Right now, I am on track for the official NaNoWriMo count, which counts 1667 words per day (4 days x 1667 = 6668), but you have to write all 30 days without fail. I have met myself and I know I need some breaks, hence the 2000 per day.
Today is Friday. I had planned to take today off. I am a mere 1316 words away from being right on target. I know I can easily reach that word count today if I skip the pizza prep and just show up for dinner. But then, I will not have taken the day off.
It is tempting to get on target. I could catch up in an hour or two, probably.
But like I said, I know I need breaks. Things need to rattle around in my head so that they can come out the way I want them to. And I know that when I don’t take breaks, the muse or writer’s block or anxiety or whatever you want to call it forces me to. I will have major FOMO as my kid and husband hang out together. I’ll resent NaNoWriMo and writing in general, and the block will snowball.
So, I am trying to stay on top of it. I am giving myself a pizza and movie night, even though I am not on track, so that tomorrow, I am refreshed and can go at it hard.
Tomorrow is Double Down Day in the Heart Breathings Word Sprints Facebook Group (highly recommend), and my small group of friends is meeting to write, and my local NaNo group is meeting for a virtual write-in, so my plan is to jump on a little bit of each of those and catch up.
My goal is to write 3316 words tomorrow. Tonight, I get pizza and wine!
How do you decide when to let yourself rest and when to push yourself? Do you have any tips to make the most of resting?
It’s a new moon today. A time for listening within. A time for setting intentions. It has been making me think a lot about my whys. Why do NaNoWriMo? Why write? What exactly am I hoping to accomplish?
As the days get shorter and my energy wanes, it seems a herculean task to expect myself to write more than I do at any other time of year. Especially as the to-dos pile up with the holidays and the end of the year.
And yet…
I still do NaNoWriMo. Even after losing the first six times, like a glutton for pain and disappointment, I still wanted to do it. Why?
Why do NaNoWriMo?
I have heard people give a lot of reasons about why they do NaNo.
Camaraderie. If you ask a WriMo why they do it, so many will answer that it’s the camaraderie. And the community of it is huge. There are tons of authortubers who take part. Facebook and Instagram are covered in it. There are groups for local participants, groups for participants in different genres. You can go around the world on discord or write for 100 hours straight on youtube. Even as an introvert, you feel like you are part of something larger.
The Challenge. Sometimes you just need something to kick you into overdrive. I love a challenge (see my posts on writing challenges and submission bonanzas) and I think of NaNoWriMo as a dare. Who said I couldn’t finish a novel in a month? I’ll show them!
Taking yourself more seriously. You can’t sit around waiting for inspiration to strike when you are on a deadline like this, even if it is self-imposed. You just need to get your butt in the chair and do the best work you know how to do. Get down to business.
Taking yourself less seriously. This is maybe counterintuitive, to take on a big challenge like this to take yourself less seriously, but hear me out. You cannot be precious about your words and your work when you are trying to write a novel in a month.
Finally finishing something. While I think most winners of NaNoWriMo come out on December 1st with a completely ready-to-go book, I do think the premise requires you to stick with one project. You can’t follow your shiny object syndrome and finish a novel in a month. And then, once you are 50,000 words in, you might as well just finish.
Why do I do NaNoWriMo?
We all have very different reasons for coming to the page, and NaNoWriMo is no exception. For me personally, it is about building my consistency as a writer. I have been writing stories since I could write, and yet it has never been consistent. My writing always seemed best when it was bursting out of me, and I just had to wait for that to come. I could sit down and vomit up something in 15 minutes that would be beautiful or sit down and work for hours on something that was crap. I felt like my writing, my muse, my creativity was not something I could control myself.
But I am working on developing a different relationship with my writing. I am learning to create the space for the writing to come, to allow it even in the quiet times, to listen for it even when I am not inspired. And NaNoWriMo helps me build that muscle. The camaraderie and the challenge and the feeling of accomplishment are awesome. But for me, the biggest gain is the exercise, the practice, the slow and steady development of my ability to sit down each day and create.
What’s your why?
Here’s my update
Progress:
Day 3 Word Count: 1089
Total Word Count: 5169
This puts me just a little bit behind where I had hoped to be today. But also, just this much is more than I wrote in all of October, and on track according to the 1667 words everyday math. So I am happy with that, but I am going to have to put in extra work today if I want to take give myself a break on Friday!
How many words do you really need to write per day to win NaNoWriMo? Setting daily word count goals might not be as straightforward as it seems at first.
The measurable goal of NaNoWriMo is to write 50,000 words in the month of November. That’s 1667 words per day for all thirty days. But how many words do you need to write to win NaNoWriMo if you are not a supercomputer who is going to write the exact same amount each day?
Maybe you are one of those super-people who are actually going to write 1667 words every day of November. And if you are — way to go! That’s amazing! But if you are like me, you probably need to figure out how many words you need to write each writing day to win Nanowrimo.
Let’s face it, life does not necessarily stop because you are working on a novel. There are still chores and birthdays and turkeys to think about. You might be able to write 1667 words 6 days a week, and then if one day that week doesn’t go like all the rest, you are behind.
However, if you can take all of the chores and birthdays and turkeys into consideration as you track your words, you are going to be in a great position to win NaNoWriMo.
How to set daily word count goals.
Look at your average weeks. Be honest with yourself. How do your days usually go? Do you need a day off a week for chores and errands? Do you know that once a week you are generally out of commission, because of health, or someone who needs you? Are your Tuesdays already all booked? Subtract all the days each week that you know you will probably not have time or space to write.
Look at the month of November. What commitments do you already have? Are there birthdays or work deadlines or holidays that might take away time from your writing? Make sure you subtract those days too.
Add up the days you have left.
Are all your days equal? If you want to be even more precise, you can look at how different your days might be. Maybe on Saturdays you can spend twice as much time writing. Or maybe you know you can devote a lot of time to your novel over Thanksgiving weekend. Whatever it is, think about whether there are days that you know you will be able to give more. If you know you will be able can write double or triple a normal day’s work, you can double or triple those particular days.
Divide 50,000 by the number of days you have left.
For me, it looks like this:
Fridays are family days for me, and I want to honor that even as I focus on my writing. So all four Fridays are not writing days. (30 days in November – 4 Fridays = 26 writing days)
I am not writing on Thanksgiving. I love me some cooking, and I intend to spend the whole day enjoying making a feast. (26 writing days – 1 holiday = 25 writing days)
25 writing days left!
I don’t have any days where I know for sure that I will be able to do more. Hopefully there are days when more than average gets done, but for me, I can’t count on it, so my count remains the same. 25 writing days.
50,000 words ÷ 25 writing days = 2000 words per day.
You can see that this is actually quite a bit more than the “official” 1667 per day that is needed, so if I had been doing only 1667 per day, I would fall behind the first Friday that I spend time with my family. This means I would feel guilty, either about not writing, or about not guarding that time with my family. I used to feel like I was always needing to choose between family and writing. But, if I plan ahead of time, I can do a few more words each day and have guilt-free family pizza and movie nights.
Speaking of which, I have hit almost exactly 2000 words each day so far for NaNoWriMo, so I know I am on-target and can take my Fridays off to spend time with my family. (So far!)
Here are yesterday’s stats:
Progress:
Day 1 Word Count: 2037
Total Word Count: 4079
I am still on track! I swear, this feels like my best start to NaNoWriMo yet!
Yesterday I jumped right into writing as soon as the kiddo was asleep. That meant that I didn’t have the opportunity to think about tracking my word count or anything like that beforehand.
Let me be frank. Every year, I plan on doing NaNoWriMo Prep. I print out workbooks from the NaNoWriMo website and other authors about how to plan and prep, everything from plotting to meal planning to the whole shebang. Literally, anything I can think of to make it easier to actually get all the words down on the page and focus just on the writing, I plan to do.
But every year, something gets in the way. Usually, October is the month we are packing up shop at the cabin and moving to our winter abode. This year was no exception.
So yeah, this is definitely something you could/should plan beforehand, but I did not.
If you are like me and looking for ways to track your word count still, maybe this will help. Here are five ways I am thinking about tracking my writing. Something I definitely should decide today.
The Official NaNoWriMo website. This one is a no-brainer. If you want to unlock the prizes, you need to input it into their site. They also have interesting stats with a cute interface. But did you also know you can use this tracker for just all of your projects? Year-round.
Sarra Cannon’s Preptober Workbook. Paper-lovers and spreadsheet haters rejoice! If you want a printable, paper tracker that helps make it feel like a game, this one is a good one. I have already spent too much time stanning Sarra here, but suffice it to say that she knows a lot about creating positive momentum in your writing routine and her NaNo trackers help with that.
Artful Spreadsheet trackers by Svenja Gosen. These were my go-to trackers for years. I love the auto-fill spreadsheets and the imagery is awesome for setting the mood. She also has spreadsheets for year-round tracking and tracking individual projects. Highly recommend.
Word Count Tracker from the 20Booksto50k Facebook Group. If you are an indie author, this group has tons of information and resources, including a well-thought out and very easy to use word count tracker. This is the one I use to track my word counts on a daily basis. It is a lot like the group — no frills, but works.
4thewords. This is one I have been thinking about for a while. I am a nerd who loves the gamification of everything and this app and online writing community gamifies your word count. I mean, squee! But this is the only one of the trackers mentioned here that charges a fee. That is why, up to now, I haven’t tried it. But there is a free 30 day trial that I could use for NaNo to see if the motivation of killing those cute monsters and having quests really motivates me enough to be worth the money. Have you tried it? Would you recommend it?
How do you track your word count? Are there others I should be looking into?
And of course, I’ll be tracking my word count here, too. So you can see how it’s going.
That means it’s time for NaNoWriMo again! You maybe have heard of the yearly challenge of trying to write a novel in thirty days. These are those days.
NaNoWriMo and I have a speckled history, to say the least. I began trying to NaNo in 2013, and for YEARS I could not win. I tried nearly every year from 2013-2019 and lost every time.
Then in 2020, I tried again and won!
What was the difference? Honestly, I have no idea. Maybe there were so many fewer social commitments because of the pandemic. Maybe it was that I finally had an office. Maybe it was that I finally got more involved with my local NaNo group (shout out to Alaska WriMos!).
In any case, it lit a fire under me. I am a slow writer, and to think I could do 50000 words of writing in 30 days (and actually, I wrote the vast majority of those in the last two weeks) just blew my mind.
Was it my best work? No. Was it a finished novel? Also obviously no. But it was a really good start on the first draft of the next book in the series I was working on and I was thrilled.
So, here I am again.
I will be trying to journal here every day of November, letting you know how I am going, the word counts, and documenting how it happens.
Check back for updates, and to keep me honest!
PS: Are you doing NaNo too? I would love to hear how it is going for you. The camaraderie is the best part!
Writing can be lonely, y’all. It can be a very long slog with not a lot of recognition and no small wins along the way. I can be awash in a sea of ideas one day and swamped in petty author “to-dos” the next. Need to make an author website. What about that sequel to my memoir rattling around in my brain? Often, when I sit down I feel so overwhelmed by the amount of things I could be doing that I freeze up and do nothing at all.
But I’ve found something that’s helping. It’s not a magic pill, but it feels like I am training myself to be more purposeful in how I spend my days, and making it just a little bit easier to sit down and get started. And I feel these little nudges making a difference.
What is HB90?
HB90 stands for Heart Breathings 90. It’s a 90-day planning system designed for writers and creative entrepreneurs. It uses a lot of psychological principles to help you keep motivated and take actionable steps toward your dreams.
It includes a planner and a whole support and motivation system, with kanban boards, rewards, community for accountability, and a whole process to bang out your hopes and tasks for each quarter.
For me, this system works on two different levels. It’s nice to have a planner that is geared for writers, but the reason this works is that the process is based on proven principles from psychology. It actually looks a lot like cognitive behavioral therapy, but in the form of a planner (hello, markers and washi tape!).
Sarra Cannon, the creator of this system, is an indie writer who has published more than 25 novels. She’s also very open about the fact that she has dealt with depression and anxiety; this planning system was born out of that struggle. So HB90 is geared toward writers and creative entrepreneurs, but I personally have noticed that it is especially helpful in dealing with depression and anxiety. The system that Sarra has developed to help her through mental health issues is also helping me!
A Planner for Writers
HB90 is first and foremost a planner system that’s designed with writers in mind. There are pages to plan your work in progress and keep track of your word count, etc. A lot of Sarra’s videos explain things from the point of view of a writer, using writer’s goals and tasks as examples. But, I do think this would work for any kind of creative or entrepreneurial endeavor.
If you are trying to create a writing life, you know it can be hard to find the time, pick the projects, think about publication or marketing. This is a system that takes the lonely, scattered bits of being a writer and helps you shape them into a puzzle that can reveal your ideal life.
It’s a planner that takes into consideration both the artistic side of writing and the goal-oriented business side, and creates a balance between the two. There is a part of me that feels like my writing is somehow sacred and should not be measured. However, I’ve found that, for me, the advantage of using this kind of goal-oriented approach is that it gives me milestones along the way down the long, lonely road of writing a novel so that I can see the progress I’m making and celebrate my wins. This has been keeping me motivated and more consistent in my writing routine, which is a boon for my creativity and the muse.
A Planner to Help with Depression and Anxiety
Sarra Cannon is graciously candid about her struggles with mental health issues on her youtube channel and also on her instagram account. Though the HB90 system is not specifically billed as a system that helps with depression and anxiety, I have found that it helps with mine, and I suspect that Sarra has developed this system as a way to deal with her own struggles.
I have been working through the Cognitive Behavioral Theory Workbook (which I also high recommend to help with anxiety and depression) and some of the most practical and useful aspects of HB90–thinking of how to refill your well, identifying low-energy tasks, and taking time to really identify what you value, overlap with CBT. Of course, I’m no mental health expert and this isn’t medical advice. This link is pure conjecture on my part, but it’s helped me enough with my own mental health issues that I think it’s important to mention.
What is HB90 Bootcamp?
HB90 Bootcamp is a seven-day course that walks you through a detailed process of envisioning your long term goals, prioritizing the things you need to do, looking realistically at your time, and creating a system that will support you in actually following through. It’s a course that teaches you step by step how to take on the HB90 method.
The course takes place over seven days, and each day contains a couple of hours of video and homework. The homework is all encapsulated in the planner that comes with the course, so it is very much like a workbook that you can look back on throughout the quarter. Each step of the way, the videos and workbook show you the reasoning behind the process and alternative ways to think about each step, which helps make the system very customizable.
Things I Love about It
It actually comes with a lot.
I have seen other five-day or weeklong courses that only come with a bit of instruction or work each day. This course comes with more than an hour of video every day, the planner, the facebook accountability group, a workbook to envision your ideal life, and a live kickoff call.
The value in this really comes with the fact that you are then welcome to join every quarter. So every quarter, you can go through the process again, re-examine your goals and your vision for your life, and plan out the next 90 days so you can take the steps you need to to get there!
The system is flexible.
I have been doing the HB90 system for over a year now and every quarter I have been able to tailor it to my specific needs that quarter. I have done digital kanban boards, in-planner kanbans for when I travel, checklists, different kinds of reward systems. Each quarter I can see better which parts of it motivate me and which parts I can leave by the wayside.
One thing that I really love about Sarra Cannon is that there are tons of levels at which you can engage, like just buying the planner, or following some of the planning advice on her youtube channel, all the way to going through the bootcamp.
It really does get better each time.
This is something I’ve heard Sarra say a few times, and I have to admit I rolled my eyes the first time I heard it. This month, I will be doing the course for my fifth time, and it really has gotten better each time. Each quarter I can say that my vision for my life becomes more clear, what I am trying to do and why becomes more clear, and the things that will help bring me toward those goals become more clear.
What’s Difficult about It
It asks hard questions.
Honestly, I struggled with whether to list this as a thing I love or a difficulty. The hard questions are good. Taking a big, eagle-eyed view of where you are and where you want to be is an important step in creating the life you want, but it is difficult. If I’m being honest, this has been the most difficult part of the HB90 course for me every time I do it. It really asks you to dig deep and think about why and how you are heading in the direction you are heading. And sometimes, the answers to those questions are uncomfortable.
It takes time.
The course is structured so that it takes about a week to complete, and I would say you do need that whole week. You could watch the videos all at once, but there’s a lot of thinking and processing between videos which I think is really important.
You don’t necessarily need to do it at the same time as everyone else. In the Facebook alumni group there are often people going through the course the first week of the next quarter or several weeks after the quarter begins, and they still get the support of the group. However, you definitely need to set aside about a week’s worth of time to do it.
The Verdict: Is It Worth It?
Sarra Cannon has a suite of courses for writers. In addition to HB90 Bootcamp, she also has a course called Publish and Thrive; you can read my review of that course here. The thing I find interesting about Sarra’s courses is that they are packed full of information, but what is really valuable about them is the way they empower you to envision and create a writing life that sticks with you long after the information is forgotten.
So, for me, it’s been totally worth it. I was at a point in my life where I knew something had to change. Actually, I knew everything had to change, but I had no idea where to even begin making the changes. After a year of working with this planning method, I can definitely say that I am working toward the life I want on a daily basis and thinking often about the direction I’m heading and what I want my life to look like. That has definitely been worth it.
Note: This post contains affiliate links to Sarra’s courses, which means if you choose to enroll after clicking my link, I will receive a small commission at no extra charge to you. That being said, I am recommending this course because it really has changed my thinking on my writing career and helped me manage my mental health issues, so I want to spread the word!
There’s something about the lure of dangerous plants. The call of the Angel’s trumpet. The come-hither tendrils of poison ivy. The flashy blooms of oleander. Deadly plants have rich stories and lurid histories, and this makes them ripe for character development. This prompt walks you through creating a character based on a poisonous plant, and offers questions to ask your character that will get your plot racing.
Step 1: Start with a little bit of research.
Choose a dangerous plant. You can pick one of the most deadly, or one of the most poisonous, or the most dangerous. The descriptions in the links here might be enough to get the inspiration flowing, or you might want to use Wikipedia to do more research on a particular plant that speaks to you. Take notes about what strikes your interest. You might even let yourself go down the rabbit hole of research a little bit. Look into legends, history, and the biology of the plant. Often, poisonous plants have very interesting ways of interacting with humans, and of reproducing.
Step 2: Anthropomorphize!
Create a character based on the plant. Perhaps it is something about the way the plant kills. A lot of these plants have interesting historical tales surrounding them. Abraham Lincoln’s mother died from drinking milk tinged with white snakeroot. A Bulgarian dissident was killed with the chemical from castor seeds. What would this story look like from the plant’s point of view? Did Socrates deserve what the hemlock did to him?
What would this plant look like as a person? Would she be pale and unassuming, but deadly when you get close? Or would she be flamboyant and loud, luring everyone to her side? Is he spindly or robust? You could approach this question two ways: how would the physical characteristics of this plant translate into the look of a person? For example, does the character have eyes the color of wolfsbane? Or a rosary of rosary peas around their neck? Or you could think more about the personality of the plant. Are they sneaky? How would that look in a person? (But make sure to stay away from stereotypes!)
Once you are starting to envision your plant as a character, you’re ready to interrogate them!
Step 3: The 3 Most Important Questions to Ask Your Character
Think of this plant as a character. All characters have desires, needs, and a drive to be happy. But the trick is tying the desires and needs of the character directly to the plot. The way to do this is to ask the right questions. You don’t necessarily need to know all of the character’s favorite foods, bands and holiday spots, but you do need to know what makes them tick, how they are going to act, and, ultimately, how they are going to change.
These are the three most important questions to ask any character you create because these are the questions that are going to drive your character’s actions, and therefore also drive your plot. So let’s get digging!
What lie does your character believe?
The best stories have dynamic characters, which means your character needs to change. Maybe this is a small change, like realizing that they actually do like oranges, or maybe it’s a big change, like realizing maybe they don’t feel very fulfilled by poisoning people. Either way, we need to see some transformation, which means they need to change their mind about something. So, what are they going to change their mind about? What lie do they believe?
Another way to think about this is to think about it as a character flaw. What’s wrong with this character that needs to change? How are they acting/thinking/living in a way that does not actually make them happy? How does that relate to the lie they believe?
This is really the root of the matter.
What do they think will make them happy?
Give your plant-character a goal, a terribly misguided goal. This is especially powerful if their goal is based on the lie they believe. What are they pursuing because of this misbelief? What’s wrong with their life as it is, and what do they think they need to get/do/say/love/change in order to be happy?
Something to note about this question: it’s important that this is what they want which is wholly separate from what they need. This goal should be driven by the misguided belief that they hold. This is a goal that should change by the end of the story (even if it is the very last sentence!).
Then focus on what they are going to do to try to pursue this goal: What are they willing to do? What actual steps can they take to try to get there? But don’t forget, you, dear dangerous writer, are not going to let them achieve this goal.
What is going to change their mind?
Finally, what does your character come up against that makes them see the error of their ways? What is the tipping point, the pivotal moment that makes your character rethink their motives and their goals? What’s the event that makes them see the truth?
Of course, these are questions you can ask any character you make, whether they are based on a plant or not. These questions about your character’s personality are questions that specifically drive the plot of your story. You’ve got rich soil to work with.
Step 4: Plants into Plots
Now the plot thickens. (And yes, gardening puns totally intended.)
The real twist in this plot is that this dangerous plant is your protagonist. We know their flaws. We know what they are willing to do because of the lies they believe. So how does it all pan out? This is where the real world action meets the emotions within your herbaceous character. What steps are they taking in their life to try to pursue the lie that they think will make them happy? How does this plan fail? What stands in their way? And what eventually shows them (and your reader) the error of their ways?
Don’t forget, even as this plant is dangerous and believes this terrible lie, we still need to feel something for the character. Why are we rooting for this plant? We don’t have to like the plant, but we need to be interested. How does this dangerous, poisonous plant become a character that we can relate to and whose story we want to read?
Why this works
It might feel ridiculous to start a character with a plant. I mean, for a lot of people they are basically inanimate objects. But beginning the story by trying to find parallels between a human and a plant can help you see human stories from a different perspective. It frees you to think about different motivations and desires.
In terms of the questions to ask your characters, the power is in connecting the changes in your character and the events of the plot. If you allow your plot to be driven by the false belief of the character, the change that they undergo because of the incidents that happen in the story will have much more meaning. The character’s inner journey and outer journey will resonate, which means your story will resonate with readers also.
Finally, I want to give a very big shout out to Abbie Emmons on Youtube. The character questions here are loosely based on her very useful worksheets and videos about character-driven plotting. Definitely check out her channel for more in-depth info on these questions and more ways to think about characters and what drives them. She has short, punchy, informative videos on how to make your writing meaningful and I highly recommend checking them out! They are very good fodder for when you get stuck!
Have you tried this prompt? I would love to see how it comes out! Post a link or paste your results below.
Let me say from the start that I feel a little bit like a Sarra Cannon fangirl. I stan her, I guess you could say. And I am a zealot for a reason.
I want to share this course because it made me re-envision the possibilities for my writing career. I’ve been a teacher all my life. My husband often points out my Lisa Simpson tendencies (“Grade me! Tell me I’m good!”). I spent the entirety of my life believing that writing could only be the sidepiece to my day job, that I would always have to teach, that no one makes money as a writer. This way of thinking solidified in graduate school, where the traditional style of publishing is lauded as the only way and every “successful” writer is also a teacher.
I believed there was only one way to be a writer, and the road was hard and selective. That you have to cross your fingers and hope your book lands on the right person’s desk on the right day. That the only way to get your work out into the is to beg at the gatekeeper’s door and hope that each sentinel making decisions about your work would see the value in it.
Basically, it was incredibly disempowering to think about writing in this way.
This course transformed the way I think about how writing fits into my life. It changed what I believe is possible in a writing career.
WHAT IS PUBLISH AND THRIVE?
Publish and Thrive is a five-week course for authors (especially indie authors!) who want to develop a writing career that will sustain them not only financially but also artistically. It walks you step by step through the process of developing your ideas into publishable books, marketing those books, and building a writing life that will bring more than money (but also money).
It’s been my dream for some time to find ways to help artists make money. Not because I am super interested in money (if you know me at all, you’ll know I am not), but because I believe that art is valuable. Books are valuable. Poetry and stories are valuable. And the way we show value in our current society is money. I want artists and writers to be able to support themselves and create more beautiful, valuable things. This showed me not only a way to do it for myself, but also a way to include others and bring them along.
The shape of publishing is changing. The democratization of technology of course has its good and bad sides, but the shifts in the publishing business are an example of the good. You don’t need to ask permission anymore. Of course, this means there’s all kinds of books of varying quality that are published and things that are super niche. But that’s great! It puts the distribution and production of the work in the hands of the writer. The writer no longer needs to be beholden to what an agent/editor/publisher/distributor/bookstore thinks will sell. Instead, the author just needs to find their readers, connect with them, and understand them.
This is exactly what Publish and Thrive teaches you to do.
The course is taught by Sarra Cannon. She is an indie author who has published more than 25 novels and has made more than a million dollars from her books. She has been self-publishing since 2010. She’s also a former teacher and this really shows in both her course design and her teaching style.
The course lasts five weeks, although honestly, it’s way too much information to fully absorb in that amount of time. Thankfully, you get lifetime access, including all of the updates and bonuses that Sarra adds each time (there have been a lot!).
WHAT MAKES PUBLISH AND THRIVE DIFFERENT?
This course distinguishes itself because it doesn’t just concentrate on your sales or popularity; it also teaches you about designing a writing career in which you can really thrive.
I have read a ton of advice for indie authors since beginning this journey. There are a lot of useful resources out there. However, a lot of these are prescriptive. They tell you what your career should look like and what you should do. It’s often really useful information that shows you what has worked for other people and their books. But the thing is, you’re not other people, and what works for them and their books is going to be different than what works for you.
This is not a course that tells you that you must learn to use Amazon ads and get a million Instagram followers. This is a course that lays out all the possibilities for publishing and guides you in picking and choosing which possibilities are going to work best for you, your books, and your career. Sarra doesn’t tell you what you should do. She shows you the things you could do. This teaching style makes all the difference.
This is a course that understands creative passion and artistic drive, and helps you take these things into consideration while also taking concrete steps toward your vision for your writing life.
WHAT TO EXPECT
Module 1: Gearing up for Success
This week contains several lessons on everything from developing a publishing strategy to writing your best book to your author website. Basically, it covers everything that you want to think about before you actually hit publish: the ideas, the writing, the editing, the cover art, the title, the blurb, and setting up your author platform. It’s a deep dive into bridging the gap between your creative ideas and the preparation it takes to put those ideas out into the world where readers can actually find them. In this first week, Sarra covers your author mailing list, social media, and your website.
Module 2: Publishing Your Novels
Week 2 gets into the nitty-gritty of actually hitting publish on your novel! There is a surprising amount to do,and Sarra walks you through all the ins and outs of publication. This week delves into how to find your ideal reader, ISBNs and how to get them, keywords and metadata, and formatting. There’s also whole lessons that walk you through the nuts and bolts of publishing on each of the major vendors, including Amazon, Apple Books, Barnes and Noble, Google Play, and Kobo Books. She also has lessons on how to publish in print and audio.
Listen, I said it was a lot of information, and it is. But it’s presented in bite-sized chunks that make each step seem totally manageable. It’s also set up so that when you reach each stage in your publishing journey, the information that you need at that point is easily accessible.
Module 3: Running Your Writing Business
This week is one that I know can be intimidating for lots of writers: the week of numbers! Thinking about money and yourself as a business can make an artist want to run screaming for the woods. Ahhh! But it’s important stuff, and the way it’s presented in Publish and Thrive makes it doable(and the spreadsheets are already made for you!). Week 3 includes lessons on structuring your business, pen names, tracking sales, taxes, and budgeting.
But the best lesson in this week is one that made me weep and ultimately changed the way I think about my writing: Cultivating an Entrepreneur’s Mindset. It was so helpful to see how another creative and sensitive soul thinks about this and it straight-up transformed the way I think about my art.
Module 4: Marketing Your Books
The module on marketing your books is by far the longest, with the most information. This is partially because there is a lot to know, but also because Sarra does not give you a marketing plan. Rather, she shows you the options, helps you weigh the pros and cons in your own situation, and helps you get the ball rolling. Week 4 explores pricing, ads, preorders, launching your books (with a few different launch plans), and reviews. There’s also special lessons about how to market your books if you are a slower writer or writing nonfiction or standalone books.
There is no one-size-fits-all-you-must-write-series-and-rapid-release advice here. There are lots of options!
Module 5: Creating Success That Lasts
The last week of the course is entirely devoted to creating a sustainable career and writing life. Sarra spends nearly 20% of the course talking about how to thrive, how to make a writing life that you can really live with, and how to find joy in the process. It touches on everything from time management to handling criticism to organizing your data. It also covers goal-setting, burnout, and planning. The range and depth of topics that this module covers shows the amount of thought that has gone into her lessons. This course recognizes that an author is not a machine, that writing can be a business but also be more than just business, and shows how to build a writing career that will really support you for the long term.
WHAT’S INCLUDED
For me, one of the most important (and very necessary!) perks of the Publish and Thrive course is the lifetime access. I was just drafting my first novel when I started the lessons, so I was definitely not ready to think about box sets or newsletter swaps, but I was glad that the information would be there when I was ready to delve deeper into those parts of the process. Also, indie publishing is constantly shifting and changing, and the course gets updated regularly. Since I took the course a year ago, five new lessons have been added, as well as new resources, like launch plans.
Each module of the course contains between three and five hours of video lessons, as well as four recordings of question and answer sessions with previous students. The Q and A videos are each about two hours long, so each module has 10 to 15 hours of information (3 to 5 hours of instruction and 8 to 10 hours of Sarra answering questions from previous students).
Each week, there’s also a new live Q and A session with Sarra where you can ask your own questions. I personally didn’t listen to the Q and A sessions from past rounds of the course in the beginning, because time was tight and I figured the questions were probably not relevant to me. Actually, these sessions are also packed full of information–it’s enlightening to hear about other students’ plans, challenges, and successes.
Each module also contains a workbook for that module, about 20-40 pages of information, links, and recommendations of other resources to check out. There are even bonus workbooks for plotting your novel, editing your novel, and sample launch plans. Finally, for those writers who are adverse to spreadsheets, there are spreadsheets already set up where you can track your sales, taxes, budget, etc.
Finally, enrolling in the course also gives you access to the Publish and Thrive Facebook group. This allows you to post questions any time, and Sarra is impressively responsive. But you don’t just get responses from Sarra. You also get answers from the other alumni, who are at varying stages of their career. The group is very supportive, and it’s useful to see the questions that others ask as well.
THE DRAWBACKS
I know I keep getting into infomercial territory. I am really trying not to, and I apologize.
I promised an honest review, and as much as I felt like the Publish and Thrive course really helped, there are some caveats.
This course is lot of information in a very short time span.
The biggest thing I found difficult about this course was that it was A TON of information in a very, very short amount of time. Maybe it’s just the university instructor in me, but I feel like this could easily be a semester-long course. That being said, I love that Sarra allows lifetime access to the materials, because honestly, you need it. I personally could not absorb all of the information or walk through the process in a matter of five weeks.
This course is spendy.
I definitely needed a nudge to justify spending this kind of money on a career that I am just starting. I am honestly lucky to have a supportive husband who is also a writer. He pushed me to invest in myself. Why is it easy for me to spend hundreds of dollars on a university course but I hesitated with this? I;m not sure. Because honestly, Publish and Thrive was probably a much better investment.
This course is time-consuming.
If you plan on following along week by week, participating in the weekly Q and A, and watching all the videos in five weeks, you definitely need to make some time in your schedule. There’s nothing that says you need to watch all the videos “on time”, but it sure is nice to be able to ask questions in the Q and A. That being said, this kind of deep dive into the business of indie writing is not possible in a tiny snippet of time. So fair warning, clear some time for yer learning.
THE FINAL VERDICT
I can’t tell you that Publish and Thrive is going to make you a millionaire. I can tell you that Publish and Thrive has shifted my mindset completely, from thinking of my writing as something that I needed to squeeze into the minutes between my real life to thinking of my writing as my purpose, my meaning, and the way I show up in the world.
This course helped me see that no matter how much time I have (it is often not much!) I can move in the direction I want my writing career to take, and that doesn’t have to look like anyone else’s. (Note: Sarra also has a course called HB90, which focuses on time management and goal setting that really helps if you feel pinched for time and are not sure where to start! You can see my review of that course here.)
It’s made me let go of looking to the gatekeepers for permission to get my words out into the world. Instead, I am just doing it, and I have a clear vision of how to get there. That transformation in mindset is probably the most valuable investment I have ever made in myself.
I definitely needed a nudge in order to go for it.
So if you need that nudge, let me be it. Creating a writing life that will sustain you is worth it. Living up to your potential is worth it. You are worth it.
This post contains affiliate links to Sarra’s courses, which means if you choose to enroll after clicking my link, I will receive a small commission at no extra charge to you. That being said, I am recommending this course because it really has changed my thinking on my writing career and what’s possible for writers and I want to spread the word!
Write about a new connection being made because of COVID-19. This might be an essay or poem about your real life experience, or you can create a story of a fictional connection.
What new connections have been made because of COVID-19? This could be connections with others, connections with yourself, connections with a place, etc. Write the story of this connection. How did it come to be? Why is it important? What are the possibilities of where this connection will go?
This post is part of a series I am doing that includes 30 prompts for 30 days of sheltering at home. You can read more about my reasoning and also find other prompts here. I would love to see what you come up with. Feel free to share here or to tag your work #shelterandwrite.
Find a work of visual art about COVID-19 that moves you. You could consider these works of street art. It could be a photograph from the news. It could even be a meme, a cartoon, or anything visual that you might tie to the pandemic.
Write a piece in which this work of art comes to life. Describe the art for us in detail. What is the context of the visual moment that you see? Who are the people depicted? Who is behind the art? Why did you choose this piece, and why is it evocative to you? What does this image not show?
This post is part of a series I am doing that includes 30 prompts for 30 days of sheltering at home. You can read more about my reasoning and also find other prompts here. I would love to see what you come up with. Feel free to share here or to tag your work #shelterandwrite.
