Dangerous Plants: A Writing Prompt for Character Development

There’s something about the lure of dangerous plants. The call of the Angel’s trumpet. The come-hither tendrils of poison ivy. The flashy blooms of oleander. Deadly plants have rich stories and lurid histories, and this makes them ripe for character development. This prompt walks you through creating a character based on a poisonous plant, and offers questions to ask your character that will get your plot racing.

Step 1: Start with a little bit of research. 

Choose a dangerous plant. You can pick one of the most deadly, or one of the most poisonous, or the most dangerous. The descriptions in the links here might be enough to get the inspiration flowing, or you might want to use Wikipedia to do more research on a particular plant that speaks to you. Take notes about what strikes your interest. You might even let yourself go down the rabbit hole of research a little bit. Look into legends, history, and the biology of the plant. Often, poisonous plants have very interesting ways of interacting with humans, and of reproducing. 

Step 2: Anthropomorphize! 

Create a character based on the plant. Perhaps it is something about the way the plant kills. A lot of these plants have interesting historical tales surrounding them. Abraham Lincoln’s mother died from drinking milk tinged with white snakeroot. A Bulgarian dissident was killed with the chemical from castor seeds. What would this story look like from the plant’s point of view? Did Socrates deserve what the hemlock did to him? 

What would this plant look like as a person? Would she be pale and unassuming, but deadly when you get close? Or would she be flamboyant and loud, luring everyone to her side? Is he spindly or robust? You could approach this question two ways: how would the physical characteristics of this plant translate into the look of a person? For example, does the character have eyes the color of wolfsbane? Or a rosary of rosary peas around their neck? Or you could think more about the personality of the plant. Are they sneaky? How would that look in a person? (But make sure to stay away from stereotypes!)

Once you are starting to  envision your plant as a character, you’re ready to interrogate them!

Step 3: The 3 Most Important Questions to Ask Your Character

Think of this plant as a character. All characters have desires, needs, and a drive to be happy. But the trick is tying the desires and needs of the character directly to the plot. The way to do this is to ask the right questions. You don’t necessarily need to know all of the character’s favorite foods, bands and holiday spots, but you do need to know what makes them tick, how they are going to act, and, ultimately, how they are going to change.

These are the three most important questions to ask any character you create because these are the questions that are going to drive your character’s actions, and therefore also drive your plot. So let’s get digging!

1. What lie does your character believe? 

The best stories have dynamic characters, which means your character needs to change. Maybe this is a small change, like realizing that they actually do like oranges, or maybe it’s a big change, like realizing maybe they don’t feel very fulfilled by poisoning people. Either way, we need to see some transformation, which means they need to change their mind about something. So, what are they going to change their mind about? What lie do they believe?

Another way to think about this is to think about it as a character flaw. What’s wrong with this character that needs to change? How are they acting/thinking/living in a way that does not actually make them happy? How does that relate to the lie they believe?

This is really the root of the matter.

2. What do they think will make them happy?

Give your plant-character a goal, a terribly misguided goal. This is especially powerful if their goal is based on the lie they believe. What are they pursuing because of this misbelief? What’s wrong with their life as it is, and what do they think they need to get/do/say/love/change in order to be happy? 

Something to note about this question: it’s important that this is what they want which is wholly separate from what they need. This goal should be driven by the misguided belief that they hold. This is a goal that should change by the end of the story (even if it is the very last sentence!).

Then focus on what they are going to do to try to pursue this goal: What are they willing to do? What actual steps can they take to try to get there? But don’t forget, you, dear dangerous writer, are not going to let them achieve this goal.

3. What is going to change their mind?

Finally, what does your character come up against that makes them see the error of their ways? What is the tipping point, the pivotal moment that makes your character rethink their motives and their goals? What’s the event that makes them see the truth? 

Of course, these are questions you can ask any character you make, whether they are based on a plant or not. These questions about your character’s personality are questions that specifically drive the plot of your story. You’ve got rich soil to work with. 

Step 4: Plants into Plots

Now the plot thickens. (And yes, gardening puns totally intended.)

The real twist in this plot is that this dangerous plant is your protagonist. We know their flaws. We know what they are willing to do because of the lies they believe. So how does it all pan out? This is where the real world action meets the emotions within your herbaceous character. What steps are they taking in their life to try to pursue the lie that they think will make them happy? How does this plan fail? What stands in their way? And what eventually shows them (and your reader) the error of their ways?

Don’t forget, even as this plant is dangerous and believes this terrible lie, we still need to feel something for the character. Why are we rooting for this plant? We don’t have to like the plant, but we need to be interested. How does this dangerous, poisonous plant become a character that we can relate to and whose story we want to read?

Why this works

It might feel ridiculous to start a character with a plant. I mean, for a lot of people they are basically inanimate objects. But beginning the story by trying to find parallels between a human and a plant can help you see human stories from a different perspective. It frees you to think about different motivations and desires.

In terms of the questions to ask your characters, the power is in connecting the changes in your character and the events of the plot. If you allow your plot to be driven by the false belief of the character, the change that they undergo because of the incidents that happen in the story will have much more meaning. The character’s inner journey and outer journey will resonate, which means your story will resonate with readers also.

Finally, I want to give a very big shout out to Abbie Emmons on Youtube. The character questions here are loosely based on her very useful worksheets and videos about character-driven plotting. Definitely check out her channel for more in-depth info on these questions and more ways to think about characters and what drives them. She has short, punchy, informative videos on how to make your writing meaningful and I highly recommend checking them out! They are very good fodder for when you get stuck!

Have you tried this prompt? I would love to see how it comes out! Post a link or paste your results below.

Are you interested in trying more prompts? You might like this prompt using plot generators, this prompt setting myths in new places, or 30 days of writing prompts designed to get you through quarantine.

Enjoy!