve been reprimanded quite a bit lately because I haven’t posted anything.  But I promise, dear reader, I have an excuse!  I’ve just moved from Bangkok to Wellington, New Zealand,* and I will admit that the energy of the move and house-hunting and job-hunting has kept me from blogging.  I will also admit that I’ve been too wrapped up in exploring this lovely little capital at the end of the world to think much about writing or grad school.  In my defence,** I am incredibly smitten with my surrounds and with people here and my mind has been elsewhere.

 

Part of why I am so smitten is that I didn’t properly anticipate how much I would love living in an English-speaking country again.  I am struck by how much it means to me to be able to have connective little conversations with the baristas at the coffee shops I frequent or to flirt with the guy who works at WelTec.  I really appreciated all the smiles I got in Thailand.  But if Thailand is the Land of Smiles, New Zealand feels to me like the Land of Small Talk.  And I am really loving it.  I’d forgotten how those little conversations with friends-you-haven’t-met-yet can really brighten your day.  Even if it is a wintry, drizzle-y day, as has often been the case.

In the spirit of appreciation for small connections with friends-you-haven’t-met-yet,  I’d like to give a special thanks to Daniela, a fellow Wellingtonian, who blogs over at Lantern Post, who nominated me for the Twin Awards.  These little moments of connection and recognition are just lovely and I really do appreciate them.  I’d also like to share a bit of Daniela’s poetry, which gives a little bit of insight into my new hometown:

Street Performer

On Saturdays street artists are out,

downtown on Cuba Street,

marking their patches of concrete,

between market stalls,

amongst passers-by,

bending around corners,

not on the way, just in the view,

singing for nickels,

dancing for laughs.

 

And there he was,

all young and bouncy inside his sneakers,

pants low on hips with blue hearts sewn on knees,

his mum did it for him he tells me.

 

Just setting his circle right now,

but show will start soon,

and he is really good, he says,

excellent in fact,

real juggling acts, like in circuses,

and fire eating, real fire mind you,

made with kerosene, a real poison.

 

Really, if I will stay he will show me,

usually lots of people come and watch,

he has a regular crowed now,

and does acrobatics, dangerous staff and for real,

no tricks, like some others do,

no, not him,

he is for real.

 

Just stay for a while, he will start soon,

mind if I have a spare smoke and a lighter,

it will be real good,

he does this for living,

his folks are still in shock,

but he does what he loves, and that’s all that matters to him,

to make people laugh.

 

Just stay till the end of the show,

it is going to be awesome,

at the end he will pass the hat around,

you know how it is,

has to pay rent, buy beer,

loving what you do does not,

pay bills,

you understand.

 

*Why does WordPress not think that New Zealand is a word?  Really, WordPress, it’s a real place!  Not a fairy-Neverland.  But, honestly, you wouldn’t know by this picture:

I mean, look at this!  I live here!

**And now it seems I am spelling like them too….

 

 

 

Creative Commons love to mollyeh11 and PhillipC for the photos!

Inspiration:Cat exploded? Make good art.

Here is a really lovely commencement speech that Neil Gaiman recently gave.  It is quite thought-provoking, a little funny, and amazingly inspirational.  It got me writing for the first time in a month.  I hope it does the same for you!

[vimeo http://www.vimeo.com/42372767 w=400&h=300]

These are a few of my favorite one-liners.  They are all the more poignant in context.

If you don’t know it’s impossible, it’s easier to do.

I learned to write by writing.  

I tended to do anything that felt like an adventure, and stop when it felt like work, which meant life did not feel like work.

A life in the arts is like putting messages in bottles on a desert island and hoping that someone will find one of your bottles and open it and read it and put something in a bottle that will find its way back to you. 

The things I did because I was excited and wanted to see them exist in reality have never let me down.

Sometimes life is hard… when things get tough, this is what you should do: Make. Good. Art… Cat Exploded? Make good art.

The moment that you feel that just possibly you’re walking down the street naked… showing too much of yourself, that’s the moment you may be starting to get it right.

Make interesting mistakes. Make amazing mistakes. Make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here.  Make good art.

Kanchanaburi

The river slithered out of the mountains with such speed that it seemed the forest must have been on fire. This should have been our first clue, but we pressed on, past rice paddies and the Death Railway, past water monitors and banana trees, past lotus fields and check points. We curved around roads unable to watch where we were going because we were mesmerized by the sun setting through the jagged dragon’s teeth jutting out of the landscape. Even as night began to fall, we did not stop, further into the heart of a jungle so dark that the moon and stars could not be seen, as if we were no longer in a world surrounded by other planets and galaxies. The fauna grew more massive and the flora grew more crowded until we were shouldering our way into a deafening density. Frogs croaked wood against wood, geckos sounded like birds, and cicadas imitated longtail boats.

Beetles and dragon flies landed on us as if we were sticks. Park rangers told us to turn back. Kitti bats stayed in their caves. Street signs shaped like royal crabs scuttled away from roads. And yet we persisted, driven on by an incurable bug for adventure, a sickness that pushed to see more and more unseen, a fever that made our hearts restless and drove us from our homes.

The mountains became billowy the higher we went, as if this far from the city even they were not fixed. Mist gathered round, blurring the edges. Bamboo plumed off cliffs, looking like giant feathery ferns from a distance. Animals jumped off limestone bluffs, floating into elephants and crocodiles and gibbons of cloud. Forests sank into reservoirs, as if the earth did not know where it stood. The road twisted, uncertain of the ground beneath it. On motorbikes and bicycles and boats, we pressed, closer toward forbidden lands where borders were blurry, into frontiers decorated with coconuts and cow skulls, where cowboys wore rice paddy hats. Into a west so wild that centuries and continents fell on top of each other. And we, naturally, lost our bearings, too.

Ficus roots floated in midair so that we wondered briefly if we were underground. Strangler figs wound around trees so tightly that the buttressed giants choked and fell, leaving exoskeleton trunks of vine, hollow ghost trees that still sprouted leaves and fruit. We climbed inside and nestled there, daring the vines to squeeze us, too. They were slow to respond to our taunts, as careful foliage often is. Hidden inside that creeping constrictor, we were not so cautious.

Deprived of the embraces of elkhorns and newts, we clasped each other. As tigers turned to clouds and mountains gaped into open dragon’s maws, we held hand to hip, mouth to mound, cheek to cheeks. Arms flattened into banana leaves. Hair transformed into mountain fog. Feet flew into branches. Eyes grew into papaya. Bellies became karst formations and breasts danced into spinning seed pods. Fingers split into ferns. Orchids turned and cooed at the rustling, lizards clucked, birds whistled, mangoes dropped like dumbfounded jaws, and gibbons whooped.

We were no longer sure if we were astronauts or crickets, dinosaurs or gods. But the knowledge no longer mattered. I did not return from that heart of darkness, and nor did you. But we came home, as frangipani and limestone, passion fruit and snakes, tree frogs and jasmine, the earth and the sky.

Creative Commons  love to purplekarmaaxelsaffron, and beakatude (in that order) for the photos! Thank you!